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Health

U.S. to start extensive distribution of third vaccine doses subsequent month

The United States will begin distributing Covid-19 booster vaccinations on a large scale next month as new data shows vaccine protection wears off over time, US health officials said on Wednesday.

It is now “very clear” that immunity declines after the first two doses, and with the dominance of the delta variant, “we see evidence of decreased protection against mild and moderate disease,” according to the CDC. signed declaration Director Dr. Rochelle Walensky, Acting FDA Commissioner Dr. Janet Woodcock, the White House Senior Medical Advisor, Dr. Anthony Fauci, and other US health leaders.

“Based on our latest assessment, current protection against serious illness, hospitalization and death could decline in the coming months, especially for those at higher risk or who were vaccinated during the earlier stages of vaccination.”

As a result, U.S. authorities are preparing to offer booster shots to all eligible Americans starting the week of September 20, eight months after their second dose of Pfizer or Moderna vaccines, officials said. While they said recipients of the Johnson & Johnson single vaccine will likely need booster vaccinations, they are waiting for more dates in the next few weeks before making a formal recommendation.

“With this data, we will also keep the public informed with a timely schedule for J&J booster shots,” officials said.

The plan is subject to formal recommendation by a CDC Vaccine Advisory Committee and FDA approval, also a formality.

The announcement came ahead of a Covid press conference at the White House on Wednesday, where federal health officials further outlined their plan for boosters. President Joe Biden is expected to speak about the U.S. efforts after the briefing, the White House told reporters on Tuesday.

The decision to recommend booster vaccinations comes as the public becomes increasingly concerned about the Delta variant and an increase in breakthrough cases – infections in fully vaccinated individuals. It marks a departure from previous comments by U.S. health officials who said in recent months that fully vaccinated Americans did not need a booster at this point.

U.S. officials changed their embassy to boosters in the past few days as cases continued to rise. Fauci said Thursday that everyone is “likely” to need a booster at some point. On Friday, federal officials approved the administration of booster shots to Americans with compromised immune systems, which include cancer and HIV patients, as well as people who have had organ transplants.

The director of the National Institutes of Health, Dr. Francis Collins, who also signed the statement, said Tuesday that new Covid data, including from Israeli health officials, had caused US health leaders to reconsider their position on vaccine boosters. Israel on Monday released new data showing a reduction in the effectiveness of Pfizer’s Covid vaccine against serious illness in people 65 and over who were fully vaccinated in January or February.

There are similar trends in vaccine effectiveness in the United States, Collins said. He said the surge in breakthrough cases could be due to a combination of the rapidly spreading Delta variant and the deterioration in Covid vaccine protection over time.

The effectiveness of Pfizer’s Covid vaccine has steadily declined over time, dropping to around 84% around four to six months after receiving the second dose for vaccinated people, according to CEO Albert Bourla. Moderna said his vaccine remained 93% effective for the first six months after the second dose, but expects protection to decrease and boosts to be needed.

During a news conference on Wednesday, Walensky said officials based their decision on studies showing immunity to Pfizer and Moderna vaccines decreased over several months. A study in New York from May 3 to July 25 showed that the vaccine’s effectiveness in protecting against infection decreased from around 92% to 80%. Another study by the Mayo Clinic showed that the effectiveness of Pfizer’s vaccine decreased from around 76% to 42%, while that of Moderna’s decreased from 86% to 76%.

“Right now, it’s still like our vaccine protection is working really well,” said Collins. “But we don’t want to wait until it’s oh, too late.”

The move to recommend boosters is likely to trigger criticism, especially since a large part of the world population has not even received a dose of a Covid vaccine.

Earlier this month, the World Health Organization urged rich nations to stop distributing booster vaccinations until at least the end of September to allow poorer countries to vaccinate their populations with the first rounds of vaccination. The application is part of WHO Director General Tedros Adhanom Ghebreyesus’ plan to vaccinate 40% of the world’s population by December.

The US released the statement minutes after the WHO condemned wealthy nations who support boosters for the general public.

“We clearly believe that the data so far does not suggest the need for boosters,” said Dr. Soumya Swaminathan, WHO senior scientist, during a press conference. “And we need to know which groups and at what point in time after the vaccination and which specific vaccinations the people received in their basic course.”

Lawrence Gostin, director of the WHO Collaborating Center for National and Global Health Law, called the US booster shot plan “a slap in the face” of the international health agency.

“There is a better way to create a win-win situation,” he said in a telephone interview. “We should only empower our health workers and vulnerable people. At the same time, Biden should undertake a bold campaign to vaccinate the world, including significantly increased donations and an increase in vaccine production. “

“In this way we are doing good to America and good to the world. It is in our national interest to stop the development of even more dangerous varieties,” he added.

