Categories
Entertainment

Bowen Yang Addresses AAPI Hate Crimes on SNL Weekend Replace

Bowen. Yang. Pic.twitter.com/PWxQO1KPQu

– Saturday Night Live – SNL (@nbcsnl) March 28, 2021

Bowen Yang is one of the funniest performers Saturday night live has seen the seasons, but on March 27th it took on a more serious tone to address mounting racism and hate crimes against Asian Americans. Yang joined Colin Jost and Michael Che on the Weekend Update, jokingly as “Asian Cast Member” on the series – and admitted that he gave Jost the title. Jokes aside, however, Yang’s segment focused on the resilience of the AAPI community and how people have to do “more” than absolutely necessary to support them.

“If someone’s personality beats Asian grandmas, it’s not dialogue. I have an Asian grandma – you want to hit her, there is nothing in common, mom,” said Yang, referring to San Francisco resident, 75-year-old Xiao Zhen Xie. “I see my friends donating, and that’s great, but then I tell them do more. You order in Chinese restaurants? Great. Do more. Let me know when you feed your white chicken feet. You have meanwhile cried Threatening? Congratulation. I sobbed into my boner for Steven Yeun. Do more. “

He continued, “So why are you telling me you gave your manicurist a good tip? Let me know if you get on your knees and scrub her feet while she looks at your cell phone. Do more.” Yang admitted that as a comedian he “doesn’t have all the answers,” but he knows he’ll find them by looking further than an Instagram post. “I’m not just looking for them online. I look around. The GoFundMe for Xiao Zhen Xie, the grandmother who fought back against her attacker, raised $ 900,000 which she immediately returned to the community. There we are as Asians. Now come and meet us there. “

Categories
Business

Godzilla vs. Kong China field workplace headed for sturdy opening weekend

A still image from Warner Bros. “Godzilla vs. Kong.”

Source: Warner Bros.

“Godzilla vs. Kong” is on its way to a monster opening weekend at the Chinese box office. This is welcome news for an industry ravaged by the coronavirus pandemic.

According to initial estimates, the film, in which two of the cinema’s most famous monsters compete against each other, secured around US $ 21.5 million on the country’s opening day.

The sequel is currently running just before its predecessor “Godzilla: King of the Monsters”, which brought in around 18 million US dollars on its first day of cinema in China in 2019. Ultimately, $ 66.7 million was raised for the entire weekend.

The film will be released internationally this weekend, but will be available in North American theaters and on HBO Max on March 31st. “Godzilla vs. Kong” will be on the streaming service for 31 days after its release and then switch to premium video by demand.

“The release of this film is very welcome news for the film industry, even if the domestic streaming element is involved,” said Shawn Robbins, chief analyst at Boxoffice.com. “Overall, the Asian markets were strong drivers of the franchise’s box office expertise, with China alone contributing around a third of global revenues to ‘Kong: Skull Island’ and ‘Godzilla: King of the Monsters’.”

At the beginning of the weekend, analysts were optimistic that Godzilla vs. Kong could deliver strong results in China. After all, the country is currently the leading box office manager for ticket sales in 2021, and has been instrumental in driving ticket sales for the latest Godzilla and King Kong films.

Strong ticket sales in China

According to Comscore, China’s box office made $ 2.64 billion in ticket sales between January 1 and March 21, most of all territories.

By comparison, Japan, the second largest cash collector, made just $ 292.6 million in ticket sales in the first three months of the year. The domestic box office, which ranks third, has just under $ 200 million in ticket sales.

Domestically, the film industry has been hard hit by the pandemic, leading to long-term closings of major theaters and the postponement of blockbuster films. Only recently, theaters in key cities like Los Angeles and New York City received local permits to reopen.

With movie theaters now open and a steady surge in vaccinations, the industry is hoping box offices in the US and Canada will rebound.

“With much of the world waiting for theaters to reopen more stably and for vaccine implementation to further boost consumer sentiment, the film’s current presence in Chinese cinemas is one of the most important steps to take in the long-term industry global upswing, “said Robbin.

The Chinese box office has accelerated over the past decade, threatening to overtake North America as the highest-earning area in the world. In 2012, China had ticket sales of just $ 2.7 billion. By 2019, that number was $ 9.2 billion, just two billion behind North America.

Because of the pandemic, China overtook North America last year, raising $ 3.1 billion, compared to $ 2.25 billion domestically.

China’s strong ticket sales in 2021 are particularly due to the fact that more theaters are open, the audience capacity is higher, and more new films are being released.

While theaters in the US and Canada are 25% to 50% full, many theaters in China are allowed to open at 75%. This enables them to generate a significantly higher amount every weekend at the box office.

“What the Chinese market is telling me is not necessarily that it is outperforming, but it shows the performance that an open film market should be,” said Josh Grode, CEO of Legendary. “It’s a strong sign around the world that people really enjoy going to the movies and enjoying a social experience.”

