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Entertainment

Vladimir Menshov, Shock Russian Oscar Winner, Dies at 81

Vladimir Menshov, a prolific Soviet actor and director whose film “Moscow Doesn’t Believe in Tears” won the Oscar for Best Foreign Language Film in 1980 and surprised many American critics, died on July 5 in a Moscow hospital. He was 81.

Mosfilm, the Russian film studio and production company, said the cause was complications from Covid-19.

“Moscow doesn’t believe in tears”, a soapy, melodramatic crowd puller, attracted around 90 million moviegoers in the Soviet Union even after it was broadcast on television shortly after it was released in 1980. His theme song “Alexandra”, written by Sergey Nikitin and Tatyana Nikitina, became one of the most popular film music pieces in the country.

Still, when “Moscow”, only the second film directed by Mr. Menshov, won the Oscar, many moviegoers and critics were amazed at the competition this year. It was voted ahead of François Truffaut’s “The Last Metro” and Akira Kurosawa’s “The Shadow Warrior” as well as Spanish director Jaime de Armiñán’s “The Nest” and Hungarian director Istvan Szabo’s “Confidence”.

“There was more condescending benevolence behind the Oscar for ‘Moscow’ than aesthetic discrimination,” wrote Gary Arnold of the Washington Post when reviewing the film, which was released in the United States after it won an Oscar.

The film follows three girls, who were quartered in a Moscow hotel for young women in the late 1950s, in search of male company and revisits them 20 years later. It played Vera Alentova, the director’s wife and the mother of her daughter Yuliya Menshova, a television personality. Both survive him, along with two grandchildren.

Mr. Arnold noted that Mr. Menshov’s film “revived a genre that Hollywood couldn’t sustain, reliably it seems: the chronicle of provincial girls, usually a trio pursuing careers and / or friends in the big city” – a Genre that at the time ranged from “Bühnentor” (1938) to “Valley of the Puppets” (1967).

Vincent Canby of the New York Times admitted that the film was “played properly” but wrote that after two and a half hours it “appears endless”.

From time to time there are allusions to social satire, “wrote Mr. Canby,” but they are so mild that they could only surprise and interest an extremely prudish, unconstructed Stalinist. “

Although he found it understandable that “Moscow” was one of the most successful films in the Soviet Union, Mr. Canby concluded: “You can also believe that part of Mr. Menshov’s biography (included in the program) that reports that he was in the first three years failed. “at the Cinema Institute in Moscow and was not much more successful as an acting student at the Moscow Art Theater.”

He added sharply, “I assume we are being told these things to underscore the insignificance of these early failures which, however, appear to be summed up in his Oscar-winning actress.”

Vladimir Valentinovich Menshov was born on September 17, 1939 to a Russian family in Baku (now Azerbaijan). His father Valentin was an officer in the secret police. His mother, Antonina Aleksandrovna (Dubovskaya) Menshov, was a housewife.

As a teenager, Vladimir worked as a machine worker, miner and sailor before entering the Moscow Art Theater School. After graduating from school in 1965 and from the Gerasimov Institute for Cinematography in 1970, he worked for the Mosfilm, Lenfilm and Odessa Film studios.

He had more than 100 credits as an actor, including the hit “Night Watch” (2004) and was also a screenwriter. He made his directorial debut in 1976 with the film “Practical Joke”.

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Entertainment

Spike Lee By accident Reveals Palme d’Or Winner Early: It’s ‘Titane’

CANNES, France – The 2021 edition of the Cannes Film Festival awarded the French film “Titane” its grand prize, the prestigious Palme d’Or.

A wild serial killer story featuring some of the festival’s most controversial scenes, “Titane” was directed by Julia Ducournau, who was only the second woman to win the Palm after Jane Campion won the 1993 award for “The Piano”. ”

And although “Titane” was hotly touted as the main contender for the palm, that reveal came much earlier than intended: At the beginning of the graduation ceremony, when Jury President Spike Lee was asked to take the first prize of the night, he misunderstood and read that instead first prize winner.

“Do not do it!” shouted actress-director Mélanie Laurent, a jury member who sits next to Lee. But the cat was already out of the bag.

(At a post-ceremony press conference, Lee said he had no excuses and that “I screwed it up,” added, “I’m a huge sports fan. It’s like the guy at the end of the game on the foul line. Him misses the free throw or a guy misses a kick. “He also said he apologized to the Cannes organizers.” They said forget it. “

The accidental disclosure of “Titane” was only the first of several chaotic moments at the ceremony, as the spoiled palm unveiling was followed by a Best Actor Award for Caleb Landry Jones for the Australian tragedy “Nitram”. When a nervous looking Jones took the stage, he seemed to have a bad stomach, said, “I can’t do this,” and hurriedly backed off.

When, at the end of the ceremony, a tearful Ducournau was brought out to finally accept her palm, chaos had embraced her. “This evening was perfect,” she said, “because it’s not perfect that way.”

Other big winners were Leos Carax, who received the award for the best director for his eccentric musical “Annette”, the winner of the best leading actress Renate Reinsve for the Norwegian romantic dramedy “The Worst Person in the World” and a pair of ties: The Second -Place was split between “A Hero” by Iranian director Asghar Farhadi and the Finnish drama “Compartment No. 6”, while third prize went to the Nadav Lapid films “Ahed’s Knee” and “Memoria”. with Tilda Swinton.

At the last Cannes Film Festival in 2019, the palm tree winner was “Parasite”, the first big prize that Bong Joon Ho’s film took on its way to the Best Picture Oscar. Although “Titane” is far too bloody to be a major Oscar contender, her Palme win makes Ducournau only two feature films in her career as a major international director.

Correction: July 17, 2021

In an earlier version of this article, the name of the winner of the Best Director Award was misspelled. He’s Leos Carax, not Leox Carax.

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Health

Ei-ichi Negishi, Nobel Prize Winner in Chemistry, Dies at 85

Ei-ichi Negishi, who shared the Nobel Prize in Chemistry in 2010 for developing techniques now ubiquitous in the manufacture of pharmaceuticals, died on June 6 in Indianapolis. He was 85.

His death, at a hospital, was announced by Purdue University, where Dr. Negishi was a professor for four decades. No cause was given.

Dr. Negishi’s Nobel-winning research involved chemical reactions that produce complex organic compounds — large carbon-based molecules used in drugs, plastics and many other industrial materials. Coaxing one carbon atom to bond to another can be difficult, but Dr. Negishi and other chemists figured out that metals, palladium in particular, could be used as intermediary matchmakers.

In these reactions, two carbon-based molecules first stick to the palladium. The palladium then disconnects from them, and the two carbons attach to each other, forming a new, larger molecule. With the palladium working as a catalyst, the organic chemistry reactions can run at lower temperatures with fewer steps, reducing cost and waste.

