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Moderna Begins Testing Its Covid Vaccine in Infants and Younger Kids.

The pharmaceutical company Moderna has started a study testing its Covid vaccine in children under the age of 12, including babies as young as six months, the company said Tuesday.

The study is expected to enroll 6,750 healthy children in the United States and Canada.

“There is a great demand for information about vaccination in children and how it works,” said Dr. David Wohl, the medical director of the University of North Carolina Vaccination Clinic, who is not involved in the study.

In a separate study, Moderna is testing its vaccine on 3,000 children aged 12 to 17 years.

Many parents want protection for their children, and vaccinating children should help create the herd immunity that is believed to be critical to ending the pandemic. The American Academy of Pediatrics has called for vaccine studies to be expanded to include children.

Every child in Moderna’s study receives two recordings 28 days apart. The study will consist of two parts. In the first case, children aged 2 to under 12 can receive two doses of 50 or 100 micrograms each. People under the age of 2 may receive two exposures of 25, 50, or 100 micrograms.

In each group, the first children to be vaccinated are given the lowest doses and monitored for reactions before later participants are given higher doses.

The researchers then conduct an interim analysis to determine which dose is the safest and most effective for each age group.

Children in the second part of the study receive the doses or placebo shots selected by the analysis, which consist of salt water.

The children will be followed for a year to look for side effects and measure antibody levels, which will allow researchers to determine if the vaccine is effective. Antibody levels will be the main indicator, but researchers will also look for coronavirus infections with or without symptoms.

Dr. Wohl said the study was well designed and likely efficient, but asked why the children should only be observed for one year when adults in Moderna’s study were observed for two years. He also said he was a bit surprised that the vaccine was being tested in children so young so soon.

“Should we first learn what happens to the older children before we go to the really young children?” Asked Dr. Well. Most young children don’t get very sick from Covid, although some develop severe inflammatory syndrome that can be life-threatening.

Johnson & Johnson has also announced that it will test its coronavirus vaccine in babies and toddlers after first testing it in older children.

Pfizer-BioNTech is testing its vaccine in children ages 12-15 and plans to switch to younger groups. The product is already approved for use in the USA from the age of 16.

Last month, AstraZeneca began testing its vaccine in the UK in children 6 years and older.

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Health

Despair Deepens for Younger Individuals as Pandemic Drags On

The situation is so serious that his team did not send children home for Christmas, as they normally would. Isolation has also disrupted the usual teenage transition as young people moved from belonging to their family to belonging to their peers, added Dr. Vermeiren added. “You feel empty, lonely and this loneliness drives you into despair,” he said.

In Italy, calls to the main hotline for young people who have considered or tried to harm themselves have doubled over the past year. The beds in a children’s neuropsychiatry department at the Bambino Gesù Children’s Hospital in Rome have been full since October, said Dr. Stefano Vicari, the director of the department.

The hospitalizations of young Italians who injured themselves or attempted suicide increased by 30 percent in the second wave of falls, he added.

“For those who say that after all these are challenges young people have to go through in order to get them out stronger, it only applies to some who have more resources,” said Dr. Vicari.

Catherine Seymour, director of research at the Mental Health Foundation, a UK-based charity, said young people in poor households are more likely to experience anxiety and depression among nearly 2,400 teenagers, according to a study.

“People in poor households may be more likely to lack space and internet access to help with schoolwork and communicating with their friends,” Ms. Seymour said. “They can also be affected by their parents’ financial worries and stress.”

Studies from the first locks suggest they may have already left indelible marks.

In France, a survey of nearly 70,000 college students found that 10 percent had thoughts of suicide in the first few months of the pandemic and more than a quarter suffered from depression.

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Entertainment

Who Performs Younger Peter and Lara Jean in To All of the Boys 3?

Long before Peter Kavinsky and Lara Jean Covey made college plans, they were kids who grew up together. We don’t get much glimpse into her pre-high school life in the Netflix movies, but in To all boys: always and forever Fans are blessed with a little look back at their middle school days. That sweet moment shows where the story of Peter and LJ began, but who actually played the younger versions of the characters we know and love? It turns out that both actors came from another popular Netflix project: The babysitting club.

