In her review for The Times, Anna Kisselgoff described the score as “contains panting sounds, pop songs and the occasional mean beating of a drumstick that breaks through the classical structures and struggles to stay intact at the bottom of the pit”.
Once, Mr. York waved his baton and conducted an absolutely silent orchestra.
Donald Griffith York was born on June 19, 1947 in Watertown, NY. His mother Magdalene (Murphy) York was an organist and choir director; his father, Orel York, was a history teacher who later worked as an instructor for the FBI
Donald grew up in Delmar, a suburb of Albany. He had perfect hearing and was already composing piano music at the age of 7. As a teenager, he attended a summer program at the Juilliard School in Manhattan. In 1969 he earned a bachelor’s degree in composition from Juilliard.
Recognition…York family
After graduating, he played in several contemporary bands, including a synthesizer group called The First Moog Quartet, and for the pop duo Hall and Oates, before joining Paul Taylor in the mid-1970s. He has also conducted for the New York City Ballet and Broadway musicals, including “Clams on the Half Shell Revue”, Bette Midler’s mockery of Broadway show tunes. And he composed choral works and song poems.
In the early 1990s, Mr. York moved to Southern California. He is survived by his companion Debbie Prutsman, a performer and educator; his wife Anne York, a graphic artist he was separated from; three stepchildren, Nick, Tasha, and Andrew Bogdanski; and a brother, Richard. In 1985 he divorced his first wife.
Mr. York was a nocturnal composer. It was his habit to go to bed at 7 p.m., wake up between 1 and 2 a.m., make a pot of coffee, and go to work. He called these hours his “crazy time,” Ms. Prutsman said, adding that he would normally be ready by dawn.
Mr. York retired on November 17, 2019 and bowed at the final performance of the Paul Taylor Company season at Lincoln Center. His last concert composition for the American Brass Quintet will be performed in July at the Aspen Music Festival and School, where he studied as a teenager. On his death, Mr. York wrote an operatic musical about a child prodigy named “Gifted”.