Legendary co-produced “Godzilla vs. Kong” alongside Warner Bros. and has distribution rights in China.

“There is something to be said about the shared experience.” Said Grode. “Go inside, let the lights go out, scream and shout and be entertained and fed on the energy of the person next to you.”

A monster showdown

Audiences in China are also leaning towards premium ticketing for upgraded seating and screens that cost more. IMAX, for example, has a massive presence in China and continues to increase the number of screens operated in the region.

In 2014, when Godzilla was released, IMAX had fewer than 150 screens in China. Now that Godzilla vs. Kong is out there are around 700 screens.

“There’s a big appetite for the right film and a special appetite for premium,” said Richard Gelfond, CEO of IMAX. “You want to see something very special.”

Godzilla and King Kong fight in Warner Bros.’s “Godzilla vs. Kong.”

Source: Warner Bros.

Hollywood action films tend to draw large crowds to Chinese theaters and often make up a significant portion of ticket sales, especially in recent years.

Looking at “Godzilla” from 2014, domestic ticket sales reached $ 200.6 million, or about 39% of the movie’s total worldwide sales. Ticket sales in China were under $ 80 million, or 15%.

Fast forward to 2019 when Godzilla: King of the Monsters was released, China accounted for 36% of the movie’s global box officer at $ 137.6 million, and North America accounted for $ 110.5 million in ticket sales 29% off.

“The legendary monster film genre has had a special resonance in the international market for decades,” said Paul Dergarabedian, Senior Media Analyst at Comscore. “China, in particular, has been an incredibly important source of revenue and fan-based enthusiasm for the franchise and has been appropriately at the center of the marketing and sales effort for the film.”

“There’s no denying that the sheer size and scale of these two larger-than-life characters makes it necessary to see the film best on the largest screen possible,” he said.

Categories
Entertainment

5 Issues to Do This Weekend

Just as last year’s Asia Week reflected how we dealt with the pandemic back then – moving forward for the time being, only to soon realize that events had to be canceled or postponed – this year’s edition shows the cautious optimism many of us are beginning to feel .

Hundreds of works – from a South Indian bronze sculpture of a deity from the 11th or 12th century to the colorful paintings by Tokyo-based contemporary artist Manika Nagare – are on view in the viewing rooms on the Asia Week website until March 27th also information on participating auction houses and links to shows and programs from institutions such as the Asia Society and the Peabody Essex Museum. Of the 29 exhibiting galleries, 13 are in New York and will be open to the public by appointment at least until Saturday. This mix of online and in-person viewing gives access to a range of pieces that we expect from this annual spotlight on Asian art.
MELISSA SMITH

To dance

In September, choreographer Eiko Otake did what few New York artists could do last year: she attracted a large crowd for a live performance. At Green-Wood Cemetery in Brooklyn, Otake offered “A Body in a Cemetery”, a solo for a socially distant audience – and for ghosts. “This is my service for the dead,” she wrote about the work.

Sitting on the slopes of the lush circular clearing known as Cedar Dell, spectators could appreciate Otake’s ability to raise and hold attention to somehow slow time. The vastness of the room emphasized their weakness, but also their strength.

A film version of the work, published in February, offers a different perspective and captures details that were difficult to see in person: a foot pressing into the grass, the textures of a tombstone. The 15-minute video is available indefinitely through Pioneer Works, one of the moderators of the performance, on their YouTube channel and website, which includes Otake’s written thoughts on the project.
SIOBHAN BURKE

CHILDREN

Children cannot congregate en masse at the French institutional alliance Française, but they will soon help bring back some of their other welcome sights.

During TILT Kids Weekend, which will be broadcast live on Zoom, the play “Le Mystère” will convince the audience to catch a thief who stole the theater lights, the popcorn maker and the bust of Molière from the institute. On Saturday, the Broken Box Mime Theater will perform one version of the show for ages 3 to 6 at 3 p.m. Eastern Time and another for older viewers at 5 p.m.

The weekend, presented in English, also includes the Drag Queen Story Hour with Harmonica Sunbeam on Saturday at 10:30 am and a drawing workshop with illustrator Kris Di Giacomo on Sunday at 11:00 am (families can make reservations at fiaf.org. The story hour and the workshop is free for members and $ 10 for non-members; the piece is $ 10 for members and $ 15 for non-members.) Sketching focuses on Parisian pigeons but doesn’t require special skills: young artists can give it wings.
LAUREL GRAEBER

comedy

Keith Malley and Chemda Khalili have been broadcasting their Keith and the Girl podcast from Queens for 16 years and nearly 3,400 episodes, first from an apartment in Briarwood, then from separate recording studios in Astoria and later from Long Island City, and now from theirs because of the pandemic own houses.

One of their latest bonus offers is the monthly livestream game show “Silent Trailers”. While Khalili describes the plot in muted movie trailers from the perspective of someone who is incredibly ignorant of Hollywood, comedians compete against Malley to identify the films that rely solely on Khalili’s verbal portrayals. This month’s episode, which begins Saturday at 8 p.m. Eastern Time, will feature Michael Ian Black, Jo Firestone, Chris Gethard, Pete Holmes and Mara Wilson.