During a briefing at the White House Tuesday, press secretary Jen Psaki said the government believes it can empower the American people while ensuring that the rest of the world is vaccinated.

“We believe this is a wrong decision. We can do both,” said Psaki. “The United States is by far the largest contributor to the global fight against Covid. We will continue to be the vaccine arsenal around the world. We also have enough supplies and had planned long enough should a refresher be required for those eligible. “Population.”

Giving third shots appears safe. Early data from small studies on the effects of booster doses in immunocompromised patients showed no serious side effects from a third vaccination with an mRNA vaccine, nor did recipients develop side effects beyond those already seen after the initial two-dose treatment.

Once the booster is approved, nursing home residents, health care providers and the elderly – the first groups to be vaccinated in December and January – will likely be given priority for additional vaccinations, Collins said Tuesday. He said “ideally” people should stick with the same manufacturer that they got their first two doses from.

“But if for some reason you don’t have access to it, get the other one,” he said. “Again, as a scientist, I would be more comfortable fixing our plans on real dates, and that means sticking to the same type of vaccine that you had to start with.”

– CNBC’s Rich Mendez and Robert Towey contributed to this report.

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Health

Covid-Sniffing Canines Are Correct, However Extensive Use Faces Hurdles

Dog noses are great Covid-19 detectors, according to numerous laboratory studies, and Covid detection dogs have already started working at airports in other countries and at some events in the US, like a Miami Heat basketball game.

However, some public health and sniffer dog training experts say more information and planning is needed to ensure they are accurate in real-life situations.

“There are no national standards” for scented dogs, said Cynthia M. Otto, director of the Penn Vet Working Dog Center at the University of Pennsylvania School of Veterinary Medicine and one of the authors of a new article on the use of scented dogs in Covid detection.

And while private groups certify drug sniffing and bomb and rescue dogs, there are no similar medical detection programs in place in the journal Disaster Medicine and Public Health Preparedness, according to the new paper.

Lois Privor-Dumm, a public health researcher at Johns Hopkins University and lead author of the article, said there is no question that dogs have great potential in medical fields. But she wants to investigate how they could be used on a large scale, for example by the government.

“What are all the ethical considerations? What are the regulatory considerations? How practical is that? ”She asked. Not only the quality of detection, but logistics and cost would be central to any widespread application, as with any public health intervention.

Quality control is a first step and a big one. Medical odor detection is more complicated than detecting drugs or bombs, said Dr. Otto. A dog working to detect drugs or explosives in an airport has a consistent context and a fairly simple target odor. With Covid detection, researchers know that dogs can differentiate between sweat and urine from an infected person. But they don’t know what chemicals the dog is identifying.

Because human smells vary, medical sniffer dogs must be trained on many different people. “We have all races and ages and diets and all these things that make people smell,” said Dr. Otto.

The symptoms of many illnesses are similar to those of Covid, and dogs smelling odors related to fever or pneumonia would be ineffective. Therefore, according to Dr. Otto “include many people who are negative but might have a cough or a fever or other things”. Obviously, if the dogs mistake flu for Covid, that would be a critical mistake.

Dogs can also be trained on sweat, saliva, or urine. In the United Arab Emirates, the dogs worked with urine samples. In Miami they just walked past a number of people.

Any positive cases of Covid infection that the dogs detect are usually confirmed using today’s gold standard to confirm the presence of the coronavirus, a PCR test. However, a review of the research published last week concluded that dogs fared better than the test.

But these are experimental results. Dogs are good at remotely detecting explosives and other substances, but so far, Dr. Otto that she is not aware of any published research showing the accuracy of dogs who sniff people in a line instead of urine or sweat.

If the government were to officially conduct or approve dogs for Covid detection, some standards would need to be set for how dogs should be trained and their performance assessed. Dr. Otto is on a committee of the National Institute of Standards and Technology that is now meeting to develop standards for scent detection dogs in a variety of situations, including detecting Covid.

She said even if the standards were clearly set, finding enough dogs to do widespread odor detection was another hurdle. Trained dogs are not easy to come by. “We have a shortage of bomb detection dogs in this country. We’ve been dealing with it for years, ”she said.

Dogs can be retrained from one smell to another, but that can be tricky. “Some countries take their bomb trained dogs and train them on Covid. But you know, all you have to do is think of an airport, if you have a dog that sniffs both covid and bombs and it alerts you, then what do you have? “

Well-trained dogs are also costly and require paid, well-trained human handlers. According to the report, dogs can cost $ 10,000 and odor training can cost $ 16,000 per dog. For example, the Transportation Security Administration has a $ 12 million explosive detection dog and handler training facility in San Antonio and estimates the cost of training dogs and handlers at $ 33,000 for explosives detection and $ 46,000 for passenger control.

All of these questions will determine how dogs will be used in the future. Your ability is there. “I think they absolutely can,” said Dr. Otto. “This is how we implement them.”