Momona Tamada and Rian McCririck stepped in the shoes of Lara Jean and Peter for the final episode of To All the Boys, which premiered on February 12th. “So lucky I got a little role on this project and met the author of this incredible book, movie,” McCririck wrote on Instagram, along with a photo of him and Tamada with writer Jenny Han. When Tamada and McCririck aren’t playing young Covey and Kavinsky, they bring Claudia Kishi and Logan Bruno to life. There is something special about those onscreen projects that start out as books, don’t they? I can’t wait to see more of these two The babysitting clubSeason two is (hopefully) coming to Netflix soon.

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Lengthy-haul Covid signs ought to be a ‘wake-up name’ for younger folks, Texas Youngsters’s physician says

Around 10 to 30% of all Covid patients suffer from long-distance symptoms. Sinais Center for Aftercare. These numbers should be a “wake up call” for young people and motivate them to avoid infection, said Dr. Peter Hotez of Texas Children’s Hospital on CNBC’s “The News with Shepard Smith”.

Patients with post-acute Covid syndrome typically suffer from severe fatigue, shortness of breath, digestive problems, “brain fog” and a racing heart. Some may even develop type 1 diabetes after contracting Covid, said Dr. Hotez. Endocrinologists are still trying to understand exactly why this is happening.

Another question that researchers still cannot answer is whether long-distance symptoms will remain in Covid patients for the rest of their lives. Millions of Americans are already infected, according to Hotez, and those who experienced mild symptoms and were able to stay home to recover are most likely to have problems with post-acute Covid syndrome later, according to later research.

Of all the lingering effects of Covid, Hotez said to Smith, “The ones that worry me most are the cognitive deficits. We call it ‘brain fog’ which makes it sound like it’s not that serious, but it is. You know people have it. ” terrible difficulty concentrating and that’s why it was so devastating because it’s difficult for people to get back to work. “

The post-acute Covid syndrome will have a significant impact on the economy and the health system, said Hotez. Covid has a “severe psychiatric burden”, even for people who were not infected. They can suffer from “post-traumatic stress” from losing a loved one, earning a living, or simply dealing with pandemic living conditions.

“As horrific as the deaths are and as heartbreaking as the deaths, this will be just one of many pieces of Covid-19 that will be with us. It’s also a wake-up call for young people,” Hotez said.

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Entertainment

On Ballet TikTok, a Place for Younger Dancers to Be Actual

“TikTok is so carefree, why not have some fun with it?” Said Watters. “Highlighting these comments also puts a little pressure on: talking to dancers this way is not okay, and maybe you could be exposed for this type of behavior as well.”

One of the reasons Watters is comfortable with everything hanging out on TikTok is because he doesn’t have to worry about his boss rolling by. “I would have a hard time finding an art director who really knew what TikTok is,” he said. But the “mom and dad aren’t home” atmosphere may not continue.

Professional ballet is making progress. The American Ballet Theater, one of the country’s leading companies, had its dancers take a TikTok course last spring. The company has been posting exploratory videos at @americanballettheatre since August and is expected to be the first major ballet company to officially open a TikTok account. Wherever the ballet theater goes, other troops are sure to follow, a change that could transform the app’s ballet ecosystem.

Or maybe not. Current residents of the TikTok ballet may simply ignore corporate offers, especially if corporate accounts end up as a showcase for tech. “When I scroll through TikTok, I really don’t want to see Isabella Boylston do six pirouettes,” McCloskey said, referring to a lead dancer at the Ballet Theater. “She’s obviously incredibly talented, but it’s kind of boring. It’s not the creative content that I go to TikTok for. “

Akamine also noted that some of the young stars of the TikTok ballet are not feeling the urge to seek institutional approval. “In this day and age, we have as much power and value on this platform as big companies,” she said.