Tickets for the live stream are available from Eventbrite for $ 10. A $ 30 backstage pass allows viewers to go behind the scenes at 7:15 p.m. to meet Malley and Khalili and see them and the comics as they prepare for the show.
SEAN L. McCARTHY

The Alternative Guitar Summit annually celebrates a range of talents ranging from Spitfire experimenters, jazz-rock fusion players, and improvisers rooted in global traditions – reflecting the style and beliefs of its iconoclastic founder, guitarist Joel Harrison, reflects.

The festival was canceled last year due to the pandemic, but this year it’s back with two days of streamed performances featuring many of the leading improvised music guitarists. Saturday’s program, which begins at 8 p.m. Eastern Time, will pay tribute to Pat Martino, a lighthouse whose career dates back to the late 1950s. Guitarists like Kurt Rosenwinkel, Rez Abbasi and Adam Rogers offer interpretations of his compositions.

On Sunday at 2 p.m., an equally impressive line-up of guitarists will perform 20-minute back-to-back sets from home, including longtime avant-garde Michael Gregory Jackson, future border shifter Mary Halvorson and French guitarist Nguyên Lê.

Tickets for the streams are available for a fee on both days and can be reserved at alternativeguitarsummit.com.
GIOVANNI RUSSONELLO

Categories
Politics

Stimulus checks might begin hitting financial institution accounts this weekend, White Home says

Federal Stimulus Checks are being prepared for print at the Philadelphia Financial Center.

Jeff Fusco | Getty Images News | Getty Images

Some Americans will receive new coronavirus stimulus checks as early as this weekend, the White House said on Thursday.

The news from White House press secretary Jen Psaki came minutes after President Joe Biden signed the $ 1.9 trillion Covid relief bill.

“People can expect direct deposits to be made into their bank accounts this weekend,” Psaki said at a press conference.

“This is only the first wave, of course,” noted Psaki, adding, “Payments to eligible Americans will continue over the next few weeks.”

In addition to billions of dollars in funding for vaccinations, state and local governments and other areas, the plan will send direct payments of up to $ 1,400 to the majority of Americans.

It would also extend a $ 300 per week increase in unemployment insurance through September 6 and extend the child tax credit by one year.

To use To grow‘s Relief Calculator to See How Much You Could Get Under the New Law:

The massive bill, which most Americans support, was passed through Congress without the support of Republican lawmakers. The Democratic House and Senate have put the bill on the process of budget voting through Congress, which allows laws that affect the budget to be passed by simple majority.

“This historic legislation is about rebuilding the backbone of this country,” Biden said before signing the legislation. “And give the people of this nation, the workers, the citizens, the people who built this country a chance to fight.”

Later on Thursday, in his first prime-time address to the nation, Biden said that passing the plan would allow his government to accelerate its efforts to reopen schools.

The president also offered a cautiously optimistic vision of the next steps in the fight against the pandemic.

“If we all do our part, this country will soon be vaccinated, our economy will improve, our children will be back in school and we will prove once again that this country can do everything,” Biden said of his address.

The speech took place on the 50th day of Biden as president and the one year anniversary of the pandemic.

Categories
Entertainment

5 Issues to Do This Weekend

In the past few years, comedian Sarah Silverman has been in touch. In 2017 and 18, she toured the country for her Emmy-nominated Hulu series “I Love You, America” ​​in search of different opinions. In October she started the “Sarah Silverman Podcast” in which she answered questions from listeners who left her voice messages at kastmedia.com/asksarah.

Now she’s ready to hear from people even more directly in a new livestream. Silverman promises an interactive stand-up performance, saying in a promo she made for it, “I’ll talk about everything big and small, guided by your live questions and comments.” Tickets to the stream are $ 20 and are available from RushTix. The show begins on Saturday at 9:00 p.m. Eastern Time and can be viewed for 48 hours thereafter.
SEAN L. McCARTHY

CHILDREN

Known as Mario Marchese backstage, he performs these and other tricks in Mario’s Virtual Punk Rock Magic Party, which he will host on Sunday and March 21st at 1:30 p.m. Eastern Time. Marchese, who performed on “Sesame Street”, presents as much silly comedy as instinct in this 40-minute zoom production. (The punk rock is G-rated.)

An energetic performer – he can make Gilbert Gottfried look gentle – Marchese specializes in the kind of slapstick that kids under 10 giggle with. They especially appreciate the invitations to help him out as much as the format allows and dance wildly in the end.

Families who can buy tickets for $ 25 per household at Eventbrite.com will see some cool illusions that include not just coins but also playing cards, milk, and some handcrafted robots. That’s magic with a soup of science.
LAUREL GRAEBER

Art museums

Many things happened in 2020 that we would rather forget, but the social justice movement shouldn’t be one of them. It has shaped the practices of many color artists over the past few months. Parallels & Peripheries: Practice + Presence, a dynamic exhibition of works by color artists at the New York Art Academy, is evidence of the recent reassessment of the intersection of art and activism.