“It just allows this enormous selectivity,” said James M. Tour, a professor of chemistry at Rice University in Houston, who was a graduate student of Dr. Negishi’s. “When you build molecules, you have to be able to work on one part of the molecule without destroying the other part.”

Chemists had discovered the magic of palladium earlier, and in 1977 Dr. Negishi built on that work by using zinc compounds to ease the mingling of carbon atoms on palladium. That made the process more applicable to a wider range of reactions.

“Without organic compounds, none of us can live,” Dr. Negishi said in a news conference on the day the Nobel was announced. “One of our major dream goals is to be able to synthesize any organic compounds in high yield, high efficiency.”

He gave as an analogy the creating of elaborate Lego formations. “That is a pretty accurate description of what we have been trying to do,” he said.

Traditionally, organic chemists largely limited themselves to molecules using the 10 or so elements found in organic compounds. Dr. Negishi said that he and others had “realized that we should make use of the entire periodic table.”

By expanding to other elements like palladium, chemists in effect increased the number of Lego pieces they could use, and that opened new avenues to synthesize the molecules they wanted to make.

Dr. Negishi shared the 2010 Nobel in Chemistry with Richard F. Heck of the University of Delaware and Akira Suzuki of Hokkaido University in Sapporo, Japan.

Unlike many Nobelists who say they never expected to receive the highest honor in the science world, Dr. Negishi said it was “not a major surprise” to receive an early morning phone call on Oct. 6, 2010, from the Royal Swedish Academy of Sciences, which administers the Nobels.

Dr. Tour said Dr. Negishi had pursued research that he thought was Nobel-worthy. “He dreamed about it,” Dr. Tour said. “He often discussed the Nobel Prize. And what would have to be done to win this.”

To that end, Dr. Negishi could be relentless. “He was extremely exacting,” Dr. Tour said. “He had no trouble pushing people to the point of tears at a blackboard.”

Dr. Tour said Dr. Negishi also had a generous side. “If anybody would walk up to his office door and knock, his door was always open,” Dr. Tour said. “And you’d usually sit down for much longer than you bargained for, because he analyzed the whole project you’re working on, not just the question that you’re asking.”

Ei-ichi Negishi was born on July 14, 1935, in Changchun, China, then known as Hsinking, the capital of the Japanese-controlled part of the country, in the northeast. His family moved to Tokyo after World War II and then to a rural area outside Tokyo, where his father farmed and his mother took care of the family’s five children.

After graduating from the University of Tokyo in 1958 with a bachelor of engineering degree, he worked as a research chemist at the Iwakuni Research Laboratories in Japan. By his account, he realized that he needed more academic training but felt that graduate school was financially out of reach.

His fortunes changed in 1960, however, when he won a Fulbright scholarship to attend the University of Pennsylvania. After finishing his doctorate in 1963, he joined the laboratory of Herbert C. Brown at Purdue. Dr. Brown became the first Purdue faculty member to win a Nobel Prize, in 1979; Dr. Negishi was the second.

“In terms of research, he is my only mentor,” Dr. Negishi said of Dr. Brown in an interview after the Nobel announcement. “I have had other professors, but he taught me just about everything as to how to do research.”

Dr. Negishi moved to Syracuse University as an assistant professor in 1972 and returned to Purdue in 1979 as a professor. He retired in 2019, having been an author of more than 400 scientific papers.

In 2010, Dr. Negishi, who remained a Japanese citizen, received the Order of Culture from Emperor Akihito. He was elected to the National Academy of Sciences in 2014.

Survivors include two daughters, four grandchildren and one great-granddaughter. His wife of 58 years, Sumire, died in 2018.

“When he got his Nobel Prize, he became nicer,” Dr. Tour said. “He’d take his wallet out of his pocket, and protruding from his wallet was the Nobel Prize medallion.”

Dr. Tour said Dr. Negishi would pass the medal around and didn’t mind when someone once dropped it. “You could see the ding in one side of it,” Dr. Tour said. “And he just laughed about it.”

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Politics

Actuality Winner, who leaked Russia intel to The Intercept, launched from jail

Reality winner leaves the Augusta Courthouse on June 8, 2017 in Augusta, Georgia. The winner is an intelligence industry contractor accused of leaking National Security Agency (NSA) documents.

Sean Rayford | Getty Images

Reality Winner, a former Air Force linguist who pleaded guilty in 2018 to leaked an intelligence report on Russian interference in the 2016 elections, has been released from prison, her lawyer said Monday.

“I’m very excited to announce that Reality Winner has been released from prison,” Alison Grinter Allen wrote in a post on Twitter. “She is still on remand during the re-entry process, but we are relieved and hopeful.”

According to a website from the Bureau of Prisons, Winner is currently in a re-entry facility in San Antonio. Your discharge date from the facility is November 23, 2021.

Winner, now 29, was 25 when she printed out a classified intelligence report at the Georgia National Security Agency facility where she worked and made it available to journalists for investigative news agency The Intercept.

A story based on Winners Leak was published on June 5, 2017 with the headline: “TOP SECRET NSA REPORT DETAILS RUSSIAN HACKING EFFORT DAYS BEFORE 2016 ELECTION.”

“Just days before the presidential election last November, Russian military intelligence launched a cyberattack on at least one US election software provider and sent spear phishing emails to more than 100 local election officials, according to a top-secret intelligence report by The Intercept.” said the article, written by journalists Matthew Cole, Richard Esposito, Sam Biddle and Ryan Grim.

Winner was sentenced to five years and three months in August 2018. According to Allen, Winner’s early release was not the product of “a pardon or compassionate release process, but rather the time earned through exemplary behavior during incarceration.”

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Allen added that Winner was still prevented from making public statements or appearances. Winner and her family, Allen said, “have sought privacy during the transition process as they work to heal the trauma of incarceration and rebuild the lost years.”

Winner’s case was an early example of the tough approach that President Donald Trump’s administration took against the defendants of divulging confidential government information. Prosecutors at the time said Winner’s sentence would be the longest serving a federal defendant for media leakage.

The case also reflected poorly on the source protection methods used by The Intercept. In 2017, Editor-in-Chief Betsy Reed issued a statement acknowledging that “at several points in the editorial process, our practices have fallen short of the standards we adhere to to minimize the risks of source exposure when handling anonymously provided materials.”

Winner was arrested on June 3, 2017, two days before The Intercept published his article based on the document she provided. Investigators said they tracked down Winner after discovering that whoever leaked the secret document had printed it out. Sieger was one of only half a dozen people who had printed the document, and she had also used her work computer to email someone at The Intercept.