Connor Holloway, 26, the gender-assault member of the Corps de Ballet who runs the Ballet Theater’s TikTok account, said the company wanted to present a version of itself that feels true to the culture of the TikTok ballet. Last year, Holloway successfully campaigned for the Ballet Theater to remove gender labels from its corporate classes. Content that challenges the gender binary representation of ballet will “absolutely” be part of the TikTok presence of ballet theater, Holloway said, mentioning the possibility that the company’s account could be a crowdsourced ballet with choreography and design by young creators like ” Ratatouille: The TikTok Musical “made possible. ”

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Entertainment

Watch a Queasy Encounter in ‘Promising Younger Girl’

In Anatomy of a Scene, we ask the directors to reveal the secrets that go into creating key scenes in their films. Watch new episodes in the series on Fridays. You can also watch our collection of 150+ videos on YouTube and subscribe to our YouTube channel.

“I’m a nice guy,” says Neil, the character played by Christopher Mintz-Plasse in this scene from Promising Young Woman, which received four Golden Globe nominations this week and is available upon request. He pronounces the line (more than once) after picking up Cassandra (Carey Mulligan). He thought she was too drunk to refuse, and she turns out to be anything but. The film is a kind of revenge story with Cassandra at the center, but in some ways it defies simple categorization of genres.

With this sequence, the film’s writer and director, Emerald Fennell, said she was aiming for a subversion of the scene normally found in romantic comedies, and even cast Mintz-Plasse, who may be best viewed by the comedy “Superbad” knows.

“The nerdy nice guy who is not very confident with women and may have trouble writing his first novel,” she said, “may use alcohol as a cover for more shameful activities.”

The situation plays out in the fact that two narratives are perceived very differently by the characters involved, and Fennell directed her cast in such a way that these contrasts are enhanced.

“If you look at Chris’ performance, what I said to him, like I said to everyone in this movie, was really, this is your movie, you are the romantic hero, you are the nice guy, and that is your fall-in-love moment. “

For Cassandra, a woman who regularly advocates this behavior, Fennell admired how well Mulligan embodied the two elements of character.

“She’s just so brilliant at drawing that line between being completely real and knowing.”

Read the “Promising Young Woman” review.

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Business

China Expands Grad Colleges because the Younger Search Jobs

Graduation was getting closer, but Yang Xiaomin, a 21-year-old student in northeast China, skipped her university’s job fair. Nor did she look for positions alone. She didn’t think she had a chance of landing one.

“Some jobs won’t even take resumes from people with bachelor’s degrees,” said Ms. Yang, who passed the national graduate school entrance exam along with a record 3.77 million of her colleagues last month. “Going to graduate school won’t necessarily help me find a better job, but at least it gives me more options.”

China’s economy has largely recovered from the coronavirus pandemic. The data released on Monday shows it may be the only major economy that has grown over the past year. Yet one area is sorely lacking: the supply of desirable, well-paid jobs for the rapidly growing number of university graduates in the country. Most of the recovery was driven by labor sectors such as manufacturing, which the Chinese economy remains heavily reliant on.

With government encouragement, many students are turning to a stopgap solution: stay in school. The Chinese Ministry of Education announced at the height of the outbreak that it would order universities to increase the number of master’s candidates by 189,000, an increase of nearly 25 percent, in an attempt to reduce unemployment. Undergraduate slots would also increase by more than 300,000.

Almost four million hopefuls took the graduate entrance exam last month. This corresponds to an increase of almost 11 percent compared to the previous year and more than double the figure compared to 2016.

Schools are a common landing site in times of economic uncertainty, but in China the urge to expand enrollment has been a long-term problem. Even before the pandemic, the country’s graduates complained that there were not enough suitable jobs. Official employment figures are unreliable, but authorities said in 2014 that the unemployment rate among college graduates was up to 30 percent in some areas two months after graduation.

As a result, many Chinese have feared that expanding college graduate slots will increase already fierce competition for jobs, dilute the value of advanced degrees, or postpone an unemployment crisis. “Are graduate students under siege?” read the headline of a government-controlled publication.

In recent years, the Communist Party has often linked the prosperity of college graduates not only to economic development but also to “social stability”, and fears that they could be a source of political unrest if their economic fortunes were to falter .

However, to keep unemployment among these workers low, the government must also be careful not to raise its hopes, said Joshua Mok, a professor at Lingnan University in Hong Kong who studies China’s education policy. “It can create a false expectation for these highly skilled people,” said Professor Mok. “The Chinese government must pay attention to how these expectations can be dealt with.”