Robyn Gibson, an assistant curator, organized the show with Larry Ossei-Mensah to hold the academy responsible for not providing a space for artists of color to feel seen. In this way, Jean Shin’s “projections”, a series of cascading projector slides intended to convey this marginalization, are not only the actual heart of the show, but also the thematic one. Together the pieces ask us: “Who are the real” masters “?”

The exhibition can be seen until Sunday. Appointments for a personal inspection can be made at nyaa.edu/parallels-peripheries. You can also find links to a virtual show and a recording of an artist panel discussion.
MELISSA SMITH

jazz

After establishing herself in her hometown music scene in Santiago, Chile, Claudia Acuña moved to New York in the mid-1990s after a rebirth of jazz. The breadth and richness of her voice quickly attracted attention, as did her adaptability to the gentle rhythmic inflections of her band.

On Saturday, Acuña will present a multi-part program at the Academy of Music Theater in Northampton, Massachusetts as part of the International Women Rising Festival. The first concert at 3 p.m. Eastern Time will draw much of its material from Turning Pages, their latest album, which features mostly original compositions while highlighting Acuña’s well-known alchemy of influences: South American folk, Afro-Latin American rhythm, 20th century Pop and American jazz repertoire. At 8 p.m. she offers a separate show that focuses on the romantic bolero tradition. Both concerts can be streamed at Thirdrow.live/events/claudia-acuna. each cost $ 15. At 7pm, Acuña will attend a Q. and A. session. Tickets for this cost $ 20.
GIOVANNI RUSSONELLO

As a strange woman in ballet, Adriana Pierce often felt unseen and not represented on stage and outside. No wonder. The presence of queer women in ballet is seldom discussed in choreography and almost never explored. Pierce is trying to change that with her #QueertheBallet project.

In February, she and two American Ballet Theater dancers, Remy Young and Sierra Armstrong, performed at Bridge Street Theater in Catskill, NY. A nine-minute film recording rehearsals and choreographing a new duet by Pierce is now available for free on the project’s website and on the Bridge Street Theater’s YouTube channel.

In the film, Pierce explains her desire to explore the nuances of connecting women, as well as the technical and expressive possibilities of two women in pointe shoes. The duet certainly doesn’t look subversive, which may be the point. “Ballet doesn’t have to change very much to take on more identities,” she says.
BRIAN SEIBERT

Categories
Politics

Did Washington Simply Have an Precise Weekend?

WASHINGTON – President Biden did nothing this weekend.

Let’s rephrase: President Biden did nothing alarming this weekend.

There were exactly eight tweets, each of which was rooted in reality. There was a visit to hang out with a sick friend, Bob Dole, a former Republican senator. And there was a stop at the church with the grandchildren.

Since Mr. Biden took office, the weekends have been portraits of domesticity – MarioKart with the kids at Camp David, bagels in Georgetown, and soccer in Delaware. As a peloton fanatic, he hasn’t even played golf. Mr. Biden’s demonstrable disinterest in bold headlines only underscores how much the Trump hole in Washington has created a sense of leisure in every area of ​​the capital. Mentally, if not literally.

Although the workload continues (after all, this is still Washington), people still sleep a few hours in what was formerly known as the weekend.

“It went from working around the clock to sort of unemployment in the blink of an eye,” said Representative Ted Lieu, a California Democrat and one of the property managers who persecuted Donald J. Trump in his second impeachment, of his first-hour post. “And it took a while for my body and mind to calm down.”

Mr Lieu says he is already back on top. Among other things, he is pushing for laws he says will be written to fill loopholes that Mr. Trump has exploited, including a law that provides penalties for failing to heed subpoenas from Congress.

But first binge-watching: On the Sunday after the trial ended, Mr. Lieu spent his first trump-free hours watching episodes of “Snowpiercer”.

Mr Biden, who is focused on his $ 1.9 trillion coronavirus aid package, has said he too no longer wants to talk about Mr Trump. “I don’t want to talk about him anymore,” the president said last week at a CNN town hall in Wisconsin. The reality is a little different. Mr Biden has repeatedly drawn attention to what he called the Trump administration’s neglect in trying to win the public’s patience with the introduction of coronavirus vaccines.

There’s a parallel in the news industry where reporters covering this new version of Washington say they’re ready to go back to the kind of journalism that isn’t about deciphering a human mood ring. CNN and MSNBC, whose journalists and personalities have questioned Mr. Trump’s guidelines for years, have been quietly reducing the number of Trump-focused journalists working on contracts in recent months.

Mr Trump, of course, predicted that without him the political news complex would collapse. Members of this complex say they have some room to breathe and, crucially, to plan.