The winner’s release comes as the Biden administration is under pressure from aggressive maneuvers by the Justice Department under Trump to uncover the source of the leaked material. On Friday, the Inspector General of the Justice Department said he would investigate the previous seizure of electronic records from journalists in major news outlets and Democratic members of Congress as part of a leak investigation.

It was reported Monday that John Demers, a senior Justice Department official overseeing these leak investigations, will be leaving in two weeks. A Justice Department spokesman said Demers’ departure was planned prior to the latest scandal.

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Business

Kentucky Derby winner Medina Spirit fails second drug take a look at

The second test of blood from Kentucky Derby winner Medina Spirit confirmed the presence of the banned steroid betamethasone, a lawyer for the horse’s owner told CNBC on Wednesday.

The second positive test sharply increases the chance that Medina Spirit’s victory on May 1 will be overturned by Kentucky racing officials and that Mandaloun, which ran second that day, will be declared the winner.

Hours after disclosure of the test, the company that operates Churchill Downs Racetrack — the site of the Kentucky Derby — said it had immediately suspended Baffert for two years.

Clark Brewster, the attorney for Medina Spirit’s owner, Amr Zedan, said officials are allowing another lab to analyze a third sample from the 3-year-old colt.

That test, Brewster said, could determine whether there are chemicals that would support the claim by trainer Bob Baffert that the betamethasone may have come from an antifungal ointment applied to the horse, and not an injection.

If the third test gives that result, Brewster could use it to argue against Medina Spirit being disqualified from the Derby, which is the first jewel in thoroughbred racing’s Triple Crown.

The attorney suggested he also might challenge the accuracy and protocol of the first official test, and the second analysis of blood, known as a split sample.

“I have not seen the paperwork to conclude that even the primary or split tests were properly admitted,” Brewster said.

The second failed test was first reported Wednesday by The New York Times.

Brewster said that if a horse fails a first drug test, a trainer normally has the option of “sending the B sample” for analysis at a selected lab for a second, confirmatory test.

For Medina Spirit’s B sample, Brewster said, the horse’s team “requested both the blood and urine to be sent to” such a lab.

Trainer Bob Baffert of Medina Spirit, raises the trophy after winning the 147th running of the Kentucky Derby with Medina Spirit, his seventh career Kentucky Derby win, at Churchill Downs on May 01, 2021 in Louisville, Kentucky.

Andy Lyons | Getty Images

The attorney said that if both substances were tested, it could detect the presence of chemical components that would indicate whether betamethasone came from ointment.

“But they [racing officials] refused to send” the urine, Brewster said. “They only sent the blood.”

The lawyer said that on Monday or Tuesday, Medina Spirit’s team was informed the lab “found betamethasone” in the split sample.

Brewster said the lab did not release the level of that steroid found in the blood, “but they said it’s there.”

“They estimated it was 25 picograms,” he said.

Baffert at a May 9 news conference first revealed that Medina Spirit had tested positive for the steroid, saying the first sample was found to have 21 picograms of betamethasone.

While that drug can be legally used as a therapeutic in Kentucky on a horse, any trace of it on race day is grounds for disqualification if a second test confirms it was in the blood on that day.

A picogram is a trillionth of a gram, a point Brewster made several times during a phone interview Wednesday.

The lawyer said testing labs in recent years have become able to detect minute levels of pharmaceutical substances, some of which can enter a horse’s or human’s system by incidental contact, as opposed to intentional administration.

The Kentucky Horse Racing Commission will have the final say over whether to void Medina Spirit’s Derby win.

“Hopefully they will make a reasonable judgment,” Brewster said.

“I think there will be unanimity on the subject that this is an infinitesimal amount that could not have affected the race,” the lawyer said.

Baffert, who so far this year has seen five of his horses fail drug tests, was suspended indefinitely from Churchill Downs Racetrack, where the Derby is held, as a result of Medina Spirit’s first positive test.

Medina Spirit was later allowed to race May 15 in the Preakness Stakes in Baltimore, the second leg of the Triple Crown, under an agreement that it and another Baffert-trained horse, Concert Tour, submit to “rigorous testing and monitoring,” the Maryland Jockey Club said.

Medina Spirit finished third in the Preakness.

Medina Spirit will not run in the Belmont Stakes on Saturday on Long Island, New York, because Baffert was temporarily suspended last month from entering horses in that race, the third jewel of the Triple Crown, or other major New York tracks as a result of the positive drug test from the Derby.

Baffert has trained two Triple Crown winners. He has trained seven Kentucky Derby winners, counting Medina Spirit.

Baffert’s lawyer W. Craig Robertson III on Wednesday later issued a formal statement on the most recent drug test.

“In response to the inquiries, this will acknowledge that the Medina Spirit split sample confirmed the finding of betamethasone at 25 picograms,” Robertson said.

“There is other testing that is being conducted, including DNA testing,” Robertson said.

“We expect this additional testing to confirm that the presence of the betamethasone was from the topical ointment, Otomax, and not an injection,” Robertson said.

“At the end of the day, we anticipate this case to be about the treatment of Medina Spirit’s skin rash with Otomax. We will have nothing further to say until the additional testing is complete.”

Kristin Voskuhl, a spokeswoman for the Kentucky Horse Racing Commission, said in a statement that the commission “does not provide comment or updates on the status of ongoing investigations.”

“The KHRC values fairness and transparency, and will provide information to the media and public at the close of an investigation,” Voskuhl said.

Marty Irby, executive director of the advocacy group Animal Wellness Action, in a statement, said, “The news of Medina Spirit’s second test confirmed positive is no shock.”

“Churchill Downs, the Kentucky Derby, and the Kentucky Horse Racing Commission must stand firmly together in agreement to take the 2021 Derby title away from Bob Baffert and the horse,” Irby said.

“And we call on Churchill Downs to show no mercy and permanently ban Bob Baffert and his horses from the Kentucky Derby and all of Churchill Downs’ tracks. It’s time to end the cheating and medication abuse in the fastest two minutes in sports and an example must be made.”

Disclosure: CNBC parent NBCUniversal owns NBC and NBC Sports, which broadcast the Triple Crown races.

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Business

Michael Jackson’s Property Is Winner in Tax Choose’s Ruling

After Michael Jackson’s death in 2009 at the age of 50, executors began propping up the once-King of Pop’s fluctuating finances, settling debts, and closing new entertainment and merchandising deals. It didn’t take long for the property to be in strong shape, with debt reduced and revenues running into the millions.

But there was another matter that took more than seven years to process: Jackson’s tax bill with the Internal Revenue Service, where the government and the estate had very different views on what Jackson’s name and likeness were worth when he died.

The IRS thought it was worth $ 161 million. The property put it at just $ 2,105 on the grounds that Jackson’s late-life reputation was in tatters after years of reporting on his eccentric lifestyle and a widespread child molestation lawsuit in which Jackson was acquitted.