The government’s expansion push is part of a broader, decade-long effort to increase university enrollment. According to official statistics, China had fewer than 3.5 million undergraduate and graduate students in 1997. In 2019 there were more than 33 million excluding online schools and adult higher education institutions.

The number of university degrees per capita is still behind that of the industrialized countries. According to government statistics, there are around two doctoral students for every 1,000 Chinese, and around nine in the United States. Still, China’s economy has not kept pace with the rapid expansion of higher education, with each round of new graduates competing for a small pool of jobs.

The pandemic has exacerbated these concerns. A report from Zhaopin, China’s largest job-recruiting platform, found that 26.3 percent of college graduates were unemployed in 2020 last June. According to the report, jobs for recent college graduates decreased 7 percent from the same period last year, while the number of applicants rose nearly 63 percent.

“What the current Chinese economy needs is more people with technical qualifications than just general degrees from universities,” said Professor Mok. “There is a skill mismatch.”

The competition has made many students feel that an advanced degree is practically mandatory. Ms. Yang, who studies land resource management, said she had known for a long time that she would attend graduate school because her bachelor’s degree alone was “too inferior.”

She knew that competition for approval would increase after the outbreak. “If you choose to take the master’s exam, you can’t be afraid that there will be lots of other people,” she said.

Others accepted less. On Weibo, where the hashtag is “What do you think of the excitement for final exams?” has been viewed more than 240 million times, many feared that if enrollment skyrocketed, the quality of teaching or the value of their degree would decline.

Others have asked if the government is just postponing rising unemployment for a few years. Some feared that companies would raise their application standards. Still others wondered if there would be enough dorms to accommodate all of the students.

“Enrollment expansion is not just a matter of arithmetic,” wrote one person. “We need to think about how this will affect the general development of education and society.”

Concern reached such a high point that it sparked a government response. Hong Dayong, an Education Department official, admitted at a press conference last month that some universities were facing teacher shortages with increasing graduate programs. However, she said officials would put in place stricter quality control measures and that the government would encourage universities to offer more professionally oriented masters degrees to help graduates find jobs.

The government has also ordered state-owned companies to hire newer graduates and subsidized companies that hire them.

Some advice was blunt. Chu Chaohui, a researcher at China’s National Institute of Education, told the state-run tabloid Global Times that graduates should lower their sight. In doing so, they would find jobs in sectors like grocery or parcel delivery, he said.

Indeed, excessive expectations can increase competition for jobs. According to Zhaopin, the recruiting website, college graduates have around 1.4 vacancies for each applicant, even after the epidemic. But many graduates only look to the largest cities or expect high salaries, said Professor Mok.

Still, some students said that encouraging the government to pursue higher education would only bolster those expectations.

“Everyone has their own ambitions, even a little arrogance,” said Bai Jingting, a business student in eastern Anhui Province. Ms. Bai, 20, said she attended her college’s job fair in the fall but couldn’t find any jobs that seemed exciting enough. “Since I applied for a graduate school, I will of course think about how it should be easier to find a job afterwards and find a job that I want.”

Another incentive for the competition is the fact that many students who wanted to study or work abroad no longer have this option.

Prior to the pandemic, Fan Ledi, a graduate of western Qinghai Province, had planned to move to Ireland for a one-year master’s degree in human resource management. After that, he wanted to work there, excited about the prospect of learning about a new culture.

But he has ditched that plan and will be looking for jobs at home when he finishes his program, which he completes online due to travel restrictions.

“The Irish are struggling to find work, let alone foreigners,” Fan said. He added that he was concerned about discrimination as anti-China sentiment rises in many western countries. “I think it is decidedly impossible to go abroad to find work now.”

He’s already attending job fairs, but won’t finish school until November. Recruiters tell him he’s early but he asks them to take his resume anyway.

Faced with the jostling for jobs and college graduate positions, Ms. Bai shrugged when the government increased the number of masters’ seats in Anhui. Her major in business was one of the most popular, she said, and competition would always be fierce.

“How Much Can Enrollment Expand?” She said. “It’s just a drop in the ocean.”