“As the host of a weekly show, the apparent absence of the President’s Twitter scandals means that I can plan ahead that our plan will actually be implemented,” said Brian Stelter, a former New York Times reporter who moderates CNN for “Reliable Sources”. “Informally, we left a five-minute hole on my Sunday show and expected big news to come up on Saturday evening. Now we no longer assume that will happen. “

Other journalists welcome the renewed attention to politics.

“A linear political decision-making process that is still interesting,” said Jake Sherman, a Politico veteran and founder of Punchbowl News, of the relative return to normal that the Biden era brought about. “If you’re confident that changing casts won’t change the course of the American government, that’s a comforting thought.”

Olivia Nuzzi, a Washington correspondent for New York Magazine, said she had reconfigured her relationship with the White House – specifically the idea that the current president had little interest in undermining his own press secretaries and policy experts.

The new Washington

Updated

Apr. 22, 2021, 7:38 p.m. ET

This weekend, Ms. Nuzzi said, she was also surprised to learn that Mr. Biden had quietly gone to church. She realized how closely she had kept an eye on Mr. Trump’s every move, just in case he spontaneously turned the message cycle upside down.

“It becomes clear every day how much that happened during this one term of office, what has to do with how he felt,” said Ms. Nuzzi, “and how much our daily life was focused on getting a feeling for it, how he felt. ”

Outside of the isolated worlds of politics and the news media, there is no normalcy to return to. Washingtoners who don’t have to hold on to every word the president say are still struggling to adapt to life in a city where the Capitol and White House have been essentially militarized and where daily life has been both caused by the coronavirus and others was troubled by civil unrest.

Amy Brandwein, a cook and owner of Centrolina, watched brunch goers return to downtown on the weekends, but she and other restaurateurs struggled for almost a year to regain the business lost by the pandemic.

She also fears that the political turmoil will continue. Ms. Brandwein said her plans to install bubbly structures outdoors to provide a socially distant dining option were delayed due to the violence at the Capitol on Jan. 6. She estimates she lost about $ 100,000 in business on days it had to close due to protests that attracted the Proud Boys and other extremist groups.

Mr. Trump may have disappeared from the capital, but she fears his supporters will continue to endanger their employees and their business. “I wonder about future security in downtown, or in DC in general,” she said, “because the Trump movement is still going on.”

As Washington gets on its feet, it is clear that Mr. Trump is happy to visit the dreams of someone who suddenly gets more sleep.

He has issued post-presidential press releases through his office targeting not only the entire Democratic Party, but also Kentucky Republican leader Senator Mitch McConnell. He has given Fox News and Newsmax interviews, repeating controversial or untrue theories about his loss of the election that his allies, including Sean Hannity, have declined to question.

And in Mar-a-Lago, his fortress by the sea, Mr. Trump still expects a full crowd to stand on the terrace of dinner and applaud, just as he did when he was in office.

Other Republicans have filled the void that Mr. Trump’s degraded profile has left. A nice part of the past week was dedicated to the gossiping class in Washington, who gathered around an old-fashioned political scandal like it was a warm campfire: Senator Ted Cruz from Texas fled to Cancun – Cancun! – while its constituents suffered during a snow storm and power outage. The Cruz caper was perhaps the strongest sign of a new political era yet: Mr. Trump wasn’t there to cover Mr. Cruz by instinctively turning the spotlight on himself.

But the former president’s supporters expect him to end his relative silence – perhaps with his planned address to the Conservative Political Action Conference in Orlando, Florida, on Sunday.

Wayne Allyn Root, a radio host and frequent visitor to Mar-a-Lago, said Mr. Trump was committed to Republican expectations of becoming a “kingmaker” for the party in 2022 if he didn’t become a 2024 candidate himself.

“It takes time to heal,” said Root, “and I think that time is coming to an end.”

Meanwhile, troubled and troubled capital has grown used to life at a quieter pace, with quieter activities and words replacing the profanity, characters, and gibberish that used to shape the way days were passed. Bagels over Bannon. Grandchildren about golf. Church over covfefe.

Historian Michael Beschloss said it would take some time to revert to the idea that presidents typically don’t judge their existence by the number of headlines they can generate.

“It is human nature that people locked in a speeding car with a ruthless driver have their eyes wide open and their hearts racing, with lots of adrenaline flowing,” said Beschloss. “I hope that for most Americans this car ride has now stopped and we can stagger and catch our breath.”

Categories
Entertainment

5 Issues to Do This Weekend

Artist Caledonia Curry (known professionally as Swoon) is bringing a home to Union Square.

The mobile sculpture “The House Our Families Built”, which was previously installed in Brooklyn Bridge Park and Flushing Meadows-Corona Park in Queens, will stand in the North Square of Manhattan Square on Sunday from 10 a.m. to 8 p.m. she moved to Prospect Park) in Brooklyn on February 27). This installation was commissioned by PBS as part of the American Portrait storytelling project that the network set up with RadicalMedia to archive narratives about how we construct our identities as Americans.