On Monday, in a closely watched case that could affect other prominent estates, Judge Mark V. Holmes of the U.S. Treasury Court ruled that Jackson’s name and likeness were worth $ 4.2 million and dismissed many of the IRS’s arguments . The decision will significantly reduce the tax burden on the estate from the government’s initial assessment.

The IRS believed the estate had underpaid its tax liability by nearly $ 500 million and that it could owe additional fines of $ 200 million.

At the height of his career, Jackson was one of the most famous people in the world, with some of the most popular records ever released. And since his death, he’s been one of the world’s highest paid celebrities. Forbes estimated that his estate made $ 48 million in the past year.

But the tax case revolved around the value of Jackson’s public image at the time of his death. His reputation had been badly damaged, and since 1993, Judge Holmes said, Jackson had no endorsements or stores unrelated to a musical tour or album.

However, the judge found that the estate’s estimate of $ 2,105 was simply too low, and that the estate “captured the image and likeness of one of the world’s most famous celebrities – the King of Pop – for the price of a heavily used $ 20 -Prize appreciated. Year old Honda Civic ”(complete with a footnote to a used car price guide).

In a 271-page judgment of literary references to Hemingway and Plutarch, Judge Holmes – known for his clear and sometimes humorous writing style that summarizes dense tax cases – summed up the vicissitudes of Jackson’s life, public reputation, and finances.

“We do not make any special judgment about what Jackson did or should have done,” the judge wrote, “but we have to decide how what he did and is supposed to have done affected the value of what he did left behind. “

Judge Holmes also ruled on the value of two other assets: Jackson’s stake in Sony / ATV Music Publishing, the company that controlled millions of song copyrights – including most of the Beatles’ catalog – and Mijac Music, another catalog, owned by the Jacksons contained own songs as well as others that Jackson had acquired.

The estate had argued that those assets, along with Jackson’s name and likeness, were worth a total of $ 5.3 million. Judge Holmes ruled that their total value was $ 111.5 million. (In 2016, Sony / ATV – now known as Sony Music Publishing – agreed to pay the Jackson estate $ 750 million to purchase its portion of this catalog.)

The Jackson case was closely watched to assess how celebrity real estate can be valued and what tax liabilities it has. Major tax issues ahead of the IRS include those of Prince and Aretha Franklin.

In a statement, John Branca and John McClain, co-executives of the Jackson estate, called the decision “a great, unequivocal victory for Michael Jackson’s children.”

“For nearly 12 years, Michael’s estate has claimed that the government’s valuation of Michael’s fortune on the day of his death was outrageous and unfair, which would have weighed on his heirs with an oppressive tax bill of more than $ 700 million,” said Branca and McClain . “While we disagree with some parts of the decision, we believe this illustrates how unreasonable the IRS assessment has been and provides a path forward to finally resolving this case in a fair and equitable manner.”

The IRS did not immediately respond to a request for comment on Monday evening.

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Entertainment

Olympia Dukakis, Oscar Winner for ‘Moonstruck,’ Dies at 89

Olympia Dukakis, the confident, croaking actress who often played world-weary and worldly characters and won an Oscar for her role as such a woman in “Moonstruck”, died on Saturday at her Manhattan home. She was 89 years old.

Her death was announced by her brother, actor Apollo Dukakis, who said she was in hospice care.

Ms. Dukakis was 56 years old and an East Coast veteran of three decades when she starred in John Patrick Shanley’s “Moonstruck” (1987), a romantic comedy about a young Italian-American widow, Loretta Castorini (played by Cher), the life of a young woman it is turned upside down when she falls in love with her fiancé’s brother (Nicolas Cage). Ms. Dukakis stole scene after scene as Rose, Loretta’s sardonic mother, who saw the world clearly and advised accordingly.

“Do you love him, Loretta?” she asks her daughter, referring to the boring fiance. When Loretta says no, Rose replies, “Good. When you love them they drive you crazy because they know they can. “

The role earned Ms. Dukakis the 1988 Oscar for Best Supporting Actress (Cher also won) and a host of other awards – that same year her cousin Michael Dukakis won the Democratic President nomination. The price resulted in more film roles.

She played a crazy southern widow in the mostly female cast of “Steel Magnolias” (1989); the mother of Kirstie Alley’s character in the three “Look Who’s Talking” films (1989-93); the growing transgender landlady of San Francisco, Anna Madrigal, from 1993 to 2019 in the four TV miniseries from Armistead Maupin’s “Tales of the City” stories; and Frank Sinatra’s mother Dolly in the 1992 television movie “Sinatra”.

That was a far cry from her first mature roles. At the age of 40 she had played the mother of 36-year-old Joseph Bologna in “Made for Each Other” (1971), and at 38 she was the mother of 32-year-old Dustin Hoffman in “John and Mary” (1969).

“I’ve always played older,” she told the New York Times in 2004. “I think it was the voice.”

She played different ages on the stage where her career began. And in a way, she owed it all to Nora Ephron.

Updated

April 26, 2021 at 12:32 AM ET

Ms. Ephron saw Ms. Dukakis in Christopher Durang’s Off Broadway play “The Marriage of Bette and Boo” and decided she wanted Ms. Dukakis in Mike Nichols’ 1986 film “Heartburn,” based on Ms. Ephron’s novel à Clef. Mr. Nichols then cast Ms. Dukakis on his next Broadway Social Security project. Norman Jewison saw “Social Security” and cast Ms. Dukakis in a film he was about to make: “Moonstruck”.

Despite the awards and her other successes on screen, Ms. Dukakis never gave up the theater work. In 2011 she starred in an off Broadway production of Tennessee Williams’ “The Milk Train Doesn’t Stop Here”. Charles Isherwood, who reviewed her performance in The Times, called her “macabre, hilarious, and strangely touching” with an “attention-grabbing bullying valor.” The next year she played Prospero (actually Prospera) in “The Tempest” for Shakespeare & Company in Massachusetts.

Olympia Dukakis was born on June 20, 1931 in Lowell, Massachusetts, the elder of two children of Constantine and Alexandra (Christos) Dukakis, both Greek immigrants. Her father worked in a variety of settings including an ammunition factory, printing company, and Lever Brothers quality control department. He also started an amateur theater group.

Olympia graduated from Boston University with a degree in physiotherapy and practiced this profession. During the worst days of the mid-century polio epidemic, she traveled to West Virginia, Minnesota, and Texas. Eventually she made enough money to return to the BU and study theater.

Before receiving her MFA, she embarked on her new career, making her stage debut in a summer stock production of Outward Bound in Maine in 1956. She moved to New York in 1959 and made her New York stage debut the next year in “The Breaking Wall” at St. Mark’s Playhouse.