Albee Zhang and Liu Yi contributed to the research.

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Business

Shirley Younger, Businesswoman and Cultural Diplomat to China, Dies at 85

Ms. Young’s ideas weren’t the only revolutionary thing about her. At the time, most employers offered severance packages to pregnant women on the assumption that they would never return to work after giving birth. When she was expecting and insisting on her first child in 1963, Gray Advertising had to invent her first maternity policy.

The company clearly thought it was worth it. In 1983, when a global recession forced the advertising industry to cut research budgets, Gray went the other way and founded an entire research subsidiary, Gray Strategic Marketing, with Ms. Young as president. She garnered a long list of Fortune 500 customers, including General Motors whom she hired in 1988 as vice president of consumer market development.

Almost immediately, she urged her new employer to invest in China and later moved to Shanghai to oversee the development of a billion-dollar joint venture with SAIC Motor, a Chinese company, to build Buicks.

For Ms. Young, many American companies failed to see the size of the cultural differences between the two countries and the ability to bridge them. She encouraged GM to expand its executives’ contact with the Chinese language and society through education and cultural exchanges, which they would later highlight in their artistic work.

As she continued to lead GM’s expansion in Asia, she became increasingly involved in cultural and charitable causes. After the Tiananmen Square massacre in 1989, Ms. Young, along with other prominent Chinese-Americans, including Yo-Yo Ma and IM Pei, founded the 100-member Committee, a group dedicated to shaping the Trans-Pacific Dialogue. She was the first chairperson, a position she also held at a spin-off organization, the US-China Cultural Institute.

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‘A Slap within the Face’: The Pandemic Disrupts Younger Oil Careers

HOUSTON – Sabrina Burns, a senior at the University of Texas at Austin, thought that in a few months after graduating, she would embark on a lucrative career in the oil and gas industry.

But the collapse in demand for oil and gas during the coronavirus pandemic has disrupted their well-designed plans, forcing them to consider a new avenue.

“We got a slap in the face, a completely unforeseen situation that shook our entire mindset,” said Ms. Burns, who studies petroleum engineering. “Like all of my classmates, I applied for every oil and gas site I saw and nothing really came up. I am discouraged. “

With fewer people commuting and traveling, the oil and gas industry has suffered a severe blow. Oil companies have laid off more than 100,000 workers. Many companies have closed refineries and some have filed for bankruptcy protection.

The industry has drawn thousands of young people with the promise of secure careers in recent years as shale drilling began and made the United States the world’s largest oil producer. But many students and graduates say they are no longer sure that there is a place for them in the industry. Even after the pandemic ends, some of them fear that growing climate change concerns will lead to an inevitable decline in oil and gas.

These students seek elite positions in an oil and gas industry that employs approximately two million people. Even after the most recent layoffs, oil companies still employ more people than the fast-growing wind and solar companies, which together employ at least 370,000 people, according to trade groups.

Ms. Burns, 22, said her choices had narrowed significantly over the past nine months. With oil and gas options limited, she recently took on an internship with an engineering firm specializing in energy conservation and may have applied to a graduate school in environmental sciences. She is also considering moving in with her sister after graduation to save money.

“I have a feeling companies are going to be pretty careful when it comes to hiring new employees,” she said.

Ms. Burns was lured into an oil and gas career by stories told by her father, a helicopter pilot, about the successful engineers he met while servicing offshore drilling rigs in the Gulf of Mexico. But while her professors have been talking about the future of oil and gas companies, she is concerned.

Even before the pandemic, Ms. Burns said, she had some doubts about her chosen industry. Other students, and even an Uber driver who took them and others to an oil industry banquet in 2018, asked questions about the future of oil and gas and why renewable energies might be a better choice.

“Have you ever heard of a solar panel?” She remembers the Uber driver who asked her and her friends.

“The silent judgment and the passing comments weighed on me,” she added. Her parents persuaded her to stick with her program, and Ms. Burns said she was committed to the industry and working to improve her environmental performance.

“I hope that at some point I will be able to use all of my skills and knowledge,” she said.