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Health

U.S. Covid Vaccine Donations Will Go to ‘Large Vary’ of Nations

And the president has pledged to donate up to 60 million doses of AstraZeneca’s vaccine. However, these cans, which are also manufactured in the Emergent facility, are not approved for domestic use and may not be released in other countries until the regulatory authorities deem them safe. If they weren’t cleared for release, Mr. Biden would have to agree to donate more of the three vaccines used here in order to fulfill his 80 million pledge.

The president has described vaccine donations as part of an “entirely new effort” to increase vaccine supply and significantly expand manufacturing capacity, most of it in the United States. To further expand the offering, Mr. Biden recently announced that he would support the waiver of intellectual property protection for coronavirus vaccines. He also made Mr. Zients responsible for developing a global vaccine strategy.

But activists say it’s not enough to simply donate overdoses and support renunciation. They argue that Mr Biden needs to create the conditions for pharmaceutical companies to transfer their intellectual property to vaccine manufacturers abroad so that other countries can set up their own vaccine manufacturing operations.

Peter Maybarduk, director of the Public Citizen’s Access to Medicines program, on Thursday called on the government to invest $ 25 billion in “urgent public vaccine manufacturing in locations around the world” to generate eight billion doses of vaccine within a year using mRNA To create and “share” technology. these vaccine prescriptions with the world. “

When asked recently whether the United States would be ready, Andrew Slavitt, a senior health advisor to the President, sidestepped the question, saying only that the United States would “play a leadership role” but still “global partners across the board.” World ”. ”

On Thursday, Mr Zients said the United States would repeal the Defense Production Act “priority assessment” for three vaccine manufacturers – AstraZeneca, Novavax and Sanofi – that do not make coronavirus vaccines for use in the United States. The shift means companies in the United States supplying vaccine manufacturers “can make their own decisions about which orders to fill first,” Zients said.

This could free up supplies for foreign vaccine manufacturers and allow other countries to ramp up their own programs.

Abdi Latif Dahir contributed to the coverage.

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Health

First U.S. Vaccine Donations Will Go to ‘Vast Vary’ of Nations in Want

And the president has pledged to donate up to 60 million doses of AstraZeneca’s vaccine. However, these cans, which are also manufactured in the Emergent facility, are not approved for domestic use and may not be released in other countries until the regulatory authorities deem them safe. If they weren’t cleared for release, Mr. Biden would have to agree to donate more of the three vaccines used here in order to fulfill his 80 million pledge.

The president has described vaccine donations as part of an “entirely new effort” to increase vaccine supply and significantly expand manufacturing capacity, most of it in the United States. To further expand the offering, Mr. Biden recently announced that he would support the waiver of intellectual property protection for coronavirus vaccines. He also made Mr. Zients responsible for developing a global vaccine strategy.

But activists say it’s not enough to simply donate overdoses and support renunciation. They argue that Mr Biden needs to create the conditions for pharmaceutical companies to transfer their intellectual property to vaccine manufacturers abroad so that other countries can set up their own vaccine manufacturing operations.

Peter Maybarduk, director of the Public Citizen’s Access to Medicines program, on Thursday called on the government to invest $ 25 billion in “urgent public vaccine manufacturing in locations around the world” to achieve eight billion doses of mRNA in one year. Technology and “share these vaccine recipes with the world.”

When asked recently whether the United States would be ready, Andrew Slavitt, a senior health advisor to the President, sidestepped the question, saying only that the United States would “play a leadership role” but still “global partners across the board.” World ”. ”

On Thursday, Mr Zients said the United States would repeal the Defense Production Act “priority assessment” for three vaccine manufacturers – AstraZeneca, Novavax and Sanofi – that do not make coronavirus vaccines for use in the United States. The shift means companies in the United States supplying vaccine manufacturers “can make their own decisions about which orders to fill first,” Zients said.

This could free up supplies for foreign vaccine manufacturers and allow other countries to ramp up their own programs.

Abdi Latif Dahir contributed to the coverage.

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Business

The Lure of H Mart, The place the Cabinets Can Appear as Large as Asia

At the H Mart on Broadway at 110th Street in Manhattan, the lights are bright on the singo pears, round as apples and kept snug in white mesh, so their skin won’t bruise. Here are radishes in hot pink and winter white, gnarled ginseng grown in Wisconsin, broad perilla leaves with notched edges, and almost every kind of Asian green: yu choy, bok choy, ong choy, hon choy, aa choy, wawa choy, gai lan, sook got.

The theme is abundance — chiles from fat little thumbs to witchy fingers, bulk bins of fish balls, live lobsters brooding in blue tanks, a library of tofu. Cuckoo rice cookers gleam from the shelves like a showroom of Aston Martins. Customers fill baskets with wands of lemongrass, dried silvery anchovies, shrimp chips and Wagyu beef sliced into delicate petals.