Swoon’s “house” is actually the back of a truck that Swoon and her colleague Jeff Stark have converted into a life-size diorama. With its intricately carved roof, the structure is filled with everyday objects and inhabited by painted cutouts, like those of a mother holding a baby. From 10:30 a.m. to 2:45 p.m., the actors will give six 15-minute performances inspired by the stories portrayed in the house to encourage people to investigate their legacy.
MELISSA SMITH

CHILDREN

While the art on offer for families has certainly changed during the pandemic, few have become more expansive or fascinating. However, the BAMkids Film Festival 2021 is both.

The event is presented by the Brooklyn Academy of Music and will run for nine days this year – Saturday through February 28 – instead of a weekend. There will also be a free Young Filmmakers Showcase featuring works by filmmakers ages 5 to 13. Since the entire international celebration is virtual, all titles streamed on the Eventive platform are available worldwide and on request.

The festival’s six main programs of short films range from Animal Party, a compilation for preschoolers, to Stronger Together, a list for viewers aged 9 and over. Tickets, which are available on the academy’s website, are chargeable. They cost at least $ 5 for individual programs and $ 30 for an all-access pass.

But the fun goes beyond filming. Free livestream workshops (the schedule is online) deal with topics such as dance, animation, yoga and the cross-border movement of the Pilobolus troupe.
LAUREL GRAEBER

jazz

Drummer, composer, and poet William Hooker gained notoriety in New York’s experimental scene in the 1970s and 1980s, where postmodernism flowed down the gutters and the idea was usually to mess things up. But he showed himself to be an artist with the utmost concentration and a vision accurate enough to match the power of his drumming. Whether he’s thinking about lessons from history or more short-lived topics, you look directly at his work and make yourself clear.

In March of last year, the debut of his “TOUCH: Soul and Service”, which mixed music, film and other media, was the first show at roulette that was canceled due to the pandemic. He returns there on Saturday at 8 p.m. Eastern Time to watch a livestream of “Chimes,” a new piece that combines music, film and dance. He will be accompanied by guitarist and electronic musician Hans Tammen and synthesizer player Theodore Woodward, who will also be controlling the visuals. You will share the stage with the dancer Germaul Barnes. The performance can be viewed for free on the Roulette website, YouTube and Vimeo channels, and on the Facebook page. Donations are recommended.
GIOVANNI RUSSONELLO

To dance

Around this time, Ronald K. Brown celebrated the 35th anniversary of his beloved dance company Evidence last year with a week of appearances at the Joyce Theater. The program included “Grace”, a life-affirming work that had been created for the Ailey company 20 years earlier, and “Mercy”, a rousing accompaniment piece made in 2019 with the musician Meshell Ndegeocello. About a month later he was at home with Zoom, the first guest on JoyceStream, the theater’s fast-paced hub for online programming.

Evidence returns to the Joyce stage on Thursday to continue the anniversary celebration with a livestream at 8 p.m. Eastern Time. “Mercy” and an excerpt from “Grace” are back on the program. They are joined by other works, including a duet based on a speech by Rev. Dr. Martin Luther King Jr., and the 2016 solo “She Is Here” honoring the persistence of mothers and teachers that is sure to resonate now. Tickets for the stream are $ 25 at joyce.org. The performance is available on request until March 4th.
BRIAN SCHAEFER

Pop rock

In the oft-told story of the decline of the print media, independent publications suffered some of the most heartbreaking victims. But Punk Planet, a music-forward publication that circulated from 1994 to 2007, now has an afterlife: the full run of 80 issues is searchable online for free.

Writer Dan Sinker started Punk Planet as a teenager to offer an alternative to Maximum Rocknroll, a long-running month with a closer approach to punk. In addition to interviews with artists such as Sleater-Kinney, Steve Albini and The Kills, Punk Planet readers could find reports on current social and political issues. Broadcasts from regional music scenes from Canada to Indonesia; and a robust set of reviews. (Out of loyalty to the little guy, Sinkers Magazine tried to check out all the albums that went over the desk as long as they weren’t associated with a big label.)

Earlier issues of Punk Planet can be viewed, downloaded and even printed (for purists) in the internet archive at archive.org/details/punkplanet.
Olivia Horn

Categories
Entertainment

5 Issues to Do This Weekend

In the mesmerizing, lavishly shot short dance film “Kaduna”, the elegantly lanky young brothers Victory and Marvel Ebinum wind their way around in a dusty field and spin around each other like a double helix next to a rushing stream in their native Nigeria. The film is the first offering from Films.Dance, an ambitious global series that debuts a digital dance piece every Monday through May 3. The works will be available for free on the project’s website, as well as on the Instagram and Facebook pages.