Stephen Zagurski, a PhD student in geology at Rice University, said the timing of his graduation in the coming weeks was “not perfect, far from it”.

“You have a shortage of vacancies and you have a huge talent pool and an abundance of graduates leaving school,” he added. “It will make it difficult to get into the industry.”

However, 23-year-old Zagurski said the oil and gas industry will bounce back, as it has done many times over the last century, despite popular belief that the pandemic would permanently reduce energy consumption habits. “Demand will come back,” he said. “Let’s face it here, how many things in our daily lives contain some type of petroleum-based product.”

Mr. Zagurski is interning with Roxanna Oil, a small company with managers who are his second cousins, and has been given increasing levels of responsibility.

He can likely come to Roxanna full time after graduation and is confident that the market for young geoscientists and engineers will eventually recover. If the oil industry does not recover, he is also considering working or doing a PhD in geothermal or environmental science. “Everyone is waiting for their time to see what will happen,” he said.

Myles Hampton Arvie, a senior at the University of Houston studying finance and accounting, wanted to follow his father into the oil and gas industry.

“Energy and gas are something that I love,” he said. “Oil and gas are not going anywhere for the next 20 or 30 years. So why not be a part of it while we make this clean energy transition?”

His father was a project manager on offshore fields in the Gulf of Mexico. Mr. Arvie is interested in an office job and has completed two internships at EY, also known as Ernst & Young. He has created financial models, conducted audits, and refined financial statements for several American and Canadian oil companies. He became vice chairman of the Energy Coalition, a student group that hosts educational and job fairs for students.

Mr. Arvie drew enough attention to land interviews with several oil and gas companies, but one vacancy turned out to be elusive. “It’s very competitive,” he said, and the downturn has only made it harder to get a position.

Arvie, 22, who is due to graduate in May, has switched careers to take a position at JPMorgan Chase, where he is expected to work in derivatives and marketing in the tech industry. However, one day he could find a place in the energy industry.

“I’m a little disappointed,” he said. “But you have to keep it moving.”

Clayton Brown, a graduate student at the University of Houston studying petroleum geology, recalls finding an article online four years ago claiming that the future is no better for geologists studying underground oil and gas reserves could look.

“I saw the salary petroleum geologists make and immediately got interested,” said Mr. Brown.

At Cape Fear Community College in Wilmington, NC, Mr. Brown studied geology at Western Colorado University. He was fascinated by the science behind seismic testing and rock and sand formations.

Confident in his career choice, he borrowed tens of thousands of dollars to continue his education.

Mr. Brown, 23, has $ 55,000 in student debt. By the time he graduates next fall, he will owe about $ 70,000. To make matters worse, the small oil company he interned at recently stopped paying him as it reduced the cost of managing the downturn.

He moved back to North Carolina to live with his parents while taking classes and mailing out résumés online. “Covid was pretty much the curveball,” he said. “Nobody expects a virus to destroy the oil industry.”

Even so, he said he had no regrets and called the downturn “just bad timing”.

Tosa Nehikhuere, the son of Nigerian immigrants, was relatively lucky. Shortly after graduating from the University of Texas at Austin in 2018, he joined a major European oil company and worked in various internships and jobs on site and on the trading platform.

But it’s been such an unsafe ride that he’s already worried about the direction he’s headed in college.

Mr. Nehikhuere’s parents were poor in Nigeria. They moved to New York, where Mr. Nehikhuere’s father drove a taxi. They eventually made their way to Houston, where life was cheaper and his parents had careers in nursing.

They embraced the oil business that dominates Texas and their homeland and pushed their son into petroleum engineering. It is a common path of immigrants and first and second generation Americans in Texas.

In the middle of Mr. Nehikhuere’s freshman year of study, the Saudi-led Organization of Petroleum Exporting Countries flooded the world market with oil in an attempt to undercut the booming American shale oil drilling industry and bring prices down.

“It was pretty nerve-wracking,” he recalled. “I’ve seen seniors get frozen with three internships at the same company. Juniors, sophomore students struggling to get internships. All in all, it was pretty bad in terms of job prospects. “

Mr Nehikhuere was considering switching majors, but he expected oil prices to recover, as they had so often, through most of 2018 and 2019.