For decades in America, this kind of shopping was a pilgrimage. Asian-Americans couldn’t just pop into the local Kroger or Piggly Wiggly for a bottle of fish sauce. To make the foods of their heritage, they often had to seek out the lone Asian grocery in town, which was salvation — even if cramped and dingy, with scuffed linoleum underfoot and bags of rice slumped in a corner.

Il Yeon Kwon, a farmer’s son who left South Korea in the late 1970s when the countryside was still impoverished from war, opened the first H Mart in Woodside, Queens, in 1982. It was the middle of a recession. At the time, only about 1.5 percent of the American population was of Asian descent.

Later that year, Vincent Chin, a Chinese-American, was beaten to death in Detroit by two white autoworkers who were reportedly angered by the success of the Japanese car industry. Asian-Americans, a disparate group of many origins that had historically not been recognized as a political force, came together to condemn the killing and speak in a collective voice.

Today, as they again confront hate-fueled violence, Asian-Americans are the nation’s fastest-growing racial or ethnic group, numbering more than 22 million, nearly 7 percent of the total population. And there are 102 H Marts across the land, with vast refrigerated cases devoted to kimchi and banchan, the side dishes essential to any Korean meal. In 2020, the company reported $1.5 billion in sales. Later this year, it’s set to open its largest outpost yet, in a space in Orlando, Fla., that is nearly the size of four football fields.

And H Mart has competition: Other grocery chains that specialize in ingredients from Asia include Patel Brothers (Patel Bros, to fans), founded in Chicago; and, headquartered in California, Mitsuwa Marketplace and 99 Ranch Market — or Ranch 99, as Chinese speakers sometimes call it. They’re part of a so-called ethnic or international supermarket sector estimated to be worth $46.1 billion, a small but growing percentage of the more than $653 billion American grocery industry.

Many of these chains have a particular focus (H Mart’s is Korean products), but also attempt the difficult feat of catering to a variety of Asian-American groups with different tastes and shopping preferences.

Mr. Kwon’s first store still stands in Woodside, with a blue awning that bears H Mart’s original name, Han Ah Reum. This is commonly translated from Korean as “an armful,” but has a poetic nuance, invoking warmth and care, as in an embrace.

H Mart is “a beautiful, holy place,” writes the musician Michelle Zauner, who performs under the name Japanese Breakfast, in her new memoir, “Crying in H Mart,” published last month. The book begins with her standing in front of the banchan refrigerators, mourning the death of her Korean-born mother. “We’re all searching for a piece of home, or a piece of ourselves.”

As the 20th-century philosopher Lin Yutang wrote, “What is patriotism but the love of the food one ate as a child?”

For an immigrant, cooking can be a way to anchor yourself in a world suddenly askew. There is no end to the lengths some might go to taste once more that birthday spoonful of Korean miyeok guk, a soup dense with seaweed, slippery on the tongue, or the faintly bitter undertow of beef bile in Laotian laap diip (raw beef salad).

When Vilailuck Teigen — the co-author, with Garrett Snyder, of “The Pepper Thai Cookbook,” out in April — was a young mother in western Utah in the 1980s, she ordered 50-pound bags of rice by mail and drove 150 miles to Salt Lake City to buy chiles. She had no mortar and pestle, so she crushed spices with the bottom of a fish-sauce bottle.

Around the same time, Thip Athakhanh, 39, the chef of Snackboxe Bistro in Atlanta, was a child in a small town in east-central Alabama, where her family settled after fleeing Laos as refugees. They fermented their own fish sauce, and her father made a weekly trek to Atlanta to pick up lemongrass and galangal at the international farmers’ market.

The essayist Jay Caspian Kang has described Americans of Asian descent as “the loneliest Americans.” Even after the government eased restrictions on immigration from Asia in 1965, being an Asian-American outside major cities often meant living in isolation — the only Asian family in town, the only Asian child at school. A grocery store could be a lifeline.

When the writer Jenny Han, 40, was growing up in Richmond, Va., in the ’90s, her family shopped at the hole-in-the-wall Oriental Market, run by a woman at their church. It was the one place where they could load up on toasted sesame oil and rent VHS tapes of Korean dramas, waiting to pounce when someone returned a missing episode.

A few states away, the future YouTube cooking star Emily Kim — better known as Maangchi — was newly arrived in Columbia, Mo., with a stash of meju, bricks of dried soybean paste, hidden at the bottom of her bag. She was worried that in her new American home she wouldn’t be able to find such essentials.

Then she stumbled on a tiny shop, also called Oriental Market. One day the Korean woman at the counter invited her to stay for a bowl of soup her husband had just made.

“She was my friend,” Maangchi recalled.