Films.Dance employs more than 150 artists from 25 countries and is produced by Jacob Jonas the Company from Los Angeles in collaboration with Somewhere Magazine and presented with several art organizations. The next episode will be “Toke”, a powerful study by Danish dancer Toke Broni Strandby, who was born without his left forearm. Upcoming films will feature dancers from the New York Ballet and Alvin Ailey, as well as 21 acrobats from around the world and a 7-year-old frenetic street dance enthusiast named Krumping.
BRIAN SCHAEFER

Pop rock

Under a nickname inspired by the tarot card symbolizing creativity and abundance, singer and producer Empress Of (real name: Lorely Rodriguez) makes music as bubbly as it is testing. On their third album “I’m Your Empress Of” from last year, reflections on intimacy, loneliness, heritage and power are embedded in driving house beats and foamy synthesizers. Fans can expect to hear a selection of these songs on Friday at 10 p.m. Eastern Time when Rodriguez of Los Angeles livestream at the studio of electronics producer Chrome Sparks. (Chrome Sparks plays an opening movement at 9.)

The virtual concert business now has more infrastructure than it did in the early stages of the lockdown when ad hoc social media appearances increased. Rodriguez’s gig will be offered by Bandsintown Plus, a new streaming service that gives subscribers access to a few dozen live online shows per month that include Q. and As, as well as other exclusive artists. After Rodriguez on deck is the experimental producer Flying Lotus, who will perform on Saturday.
Olivia Horn

CHILDREN

Small children usually love birthday parties and this weekend they are invited to two who promise to be special even without gifts and cake.

However, these events include singing: Leffell School, with locations in White Plains and Hartsdale, NY, offers free half-hour Zoom music and exercise programs in honor of Tu Bishvat, the Jewish festival known as “The Trees’ Birthday. “The holiday – Thursday this year – celebrates seasonal planting in Israel and is both an ancient affirmation of life and a contemporary greeting to environmental protection.

On Friday and Sunday at 10 am East Coast Time, Amichai Margolis, the school’s music minister, will lead the presentations and teach toddlers and preschoolers such as Josh Miller’s “The Tree Song” and Debbie Friedman’s “Plant a Tree for Tu B’Shevat”. (Friday’s program will include Sabbath songs.) Families can visit Leffell’s website to register the little ones who can represent seeds and saplings that do something that kids are experts in: growing.
LAUREL GRAEBER

The drone music composer Randy Gibson has previously worked with limitations. When it comes to compositions in his “Four Pillars” concept, which uses just intonation tuning and few relationships between pitches, he has created long works for solo pianists and percussion trios. This collaboration, however, required physical proximity so that Gibson could be with the cast and connect acoustic play to his own electronics.

During the pandemic, Gibson found a new way to produce “Four Pillars” material through socially distant recording practices. The ambient world creeps into tracks that the musicians recorded in his latest release “Distant Pillars, Private Pillars”. You can hear the chirping of birds and motorized traffic in the background, although this also gives the immaculately coordinated material a fresh charm. The first half of the album suggests the unfolding of the day’s potential (as with the oscillating “Twelve Dawn”). And the second half of the album contains more solemn meditative sections – especially during the intense finale of “Nine Evening” – which are ideal for long winter nights.
SETH COLTER WALLS

theatre

“So that’s it, doesn’t it? Twenty-nine years old. It’s not what I thought, ”says Fatima. She is now as old as her mother when she died of breast cancer. Fatima wonders if a similar future awaits her, reflecting on the past and contemplating a present in which she is at several intersections.

Fatima is played by Sheria Irving and is the center of Angelica Chéri’s moving one-woman piece “Crowndation; I’m not going to lie to David, ”the Center Theater Group presents on request on its website until March 22nd (tickets for the stream cost 10 US dollars). In the work, Chéri allows the character to be specific and also comments on larger social issues such as sexuality and religion. Meanwhile, Fatima looks into the camera and invites us into her inner circle.

As part of Center Theater Group’s “Not a Moment, But a Movement,” a series of plays and readings celebrating black voices, “Crowndation” also features music by Jessica Lá Rel that enriches Fatima’s intimate universe.
JOSE SOLÍS

Categories
Entertainment

5 Issues to Do This Weekend

In May 2019 the dancer and choreographer Bobbi Jene Smith took over the Ellen Stewart Theater in La MaMa in the East Village with “Lost Mountain”, a lively, stormy work of dance theater for 10 dancers and musicians. During the coronavirus pandemic, Smith, who is currently based in La MaMa, has continued to work with members of that cast on some sort of sequel “Broken Theater” to further uncover the strained, almost family-like relationships of the previous project. “We really got into issues like power, love and chaos, which I believe are all around us these days,” Smith said over the phone.

On Friday and Saturday at 7pm and on Sunday at 12pm, La MaMa will stream “In Process With Bobbi Jene Smith,” a recorded program with an excerpt from “Broken Theater” and conversations with some artists. Tickets for each show cost between $ 5 and $ 25 and are available at lamama.org/in-process-with-bobbi-jene-smith.
SIOBHAN BURKE

Pop rock

If you’ve swiped through TikTok at some point in the fall of 2019, you’ve probably heard a sticky hook from Ashnikko’s song “STUPID”. At the height of its popularity, “STUPID” appeared in videos from around three million users of the app. This early hit shows much of what animates its creator’s new mixtape “Demidevil”: lewd antics, bravery, misandry, and dashing one-liners developed for social media (e.g., “I got the teddy bear you gave me put in a blender ”- face this viral challenge).