But the coronavirus pandemic set in as Mr Nehikhuere’s career took off, and now he’s worried again.

Mr Nehikhuere, 24, did not want to identify his employer but said he is laying off workers and debating how aggressively he should move away from oil and gas to renewable energy.

If the company is moving quickly towards clean energy, he is not sure there will be a place for him. “How much will my skills be transferred?”

“There will be a significant number of layoffs, changes and outsourcing,” he added. “To be honest, I don’t know if it will affect me or not. It’s really in the air. “

Mr Nehikhuere is already considering a change and may be looking for a job with a consulting firm or a company providing technology to oil and gas companies.

“As I think more and more about my career, the volatility that comes with working for an oil and gas company can be very worrying,” he said. “I prefer something more stable.”

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Entertainment

‘On Pointe’: The Actual-Life Adventures of Some Very Younger Dancers

Filmmaker Larissa Bills wasn’t the only girl growing up obsessed with “A Very Young Dancer” in the 1970s. Jill Krementz’s photo-driven look at the life of a 10-year-old student at the School of American Ballet during Nutcracker season. When she got the green light to make On Pointe, a documentary about the school, she went straight to eBay.

“I just had to see the book one more time,” said Ms. Bills, who grew up in Colorado and Texas. “I loved that this place was there, in New York, and the kids were part of these big productions. As a little kid it was very exciting for me. “

What stayed with her was how the book captured the world of ballet from a child’s perspective. “That’s what I wanted to orientate myself by: to let these children tell their own stories and to show what their daily life is,” she said. “That they drive four trains, buy ballet shoes, have to go to rehearsals six nights a week. But that’s fun, and these kids really want to be there. “

“On Pointe” – a six-part documentary by Imagine Documentaries and DCTV that will be released in full on Disney + on Friday – is like an expanded, cinematic version of “A Very Young Dancer” for this generation. As this book followed a student, “On Pointe” pursues several – Ms. Bill’s subjects range from 9 to 17 years old – at the New York Ballet School founded in 1934 by choreographer George Balanchine and philanthropist Lincoln Kirstein.

Ms. Bills, 50, who has worked in documentaries for 25 years, said most of her projects have been rather depressing lately. “I’ve been to prisons in Oklahoma or OxyContin venues or orphanages,” she said. “It was so special and it felt so New York – and like the New York that I moved to when I was 18.”

It was planned to cover one year in the life of the school (2019-2020) that would follow students on and off the Lincoln Center campus. Ms. Bill’s approach was to maintain a small, consistent crew, “so that we can somehow disappear into the wall and not be so present,” she said. “I really wanted to capture the current work and not distract.”

In preparation, she watched Frederick Wiseman’s ballet films using her fly-on-the-wall observational approach. “We obviously couldn’t be that quiet,” she said, referring to the way Mr. Wiseman resists traditional voice-overs and interviews in his films. “We had to deliver some kind of narrative.”

The solution was for the students to informally tell their own stories in voice-over. “Dance is so beautiful,” said Ms. Bills, “you want to see it, you don’t want to talk about it. That was my feeling. “

Multiple stories are happening at once, but Ms. Bills gives them room to breathe as she switches between the advanced section and the children’s section, where students can appear in productions with City Ballet, including George Balanchine’s The Nutcracker. The senior dancers, chosen from auditions across the country and from the children’s section, focus on their education. The school’s mission? To produce dancers who actually get jobs.

Becoming a professional ballet dancer is tedious work. Kay Mazzo, a former director of the city ballet and chairman of the school’s faculty, emphasizes at the beginning of the documentary: “Ballet is an irreconcilable art form.”

For Ms. Mazzo, the documentary shows what the school really is and what Balanchine, who died in 1983, left behind. “The manners, the respect – the respect he had for all children,” she said in an interview. “As soon as those elevator doors open, you are somewhere where you all respect and behave. You see how these children pull themselves together as best they can in these classes, the little ones and the older ones. “

What drives a child to dance? Student focus and engagement were two things that impressed Ron Howard, who founded Imagine Entertainment with Brian Grazer, when he was attending school. It’s not that “these students are going to sign tens of millions of dollars in ten-year contracts,” he said in an interview.