The H Mart of today may be a colossus, but it remains a family business. Mr. Kwon, 66, has two children with Elizabeth Kwon, 59, who grew up two blocks from the Woodside shop (where her mother still lives) and oversees store design.

From the beginning, it was important to her that the stores were clean, modern and easy to navigate, to defy the stereotype of Asian groceries as grimy and run-down.

“It’s so emotional, shopping for food,” said her son, Brian Kwon, 34. “You don’t want to be in a place where you feel like you’re compromising.”

He never intended to devote his life to the store. But not long after he went abroad to take a job in Seoul — seeking to improve his Korean — his father asked him to come home and look over the company’s books, to make sure everything was running smoothly.

It was, as Mr. Kim of the Canadian TV show “Kim’s Convenience” might say, a sneak attack. Once Brian Kwon entered the office, he never left. “My father called it his ‘golden plan,’ after the fact,” he said ruefully. He is now a co-president, alongside his mother and his sister, Stacey, 33. (His father is the chief executive.)

For many non-Asian customers, H Mart is itself a sneak attack. On their first visit, they’re not actually looking for Asian ingredients; customer data shows that they’re drawn instead to the variety and freshness of more familiar produce, seafood and meat. Only later do they start examining bags of Jolly Pong, a sweet puffed-wheat snack, and red-foil-capped bottles of Yakult — a fermented milk drink that sold out after it appeared in Ms. Han’s best-selling novel-turned-movie “To All The Boys I’ve Loved Before.”

To be welcoming to non-Koreans, H Mart puts up signs in English. At the same time, the younger Mr. Kwon said, “We don’t want to be the gentrified store.” So while some non-Asians recoil from the tanks of lobsters, the Kwons are committed to offering live seafood.

Deuki Hong, 31, the chef and founder of the Sunday Family Hospitality Group, in San Francisco, remembers the H Mart of his youth in New Jersey as “just the Korean store” — a sanctuary for his parents, recent immigrants still not at ease in English. Everyone spoke Korean, and all that banchan was a relief: His mother would pack them in her cart for dinner, then pretend she’d made them herself.

Later, as a teenager, he started seeing his Chinese- and Filipino-American friends there, too, and then his non-Asian friends. Spurred by postings on social media, young patrons would line up to buy the latest snack sensation — “the snack aisle is notorious,” Mr. Hong said — like Haitai honey butter chips and Xiao Mei boba ice cream bars. (The current craze: Orion chocolate-churro-flavored snacks that look like baby turtles.)

In “Mister Jiu’s in Chinatown,” a new cookbook by the chef Brandon Jew and Tienlon Ho, Mr. Jew, 41, recalls Sunday mornings in San Francisco with his ying ying (paternal grandmother in Cantonese), taking three bus transfers to traverse the city, on a mission for fresh chicken — sometimes slaughtered on the spot — and ingredients like pea shoots and lotus leaves.

He still prefers “that Old World kind of shopping,” he said, from independent vendors, each with his own specialties and occasional grouchiness and eccentricities. But he knows that the proliferation of supermarkets like H Mart and 99 Ranch makes it easier for newcomers to Asian food to recreate his recipes.

“Access to those ingredients leads to a deeper understanding of the cuisine,” he said. “And that in turn can become a deeper understanding of a community and a culture.”

These days, even mainstream markets carry Asian ingredients. Ms. Teigen, who now lives in Los Angeles, often buys basics like fish sauce, palm sugar and curry paste from the Thai section at Ralph’s. Still, she goes to 99 Ranch for coconut milk, whole jackfruit and, above all, garlic in bulk — “a giant bag that I can use for months.”

(Garlic is an urgent matter for Asian-Americans: Ms. Zauner, 32, writes in “Crying in H Mart” that the store is “the only place where you can find a giant vat of peeled garlic, because it’s the only place that truly understands how much garlic you’ll need for the kind of food your people eat.”)

But Meherwan Irani, 51, the chef of Chai Pani in Asheville, N.C., and Atlanta, feels that something is lost when you buy paneer and grass-fed ghee at a Whole Foods Market. You miss the cultural immersion, he says, “getting a dunk and having horizons broadened.”

“An Indian grocery is not just a convenience — it’s a temple,” he said. “You’re feeding the soul. Come in and pick up on the energy.”

In the TV special “Luda Can’t Cook,” which premiered in February, Mr. Irani takes the rapper Ludacris to Cherians, an Indian supermarket in Atlanta. Once Mr. Irani had to scrounge for spices like cumin and turmeric at health food stores; now, surrounded by burlap sacks stuffed with cardamom pods and dried green mango, he tells Ludacris, “This is my house.”