Her first screen appearance was in 1962 in the television series “Dr. Kildare. “Her first film role was an uncredited psychiatric patient in” Lilith “(1964). She received an Obie Award in 1963 for her role as widow Begbick, the canteen owner, in Bertolt Brecht’s drama” A Man is a Man “and another , 22 years later, for the role of the grandmother of Mr. Durang’s character in “The Marriage of Bette and Boo.”

On the way she married Louis Zorich, a fellow actor who had appeared with her in a production of “Medea” in Williamstown, Massachusetts. Together they helped found the Whole Theater Company in Montclair, New Jersey, where they lived while growing up children. The company produced Chekhov, Feigling, and Williams for nearly two decades. Ms. Dukakis also taught acting at New York University.

Mr. Zorich died in 2018. In addition to her brother, her three children Christina, Peter and Stefan Zorich survived. and four grandchildren.

In recent years she has played recurring characters on several television series, including “Bored to Death,” in which her character had a hot affair with Zach Galifianakis. In her last film, “Not to Forget”, due to open this year, she plays a judge who sentenced a millennium to care for his grandmother.

When The Toronto Sun asked her in 2003 if she wanted to retire, she replied, “From what? I love this messy, contradicting, loving mess that was my life. “

She reflected on her success in a 2001 interview with London’s The Guardian newspaper. “Maybe happiness comes to you for the same reason as bad,” she said. “It’s about understanding more: you learn a lot of things when you struggle and other things when you are what the world calls successful. Or maybe something just happens. Some days it’s cold and some days it’s hot. “

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Business

SpaceX’s Starship sole winner in NASA’s HLS Moon lander program

SpaceX CEO Elon Musk ceremoniously raises his arms beneath a prototype Starship rocket under construction in Boca Chica, Texas.

Steve Jurvetson on flickr

Elon Musk’s SpaceX knocked out teams led by Jeff Bezos’ Blue Origin and Leidos subsidiary Dynetics and won a nearly $ 3 billion contract to build NASA’s next manned lunar lander.

“It is another step in an exciting set of steps that leads us to a sustainable human landing system on the moon,” said Kathy Lueders, director of NASA’s manned space program, in the agency’s announcement.

SpaceX’s order is valued at $ 2.89 billion. The Washington Post first reported on SpaceX’s victory on Friday.

NASA awarded the three teams $ 967 million last year and a 10-month contract to begin work on the lunar landing concepts as part of its Human Landing Systems (HLS) program. SpaceX received the smallest amount of the three at $ 135 million. Meanwhile, Dynetics received $ 253 million and Blue Origin received $ 579 million.

NASA was expected to select two of the three teams, which makes SpaceX’s sole selection surprising given the agency’s previous goals for the program, which is supposed to remain a competition.

Starship’s SN11 prototype rocket is on the launchpad at the company’s Boca Chica, Texas facility.

SpaceX

For the HLS program, Musk’s company offered a variation of its Starship rocket, prototypes of which SpaceX has tested at its development facility in Boca Chica, Texas. The company has had several successful Starship test flights to date, although attempts to land after the last four soaring have resulted in a multitude of fiery explosions.

NASA said their astronauts will use Starship to transfer from the agency’s Orion spacecraft when the capsule reaches lunar orbit.

HLS is part of NASA’s Artemis mission to land astronauts on the moon by 2024.

The mission was announced by the administration of President Donald Trump. President Joe Biden’s press secretary has indicated that the current administration expects to proceed with Artemis.

Bezos’ space company announced plans to build a manned lunar lander in 2019 and announced that it would partner with industry giants Lockheed Martin, Northrop Grumman and Draper. Dynetics from Leidos teamed up with the Sierra Nevada Corporation for his concept and was considered a dark horse in the race.

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World News

Indigenous Social gathering, Not on the Poll, Is Nonetheless a Huge Winner in Ecuador Election

TARQUI, Ecuador – Though its candidate was not elected, one big winner in Ecuador’s presidential election on Sunday was clear before the election result was even announced: the nation’s long-marginalized indigenous movement.

The indigenous party and its allies shook the nation in the first round of elections in February, won half of the states, became the second largest presence in Congress and changed the agendas of Sunday’s presidential competition finalists, left-wing Andrés Arauz and conservative Guillermo Lasso.

“Ecuadorian politics will never be the same,” said Farith Simon, an Ecuadorian law professor and columnist. “There is still racism, but there is also an affirmation of the value of indigenous culture, of pride in its national role.”

Early on Sunday evening, the country’s electoral council had not yet announced a winner in the race.

In an effort to bring indigenous voters to justice and to be aware of the need to work with the new powerful indigenous bloc in Congress, Mr Arauz and Mr Lasso had revised their messages and postponed competition from the polarizing socialist-conservative soil that politics has been nationally defined for years. Instead, debates arise about the deep-seated inequality of Ecuador and an economic model based on the export of oil and metals extracted from indigenous countries.

Both candidates had promised to take greater environmental protection measures and give indigenous communities a greater say in the extraction of resources. The 66-year-old banker Lasso pledged to improve economic opportunities for indigenous peoples who, despite decades of advances in access to education, health care and jobs, are well below national averages.

The 36-year-old economist Arauz, who was in the lead in the first round of voting, promised to lead Ecuador as a true “plurinational” country in recognition of its 15 indigenous nations. Though largely symbolic, the designation has been sought for decades by the country’s indigenous party, Pachakutik, as a strong recognition of their people’s central place in Ecuador.

Pachakutik’s rise on the national stage has not only drawn the attention of the country’s indigenous minority, but has also raised deeper identity issues for the entire electorate. Although only 8 percent of Ecuadorians identified themselves as indigenous people in the last census, a large proportion of the population is ethnically mixed.

“This is a difficult conversation for us as a nation, but there is no going back,” said Mr Simon.

The man most responsible for political change was environmental activist Yaku Pérez, the Pachakutik presidential candidate in the first round of elections in February.

Pérez, 52, narrowly missed the runoff election, but significantly expanded Pachakutik’s historic single-digit appeal by advocating for women’s rights, LGBTQ equality and efforts to combat climate change. Mr Pérez also supported abortion rights and same-sex marriages, which created tension in his socially conservative indigenous constituency.

“Pérez had a tremendous ability to open up his horizons and discourse to include topics that didn’t exist,” said Alberto Acosta, a former Pachakutik presidential candidate.

The rise of Mr. Pérez is part of a larger generation change in the left movements in Latin America. Driven in part by social media and political protests in the United States, where most Latin American nations have large diasporas, younger left-wing politicians are prioritizing environmental, gender, and minority issues over their mentors’ Marxist doctrine.