But Mr. Howard was also impressed with the ordinariness of the scene. “There are a couple of kids running around and they kind of hang out in the hall talking and they have their backpacks and they are on their phones and they are joking,” he said. “You’d feel like it was any kind of middle school or high school hallway.”

And then they went to class, “Their bodies are transforming, their movements are transforming, and it’s just an amazing reminder of what people can do when they focus their energies and passions in these really remarkable ways,” he said. “I was blown away.”

No, “On Pointe” is not just another clichéd portrayal of the ballet torture story. “Look, I loved ‘Black Swan’ when I saw it,” said Ms. Bills. “But we didn’t do that. And it wasn’t what I saw either. “

In this pandemic moment when the theaters are closed, the documentary plays a different role. In normal times, the audience will now see “The Nutcracker”. It’s a ritual that ends every year. The documentary by Ms. Bills helps to close this gap: It captures the weeks leading up to the “Nutcracker” in 2019 and shows the rehearsal process in sparkling, honest details.

While filming On Pointe, she was overseeing a five-camera shoot of the ballet, which is shown on Marquee TV. Once you’ve seen the steps taught and roles won, the production – even if it’s not live – somehow completes the story of a lifetime. That’s what all the hours in the studio are for: for the stage. And you understand the enormous amount of putting “The Nutcracker” on stage and the responsibility that the kids have.

Dena Abergel, director of the City Ballet’s children’s repertoire and a former member of the company that works most closely with the young cast, was relieved to see how one of their most difficult days – the casting – was captured.

“I think most outside people assume that getting a role is a very breakneck kind of resentment or excitement,” said Ms. Abergel. But she always tells the kids that being on The Nutcracker won’t change or destroy their lives.

“So many people, including myself, who weren’t cast on The Nutcracker have careers,” she said. “I tell them whether you get a role today or you don’t get a role today doesn’t mean you won’t be a great dancer or a great dancer. Because that’s the truth. “

And just as important are details – in a nutshell – that reveal a lot about the connection between school and city ballet. During a dress rehearsal on stage, Georgina Pazcoguin, a soloist with the city ballet, sews her pointe shoes while she talks to a group of young angels. “Are you excited?” She says. “This is a super fun time.”

An angel seems like she would like to cancel the whole thing. We can’t see her face, only hear her tiny voice as she says, “I’m nervous too.”

Mrs. Pazcoguin turns to her. “Oh, don’t be nervous,” she says. “That’s what you practice for!”

“I know, but there will be thousands of people,” replies the young dancer.

“Look, you don’t have to think of thousands and thousands,” says Ms. Pazcoguin, waving her hands to the seats in a dismissive manner. “You just have to get out there and be true to yourself.”

You see this kind of support and camaraderie in On Pointe, with the young college students and also with the teenagers involved in higher stakes than The Nutcracker. They want jobs, preferably in city ballet, but there are few walking around. Ms. Bill’s original plan was to capture the school’s famous workshop performances, a showcase that introduces the next generation to the world. But the pandemic was in the way.

“I really wanted to go through that process as a filmmaker,” said Ms. Bills. “This is the blessing and the curse of making a documentary in real time. We shot what happened. “

Episode six shows how the school and its students reacted to the New York City closure. “It’s important for the audience to see how this actually works,” she said. “I know it’s difficult, but I find a lot of hope in the way we were able to wrap it up and in the fact that these kids still do it whether they’re around or not.”

A featured student, Gabrielle Marchese, now 12 and accompanying Gabbie in the film, continues her ballet training on Zoom. “I keep telling myself, at least I dance,” she said, “because I know girls who don’t dance at all.”

For them the school is not just a place for ballet; It is also a home away from home. “We have been there for so long, with the same group of people,” she said. “I spend more time at SAB than at home. Although it is a hard working place, it is a safe place for all dancers. “

As for the competition? She shrugged. Yes, the students pretty much all want the same thing – to join the city ballet – but she prefers to see it differently.

“We’re all kids with the same dream in common,” she said. “We want to dance. Most of us will be around for a long time. Might as well make some friends along the way. “