The writer Min Jin Lee, 52, remembers how important H Mart was to people working in Manhattan’s Koreatown in the ’80s, when it was still called Han Ah Reum and “tiny, with almost no place to negotiate yourself through the aisles,” she said. (It has since moved across West 32nd Street to a larger space.) Her parents ran a jewelry wholesale business around the corner, and relied on the store for a cheap but substantial dosirak (lunch box) that came with cups of soup and rice.

She sees the modern incarnation of the store as a boon for second- and third-generation Korean Americans, including thousands of Korean-born adoptees raised by white American parents, who “want to find some sort of connection to the food of their families,” she said. “There aren’t gatekeepers to say who’s in or who’s out.”

Maangchi moved to Manhattan in 2008, and used to buy most of her ingredients from one of the H Marts in Flushing, Queens. (These days she just walks to Koreatown.) To save money, she would take the subway, bringing an empty backpack and her own shopping cart, then walk for 20 minutes.

“Once I get there, my heart is beating,” she said. On the way home, she’d stop at a barbecue spot and drink soju. “Come home drunk,” she said with a laugh.

Sometimes when she’s at H Mart, one of her more than five million YouTube subscribers recognizes her and flags her down. Those seeking advice (or a photo op) are mostly non-Korean. But, she said, there are also “old ladies who come up to me and say, ‘I forgot everything — I left Korea long ago.’”

Recently, with the rise in incidents of violence against people of Asian descent, her fans have been sending her messages: “Maangchi, I’m so worried about you these days.”

This is the paradox: that at a time when Americans are embracing Asian culture as never before, at least in its most accessible forms — eating ramen, drinking chai, swooning over the K-pop band BTS — anti-Asian sentiment is growing. With visibility comes risk.

For Ms. Lee, this makes H Mart a comfort. “I like going there because I feel good there,” she said. “In the context of hatred against my community, to see part of my culture being valued — it’s exceptional.”

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Entertainment

Bertrand Tavernier, 79, French Director With Vast Attraction, Dies

Bertrand Tavernier, a French director best known in the US for “Round Midnight,” the 1986 film that earned Dexter Gordon an Oscar nomination for his performance as a New York jazz musician, for his life and career in Paris to get going. died on Thursday in Sainte-Maxime in south-eastern France. He was 79 years old.

The Lumiere Institute, a film organization in Lyon, of which he was president, posted news of his death on Facebook. The cause was not given.

Mr. Tavernier made around 30 films and documentaries and was regularly represented at the film festival. In 1984 he won the Cannes Best Director award for “A Sunday in the Country”, which Roger Ebert described as “a graceful and delicate story about the hidden” currents in a family “under the direction of an aging painter who lived outside Paris lives.

Mr. Tavernier had worked primarily as a film critic and publicist until he directed his first feature film “The Clockmaker of St. Paul” in 1974, the story of a man whose son is accused of murder. The film, more a character study than a crime drama, quickly established it in France and received praise overseas.

“‘The Clockmaker’ is an extraordinary film,” wrote Mr. Ebert, “all the more so because it tries to show us the very complex workings of the human personality and to do so with grace, a little humor and a lot of style.” . ”

The French actor Philippe Noiret played the father in this film. The two worked together often, and reunited in 1976 in another murderer story, “The Judge and the Assassin,” with Mr. Noiret playing the judge. The cast also included Isabelle Huppert, who would appear in other Tavernier films.

Mr. Tavernier soon worked with international casts. In Death Watch, a science fiction thriller from 1980, Harvey Keitel was seen as a television reporter whose eye was replaced by a camera so that he could see the last days of a woman – played by Romy Schneider – at a terminal Seems to have been able to secretly film disease.

Round Midnight featured a cast full of musicians – not just Mr. Gordon, a noted saxophonist, but Freddie Hubbard, Wayne Shorter, and others, including Herbie Hancock, who won an Oscar for his original score.

“Mr. Tavernier and David Rayfiel’s script is rich and laid-back, with a style that perfectly suits that of the musician,” wrote Janet Maslin in the New York Times. “Part of the conversation may be improvised, but nothing sounds improvised, but nothing sounds forced, and the film effortlessly remains idiosyncratic the whole way.”

Bertrand Tavernier was born on April 25, 1941 in Lyon to René and Ginette Tavernier. His father was a well-known writer and poet. In a 1990 interview with The Times, Mr. Tavernier described an isolated childhood.

“My childhood was marked by loneliness because my parents didn’t get along well,” he said. “And it comes out in every movie. I practically never had a couple in my films. “

He mentioned the impact of his hometown.

“It’s a very mysterious city,” he said. “My father always said that in Lyon you learn that you can never lie, but always disperse, and that’s part of my films. The characters are often weird in their relationships. Then there will be brief moments when they reveal themselves. “

He was interested in film from a young age. His early jobs in the film business included press rep for Georges de Beauregard, a well-known French New Wave producer. He also wrote on films for Les Cahiers du Cinéma and other publications, and continued to write throughout his career – essays, books, and more. As a film historian, he was known for advocating for films, directors, and screenwriters who had been treated unkindly by others.