In neighboring Peru, 40-year-old Verónika Mendoza was one of the top candidates in Sunday’s presidential election, promising to grant land titles to indigenous communities and to protect the environment. In Bolivia, 34-year-old indigenous leader Eva Copa recently won a mayor’s race in El Alto, a melting pot town known as a bell tower.

This new generation of leaders is moving beyond the traditional left and right gap and questioning their country’s historic reliance on large mining, oil and agribusiness projects for economic growth, said Carwil Bjork-James, an anthropologist at Vanderbilt University in Tennessee .

“These are big continental questions that the indigenous movements have been asking for a long time,” said Bjork-James. “To see how these questions are asked politically is a new level.”

Such a framework is short-sighted, say their rivals. South American nations have no choice but to rely on raw material revenues to recover from the pandemic. And only through economic development, it is said, can inequalities be fully addressed.

In Ecuador, Mr Pérez managed to win nearly 20 percent of the vote in February, but his party and its allies rose from nine to 43 congressional seats in the elections and became kingmakers in the country’s broken 137-seat legislature.

The campaign initially focused on the legacy of Rafael Correa, Ecuador’s longest-serving democratic president. He had lifted millions out of poverty during a raw materials boom in the 2000s, but his authoritarian style and the corruption allegations that haunted him had bitterly divided the nation.

Mr Correa, who stepped down in 2017, selected Mr Arauz to represent his leftist movement this year and catapulted the 36-year-old to the top of the polls despite his limited experience and national recognition. Mr Lasso focused his early campaign message on fears that Mr Correa would continue to exert influence.

However, the results of the first round showed that “a large part of the population does not want to be drawn into this conflict between the supporters and opponents of Correa, which reduces the problems of Ecuadorians to a binary vision,” said former candidate Acosta.

Pachakutik’s electoral success this year stems from a wave of national protests in October 2019 when the indigenous movement marched into the capital, Quito, to demand the lifting of a deeply unpopular cut in gasoline subsidies. The protests turned violent, killing at least eight people, but the government withdrew the subsidy cut after 12 days of unrest.

“We have shown the country that the indigenous peoples are looking for a transformation of this dominant system that only serves the wealthiest,” said Diocelinda Iza, a leader of the Kichwa Nation in central Cotopaxi Province.

The life of Mr Pérez, the presidential candidate, embodies the difficulties of the indigenous movement. He was born in a high Andean valley in southern Ecuador to a family of impoverished farmers. His father was Kichwa, his mother Kañari.

His parents worked on the estate of a local landowner with no payment for living on his property, a rural establishment that has changed little since the colonial days.

Since childhood, Mr Pérez said he remembered the seemingly endless work in the fields, the hunger pangs and the humiliation he felt at school when his mother came to parents’ meetings in traditional skirts.

“I was very ashamed to be local, to come from the field, to be a farmer, to have a father together,” said Pérez in an interview in March. In order to be successful in school, he said: “In the end I made myself white, colonized myself and rejected our identity.”

Mr. Pérez studied at a local university, practiced law and got involved in politics through local associations that defended municipal water rights. He rose to become governor of the Ecuadorian region of Azuay, the fifth most populous in the country, before quitting running for president.

Its story has resonated with other indigenous peoples, many of whom see today’s political endeavors in the context of the five centuries since the colonial conquest of Ecuador.

“We are not campaigning for a person,” said an indigenous leader, Luz Namicela Contento, “but for a political project.”

Jose María León Cabrera reported from Tarqui, Ecuador, and Anatoly Kurmanaev from Moscow. Mitra Taj contributed to coverage from Lima, Peru.

Categories
Entertainment

The Golden Globes’ Greatest Winner Could Be the Group That Fingers Them Out

Die Hollywood Foreign Press Association wurde allgemein als farbenfroh, im Allgemeinen harmlos, vielleicht venal und nicht unbedingt journalistisch produktiv angesehen. Aber weil die Gruppe die Golden Globes anlegt, ist die Werbung für die Gunst ihrer Mitglieder – es gibt nur 87 – zu einer ritualisierten Verfolgung in Tinseltown geworden.

Prominente schicken ihnen handgeschriebene Weihnachtskarten. Die Studios haben sie in Fünf-Sterne-Hotels untergebracht. Champagner, teurer Wein, signierte Kunst, Kaschmirdecken, Hausschuhe, Plattenspieler, Kuchen, Kopfhörer und Lautsprecher gehören zu den Geschenken, die vor der Haustür angekommen sind, sagen die Empfänger.

Die Bewerber – Studios, Produktionsfirmen, Strategen und Publizisten – verfolgen alle dasselbe: die Stimmen der Mitglieder. Jeder zählt. Eine Golden Globe-Nominierung und sicherlich ein Gewinn ist ein Werbegag, der Karrieren ankurbeln, die Einnahmen an den Abendkassen steigern und einen Oscar vorwegnehmen kann.

Die Globes sind die dritthäufigste Preisverleihung nach den Grammys und den viel ruhigeren Oscar-Verleihungen. Die Show nimmt einen merkwürdigen Platz in der Unterhaltungsindustrie ein. Das Verspotten der Globen und ihre gelegentlichen Nominierungen und Auswahlmöglichkeiten, die irrelevant sind, sind in der Hollywood-Presse zu einem jährlichen Blutsport geworden, der sie sowieso abdeckt, und die Mitglieder des Verbandes, von denen viele für obskure Outlets arbeiten, werden regelmäßig gemalt als zwielichtig, berührungslos und leicht korrupt.

“Die Golden Globes sind für die Oscars das, was Kim Kardashian für Kate Middleton ist”, sagte Ricky Gervais, der sie mehrfach gehostet hat, bei der Zeremonie im Jahr 2012. “Etwas lauter. Etwas trashiger. Etwas betrunkener. Und angeblich leichter zu kaufen. Nichts wurde bewiesen. “

Aber am Vorabend der Show am 28. Februar bieten eine kürzlich durchgeführte Klage und eine Reihe von Interviews und Finanzberichten einen schonungsloseren Blick auf die Gruppe, die ihre Liste nicht öffentlich auflistet, nur sehr wenige Bewerber zulässt und obwohl sie eine ist Medienverband, hat einige Mitglieder, die sagen, sie haben Angst, mit der Presse zu sprechen. Die Gruppe wird auch von Nachrichtenorganisationen, darunter der Los Angeles Times, die sich kürzlich mit ihren Finanzen befasst haben, eingehender untersucht. Eine seiner Erkenntnisse, dass die Gruppe keine schwarzen Mitglieder hat, machte Schlagzeilen.

Die letzte Überprüfung begann letztes Jahr, als Kjersti Flaa, eine norwegische Reporterin, der dreimal die Aufnahme in die Gruppe verweigert wurde und deren romantischer Partner Mitglied ist, die Organisation verklagte und erklärte, dass sie als Monopol fungiere und wertvolle Interviews verhöhne relativ wenige seiner Mitglieder arbeiteten aktiv als Journalisten. Die Studios gingen mit, um sich selbst einzuschmeicheln, sagte sie, wegen des Wertes der Stimmen der Mitglieder.