In the foreword to Stephen Hay’s 2001 biography “Bertrand Tavernier: The Filmmaker of Lyon”, Thelma Schoonmaker, noted film editor and widow of director Michael Powell, wrote Mr. Tavernier reviving the reputation of Mr. Powell’s “peeping” to Tom, “the Condemned when it was published in 1960, but is now highly regarded by many cinephiles.

“Bertrand’s desire to correct the injustices of cinema history is directly related to the issues of justice that permeate his own films,” she wrote.

Thierry Frémaux, director of the Cannes Festival and the Lumière Institute, said Mr Tavernier worked tirelessly for him.

“Bertrand Tavernier created the work we know, but he also created something else: to be at the service of the history of cinema of all cinemas,” said Frémaux via email. “He wrote books, he edited other people’s books, he conducted a tremendous amount of film interviews, tributes to everyone he admired, film presentations.”

“I’m not sure there are other examples in art history of a creator so devoted to the work of others,” he added.

Mr. Tavernier’s own films sometimes tell personal stories amidst profound moments in history. “Life and Nothing But” (1989) from 1920 had the search for hundreds of thousands of French soldiers in the background who were still missing during World War I. “Safe Conduct” (2002) was about French filmmakers who worked during World War I and the German occupation in World War II.

But Mr. Tavernier was not interested in historical spectacle for his own sake.

“Often people come up to me and say you should make a film about the French resistance, but I say this is not an issue, this is vague,” he told Variety in 2019. “Tell me about a character who was one of the first members of the resistance and those who did things that people said later in 1945 should be judged as crimes. Then I have a character and an emotion to deal with. “

His survivors include his wife Sarah and two children, Nils and Tiffany Tavernier.

Mr. Tavernier has put humor into his films, even a serious one like “Life and Nothing But” which had a scene – with some basis in reality, he said – in which a distraught army captain must quickly find an “unknown soldier” . be placed under the Arc de Triomphe.

“The rush to find the unknown soldier is perfectly true, although we had to guess how it happened,” said Mr. Tavernier. “Imagine: How do you find a body that cannot be identified and yet is certain that it is French?”

Aurelien Breeden contributed to reporting from Paris.

Categories
Entertainment

Peter G. Davis, Music Critic of Vast Data and Wit, Dies at 84

Peter G. Davis, who was considered one of the leading critics of American classical music for over 30 years with crisp, witty prose and an encyclopedic memory of countless performances and performers, died on February 13th. He was 84 years old.

His death was confirmed by his husband, Scott Parris.

First as a critic for the New York Times and later for New York Magazine, Mr. Davis wrote precise, astute reviews of all forms of classical music, though his great love was opera and the voice, a bond he developed in his early teenage years .

He presided over the field during New York’s blessing years of the 1960s and 1970s, when gigs were plentiful, tickets were relatively cheap, and when the ups and downs of a performer’s career were the fodder for cocktail parties and post-concert dinners to mention the notebooks of writers like Mr. Davis, which often got five or more reviews a week.

He wrote these reviews with a knowing, dead, sometimes world-weary tone. During a concert by Russian violinist Vladimir Spivakov in 1976, an activist protesting the treatment of Jews in the Soviet Union threw a paint bomb on the stage and splashed Mr. Spivakov and his companion. Mr Davis wrote, “Terrorists need to be extremely insensitive to music because throwing color to a violinist playing Bach’s ‘Chaconne’ is simply bad timing.”

He held onto the traditions of classical music not to keep the past alive but to keep its inner strength, and looked askance at those who tried to update it just to be trendy.

In a nineteenth-century review by French composer Daniel Francois Auber of the Bronx Opera’s 1977 production of Fra Diavolo, he condemned what he saw as “a refusal to believe in the piece by doing it treated as an embarrassment, a work that needs a maximum of directing gimmicks if the audience is to stay interested. “

He might equally disapprove of new music and composers whom he thought were overly hyped. Minimalist composers Philip Glass and Beverly Sills (early “a reliable, hardworking, but not particularly notable soprano” who only became a star after her talents peaked) were regular targets.

Looking back at a performance of Mr. Glass’s work at Carnegie Hall in 2002, he wrote, “It was pretty much the same as usual: the same silly syncopation and jigging ostinatas, the same crazy little tunes on their way to nowhere. the same awkward orchestral climaxes. “

That’s not to say that Mr. Davis was a reactionary – he advocated for young composers and emerging regional opera companies. His great strength as a critic was his pragmatism, his commitment to assessing the performance before him on his own terms and at the same time keeping a skeptical eye on gimmicks.