“Es ist sehr offensichtlich, wer für die Studios wichtig ist und wer nicht”, sagte Flaa in einem Interview. „Und die Sache ist, niemand hat zuvor etwas darüber gesagt. Es wurde einfach akzeptiert. “

Die Mitglieder seien territorial und nicht bereit, Wettbewerber willkommen zu heißen, behauptete sie und forderten sich gegenseitig auf, neue Bewerber zu akzeptieren oder zu verweigern, ohne dabei journalistische Verdienste zu berücksichtigen. Flaa wies auf einen Streit mit einem russischen Mitglied hin, dem 2015 vorgeworfen wurde, von einem ukrainischen Antragsteller verlangt zu haben, dass er nicht für russische Verkaufsstellen schreibt und ihre zusätzlichen Golden Globes-Tickets übergibt – und ihr Versprechen in einem notariell beglaubigten Brief garantiert -, um dafür in Betracht gezogen zu werden Eintritt.

Flaa sagte, Außenstehende hätten einen Spitznamen für den Verein: “Das Kartell”.

Der Verband wollte sich nicht speziell zu dem Vorfall von 2015 äußern, aber Gregory Goeckner, Chief Operating Officer und General Counsel der Organisation, sagte, dass solche Handlungen verboten seien und dass sein Vorstand 2018 eine Richtlinie genehmigte, in der solche Briefe als „nichtig und nicht durchsetzbar“ bestätigt würden. ” Goeckner beschrieb Flaas Anschuldigungen auch als “gewalttätig” und sagte, es seien die Studios, nicht der Verein, die Entscheidungen über den Zugang zur Presse getroffen hätten.

Ein Richter warf den größten Teil von Flaas Klage zurück, aber sie hat sie kürzlich geändert, und eine andere Journalistin, der ebenfalls die Einreise in den Verein verweigert wurde, hat sich ihrer Beschwerde angeschlossen.

Mehrere aktuelle und ehemalige Verbandsmitglieder sagten, Flaas Berichte über die inneren Machenschaften seien korrekt, baten jedoch um Anonymität, weil sie Vergeltungsmaßnahmen der Gruppe befürchteten.

Die Hollywood Foreign Press Association wurde in den 40er Jahren geboren, als sich ausländische Korrespondenten über Hollywood zusammenschlossen, um Zugang zu Filmstars zu erhalten. The Globes erkennen Filme und Fernsehen und sind voller Stars, mit keiner Snoozy-Kategorie – hier gibt es keinen Preis für Tonbearbeitung. Als der Branchenkomplex für Auszeichnungen in die Höhe schoss – es ist jetzt ein fast ganzjähriges Unternehmen, das von Strategen geprägt und von Reportern genau verfolgt wird -, wuchs auch die relative Macht der Mitglieder.

Nachdem die Show vom Fernsehen aufgenommen wurde, wurde sie zu einer goldenen Gans. Im Jahr 2018 erklärte sich NBC bereit, 60 Millionen US-Dollar pro Jahr für Übertragungsrechte zu zahlen, was etwa dem Dreifachen der vorherigen Lizenzgebühr entspricht. Während die Oscar-Verleihung und die Emmys in den letzten Jahren Millionen von Zuschauern verloren haben, hat sich das Publikum der Golden Globes konstant auf 18 bis 20 Millionen gehalten, weshalb NBC bereit war, sich zu verbessern.

“Es ist eine Fernsehshow eines großen Zeltnetzwerks und als solche von unschätzbarem Wert für Filmkampagnen, die darauf hoffen, um Oscar-Nominierungen und Siege zu kämpfen”, sagte Tony Angellotti, ein Publizist, der Preiskampagnen durchführt, in einer E-Mail. „Und die HFPA-Erfolgsbilanz bei der Identifizierung würdiger Filme ist unbestritten. Das ist nicht nichts. “

Um für einen Globus stimmen zu können, müssen Mitglieder mindestens sechsmal im Jahr veröffentlichen und an 25 Pressekonferenzen des Verbandes teilnehmen, zu denen Prominente und Nachrichtenmacher eingeladen sind, bestätigten mehrere Mitglieder. Wenn Mitglieder zum Zeitpunkt des Vereins zu Filmfestivals reisen möchten, müssen sie laut einer Kopie der von der New York Times überprüften Reiserichtlinien an noch mehr Pressekonferenzen teilnehmen. Die Regeln besagen, dass sie keine Presseausschnitte im Zusammenhang mit ihren Reisen erstellen müssen, wenn sie fünf oder weniger Reisen unternehmen.

Da die Organisation gemeinnützig ist, ist auch die Hollywood Foreign Press Association steuerfrei. Die Einreichung des im Juni 2019 endenden Steuerjahres ergab, dass die Gruppe auf rund 55 Millionen US-Dollar in bar saß. Es spendete etwa 5 Millionen US-Dollar für verschiedene Zwecke, darunter 500.000 US-Dollar für das Reporter-Komitee für Pressefreiheit und 500.000 US-Dollar für die Umwelt-Website Inside Climate News.

“Die Finanzierung war enorm wichtig”, sagte David Sassoon, der Gründer und Herausgeber von Inside Climate News, in einer E-Mail. “Es hat unsere Finanzen gefestigt und uns geholfen, die Albträume von 2020 zu überstehen.”

Den Steuererklärungen zufolge zahlte die steuerbefreite gemeinnützige Organisation mehr als 3 Millionen US-Dollar an Gehältern und anderen Entschädigungen an Mitglieder und Mitarbeiter. Die Steuererklärung ergab auch Reisekosten in Höhe von 1,3 Mio. USD für dieses Jahr. Der Verein hat angegeben, dass er in der Regel die Kosten für Mitglieder übernimmt, die zu Filmfestivals und dergleichen reisen möchten.

Es gibt auch eine Entschädigung für die Erfüllung von Aufgaben, von denen mehrere Mitglieder sagen, dass sie früher kostenlos erledigt wurden. Laut dem Bericht des Schatzmeisters von der Januar-Generalversammlung des Verbandes zahlt die Mitgliedschaft im TV Viewing Committee des Vereins monatlich 1.000 US-Dollar. Mitglieder des Foreign Film Watching Committee stecken pro Stück 3.465 US-Dollar ein. Laut Protokoll sitzen zwei Dutzend Personen in diesem Ausschuss, was bedeutete, dass die Anforderungen an das Ansehen internationaler Filme den Verband in einem Monat 83.160 USD kosteten.

Der Verein hat auch einen beratenden Ausschuss, einen Geschichtsausschuss, einen Wohlfahrtsausschuss, einen Reiseausschuss, einen Filmfestivalausschuss, einen Finanzausschuss und einen Veranstaltungsausschuss, die laut Bericht des Schatzmeisters alle mit Stipendien ausgestattet sind.

Einige Mitglieder gaben an, dass die Zahl der zahlenden Ausschüsse in den letzten Jahren explodiert ist. Die Mitglieder kämpfen um mehrere Positionen und die Loyalität wird durch die Ernennung von Ausschüssen belohnt. Dies hat einige beunruhigt, die wollen, dass der Verein in der Stadt weniger zur Pointe wird. Ein Mitglied befürchtete, dass die Gruppe von Mitgliedern überrannt wird, die den größten Teil ihres Einkommens aus der Organisation und nicht aus dem Journalismus beziehen.

Goeckner sagte, der Verein entschädige die Mitglieder nur, wenn sie zusätzliche Arbeit verrichten und im Grunde genommen als Angestellte fungieren, um Aufgaben zu erledigen, die eine bezahlte Arbeit der Mitarbeiter an anderer Stelle darstellen würden. Die Entschädigung sei “um Größenordnungen geringer” als die, die ähnliche Organisationen zahlen. Und er bemerkte, dass die Gruppe „keine Wohltätigkeitsorganisation“ sei und dass das angesammelte Kapital für eine geplante Modernisierung des Hauptsitzes in West Hollywood vorgesehen sei.

Dennoch gibt es Debatten darüber, wie viel von seinen Einnahmen der Verein für sich behalten sollte.

Der Anwalt von Flaa, David Quinto, sagte, dass der Verband aufgrund seines Steuerbefreiungsstatus ausländischen Kunstjournalisten im weiteren Sinne zugute kommen sollte, nicht nur denjenigen in der Gruppe. Er sagte, der Verband “glaubt, dass er über dem Gesetz steht” und nannte sein Verhalten “offensichtlich unangemessen”.

Ofer Lion, ein Anwalt in Los Angeles mit Fachkenntnissen in steuerbefreiten Organisationen, sagte jedoch, dass Unternehmen mit gegenseitigem Nutzen wie der Verband nur einem gemeinsamen Zweck ihrer Mitglieder zugute kommen müssen und dies als steuerbefreite Organisation nach 501 (c) (6) tun müssen Stellen Sie nur sicher, dass sie in irgendeiner Weise ihrer Branche insgesamt zugute kommen. Zahlungen an Mitglieder für ihre Arbeit für die Organisation seien legal, solange sie als angemessen angesehen würden.

“Dort gibt es einige gesunde Zahlen”, sagte Lion, nachdem er die Steuererklärung der Organisation überprüft hatte, “aber nicht wirklich blass.”

Die erklärte Mission der Gruppe besteht im Wesentlichen darin, die Beziehungen zwischen den Vereinigten Staaten und dem Ausland zu stärken, indem sie ihre Kultur- und Unterhaltungsindustrie abdeckt. Aber es wurde immer wieder unter die Lupe genommen, als rätselhafte Preisentscheidungen getroffen wurden, am bekanntesten 1982, als Pia Zadora über Kathleen Turner und Elizabeth McGovern zum besten neuen Star gekürt wurde. Später wurde bekannt, dass Zadoras Produzent, der zufällig auch ihr Ehemann war, die Gruppe vor der Abstimmung nach Las Vegas geflogen hatte. CBS, die die Sendung ausgestrahlt hatte, stellte ihre Sendung ein, und es würde Jahre dauern, bis sie zum Netzwerkfernsehen zurückkehrte.

Im Jahr 2014 veröffentlichte ein ehemaliger Verbandspräsident eine Abhandlung, in der er vorschlug, dass seine Kollegen durch den Bevorzugungshandel beeinflusst werden könnten.

Der Verein hat in den letzten Jahren versucht, sein Image zu verbessern. 1999 schickte sie 400 US-Dollar Coach-Uhren zurück, die von einer Filmfirma an Mitglieder ausgegeben wurden, und forderte die Mitglieder 2016 auf, einen Teil des Duftgeschenks der Marke Tom Ford zurückzugeben, das jeder von ihnen von den Herstellern von „Nocturnal Animals“ erhalten hatte.

Heutzutage dürfen Mitglieder keine Geschenke über 125 USD annehmen. (Die Gruppe sagt, sie habe eine „robustere“ Geschenkpolitik eingeführt.) Dennoch können sie umworben werden. Für einige war es keine Überraschung, als die schaumige Serie „Emily in Paris“, die von Kritikern ausgesprochen gemischte Kritiken erhielt, dieses Jahr zwei Golden Globe-Nominierungen erhielt. Im September 2019 flogen Dutzende von Verbandsmitgliedern nach Paris, um das „Emily“ -Set zu besuchen, und wurden vom Paramount Network im Fünf-Sterne-Hotel Peninsula eingerichtet.

Und obwohl es angeblich eine Welle von Reformen gegeben hat, ist die eklektische Mitgliederliste der Gruppe seit Jahren weitgehend gleich geblieben.

Eine Überprüfung eines Dienstplans für 2020 zeigt, dass zu seinen Mitgliedern Yola Czaderska-Hayek gehört, eine Frau, die als „polnische First Lady von Hollywood“ bekannt ist; Alexander Newski, ein ehemaliger Mr. Universe und Bodybuilder, der in Filmen wie „Moscow Heat“ mitgespielt hat; und Judy Solomon, eine Veteranin der Organisation von mehr als 60 Jahren, die auf ihre Rolle als “The Golden Beast” aufmerksam gemacht hat, eine Aufgabe von nicht geringer Bedeutung, wenn es darum geht, Prominente bei der Zeremonie ohne Rüschen zu setzen Gefieder.

In Erklärungen gegenüber der New York Times zeigten sich zwei langjährige Mitglieder der Organisation stolz auf die Hollywood Foreign Press Association und ihre Arbeit. Eines der Mitglieder, Meher Tatna, der derzeitige Vorstandsvorsitzende, wies auf die philanthropischen Initiativen der Gruppe hin und sagte, sie habe das ganze Jahr über Dankesbriefe erhalten.

Czaderska-Hayek wiederholte diesen Stolz in einem Video, das die polnische Regierung 2010 auf YouTube gepostet hatte, stellte jedoch auch fest, dass die Forderung nach einer Mitgliedschaft eine Belastung darstellen könnte.

“Es ist unglaublich harte Arbeit”, sagte Czaderska-Hayek laut den englischen Untertiteln des Videos. “Wir müssen jedes Jahr mindestens 300 US-Filme sehen.”

Alain Delaquérière und Kitty Bennett haben Forschung betrieben.