“He was a vocalist with unquestionable authority,” said Justin Davidson, a former Newsday classical music critic who now writes on classical music and architecture for New York magazine. “He felt that the things that were important to him were important, that they weren’t a niche, not just entertainment, but that they were at the heart of American culture.”

Peter Graffam Davis was born on May 3, 1936 in Concord, Massachusetts, outside of Boston, and grew up in nearby Lincoln. His father, E. Russell Davis, was a vice president at the Bank of Boston. His mother Susan (Graffam) Davis was a housewife.

Mr. Parris, whom he married in 2009, is his only immediate survivor.

Mr. Davis fell in love with the opera as a teenager, built a record collection at home, and attended performances in Boston. In the months leading up to his junior year at Harvard, he toured European summer music festivals – Strauss in Munich, Mozart in Salzburg, Wagner in Bayreuth.

He encountered European opera at a hinge point. It was still shaped by longstanding traditions and had yet to emerge fully from the destruction of World War II, but a new generation of performers emerged from the rubble: the French soprano Régine Crespin, the Austrian soprano Leonie Rysanek, the Italian tenor Franco Corelli and Giuseppe di Stefano. Mr. Davis needed to see her up close.

He graduated from Harvard in 1958 with a bachelor’s degree in music. After spending a year at a Stuttgart Conservatory, he moved to New York to do a Masters in Composition from Columbia University.

Mr. Davis wrote a number of his own musical works in the early 1960s, including the opera “Zoe” and two operettas in the style of Gilbert and Sullivan. But he decided that his future was not to write music, but to write about it. He has become a classical music editor for both High Fidelity and Musical America magazines and a New York music correspondent for The Times of London.

He began writing freelance articles for the New York Times in 1967 and was hired as Sunday’s music editor in 1974, a job that enabled him to add articles to his almost daily edition of reviews – whether it be recordings, concerts, or countless debut evenings which he commissioned from other authors. “He had a great memory,” said Alex Ross, the classical music critic for The New Yorker. “Everything you threw at him he could discuss precisely and intelligently.”

Mr. Davis moved to New York Magazine in 1981. There he could select his reviews and occasionally step back to survey the classical music landscape.

Increasingly, he didn’t like what he saw.

As early as 1980, Mr. Davis lamented the future of opera singing, blaming talent and hard work as well as a star system that pushed promising but immature singers to their physical limits for “good looks and easy adaptability.”

The diminished position of classical music in American culture he documented spared no critics, and in 2007 New York magazine let him go. He returned to freelance work for The Times, writing regularly for Opera News and Musical America.

Despite all of his thousands of reviews, Mr. Davis seemed most proud of his 1997 book, The American Opera Singer, an exhaustive, exciting, and often withered story in which he praised the versatility of contemporary American artists while recording many of them Task of being superficial workhorses.

“I can’t think of a music critic who cares more about the state of opera in America,” wrote critic Terry Teachout in his review of the book for The Times. “If you want to know what’s wrong with American singing, you’ll find the answers here.”

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Business

U.S. can miss Covid pressure ‘as a result of the holes in our web are too huge’

The lack of Covid testing capacity in the US could mean that the new, highly transmissible strain of coronavirus, which first appeared in the UK, is already making its way through communities in the US

That’s what Dr. Nahid Bhadelia, the medical director of the Special Pathogens Unit at Boston Medical Center.

“To find this strain, we need to take a percentage of the diagnosed samples and do an in-depth genetic analysis (in the) In the US, our capacity was not spectacular, “said the infectious disease doctor “The News with Shepard Smith” on Monday. “If the burden is here, we may be missing it because the holes in our net are too wide.”

According to the Centers for Disease Control and Prevention, the new variant was not discovered in the United States

However, the agency said viruses were only sequenced from approximately 51,000 of the 17 million infections in the country. The UK recorded the most sequences with 125.00. The infections in Great Britain reached their second highest daily value on Christmas Eve. The country confirmed 39,036 new Covid-19 cases that day.

As of Monday, the US will have to provide evidence of a negative Covid-19 test from all travelers flying from the UK as concerns about the new variant of the virus grow.

Dr. Bhadelia, who is also the medical assistant for NBC News, said the measures did not go far enough.

“You can still have people who test negative, get on the plane and then come back positive. So I think testing needs to be linked to some kind of quarantine,” she said.

Japan has taken stricter measures and stopped all arrivals of foreign nationals. More than a dozen countries have reported cases of the rapidly spreading mutation, including Canada, France, South Africa, Australia, Japan, and South Korea.

Health experts in the UK and US found that while the new variant appears to be more transmissible, there is still no evidence that it is more lethal. Dr. Bhadelia warned that the results shouldn’t make people complacent when it comes to the new strain.

“The problem is that while we don’t think it increases mortality, the fact that it is more easily transmitted is also a bigger problem because the more people get infected, the more people end up in hospitals. and possibly die, “she added.