The release of “Demidevil” – actually Ashnikko’s debut album – is planned for Friday. Often billed as a rapper, Ashnikko makes use of the trap production but leans towards singing on this tape. Her yelpy style is heavily borrowed from pop-punk from the 2000s. She wears this influence with particular pride in “L8r Boi”, a twist on Avril Lavigne’s 2002 smash “Sk8r Boi”. Ashnikko’s R-rated remake indulges in Y2K nostalgia and tries to make the original more feminist.
Olivia Horn

CHILDREN

Trying to teach preschoolers coping skills and yoga movements through a live-stream zoom musical may sound like a recipe for mayhem. Thanks to judicious use of the mute feature (and the help of the parents in attendance), the New York City Children’s Theater made this premise work.

The result is “Forest of Feelings,” created and performed by Rachel Costello and Dan Costello, the married founders of Yo Re Mi, a musical yoga program for children. During an interactive adventure that helps a lost laugh return to the forest of the title, little ones submit ideas, practice basic yoga poses, and master simple calming techniques like deep breathing.

This half-hour show plays twice on Sundays (except January 24th) through February 7th and plays against Preston Spurlock’s colorful animations. Families who register on the theater’s website will receive video activities and a zoom link for $ 20. Two weeks after production closes, the forest will continue to greet children in an on-demand recorded performance available for $ 15.
LAUREL GRAEBER

When you’re on the phone to speak to an anonymous stranger – not an actor playing a role, just a member of the public like you – it may not sound like theater. But “A Thousand Ways (Part 1): A Telephone Call”, a gentle, participatory piece by the experimental duo 600 Highwaymen, is an impressive exercise in socially distant connection. With an automated voice asking scripted questions (“Are you good in an emergency?”), The two people on either end of the private hour-long encounter are each other’s only audience.

The beginning of a planned triptych, the other parts of which will take place in person, “A Thousand Ways (Part 1): One Phone Call,” is a calming counterpoint to this fearful, atomized moment. Presented until Sunday as part of the Under the Radar Festival (tickets are free but sold out on publictheater.org), it is also available through Stanford Live, where $ 75 tickets at live.stanford.edu include entry to part 2 and 3, which later this year comes to one of the performance rooms on the Stanford University campus in California.
LAURA COLLINS-HUGHES

Classical music

The audience who enjoyed Kaija Saariaho’s production of “L’Amour de Loin” at the 2016 Metropolitan Opera has reason to celebrate this weekend. From Saturday the Operavision platform will broadcast a concert performance of another dramatic work by the Finnish composer: the oratorio “La Passion de Simone”, inspired by the life and writing of Simone Weil. (The stream will be free for six months and available on request.)

Despite the Passion setting, the piece is not an unalloyed celebration of Weil, a mystic and philosopher. Saariaho’s music, along with the writing of her regular librettist Amin Maalouf, moves between Weil’s thinking and commenting. The narrator of the oratorio – usually a soprano role – is sung from the perspective of a nameless, fictional sister of Weil. (Weil’s own writing is also fed into the mix via the electronics.) In this Operavision performance, which was recorded late last year, the part was sung by experienced mezzo-soprano Anne Sofie von Otter, which is another compelling reason to get involved .
SETH COLTER WALLS

Categories
Entertainment

5 Issues to Do This Weekend

On a typical January, art hosts and producers rush through New York and sample the city’s cultural offerings to help plan their upcoming seasons. This year, much of that frenzy went online. One stop is the Live Artery platform presented by New York Live Arts from Saturday to Tuesday. Every evening at 7:30 p.m. Eastern Time, the platform opens to the public with “Primetime,” a series of three full-length dance productions (tickets to access a performance are $ 5).

On Saturday, Kimberly Bartosik’s acclaimed “Through the Mirror of Her Eyes,” which made its stage debut in March, is in the spotlight. On Sunday, Bill T. Jones presents “What Problem?”, An adaptation of his haunting “Deep Blue Sea”, which was canceled in April. It is based on texts by WEB DuBois, Rev. Dr. Martin Luther King Jr. and Herman Melville to meditate on politics, community, and isolation. On Tuesday, Raja Feather Kelly will revive “Hysteria”, an extravagant solo that had its digital premiere in December.
BRIAN SCHAEFER

comedy

You may not think of Isaac Mizrahi as a comedian, but he is certainly more than just a fashion designer.

Mizrahi studied theater at the Fiorello H. LaGuardia High School for music, arts and performing arts and appeared in 1980 in the film musical on the school “Fame” on. In the 1995 fashion documentary “Unzipped” he posed as a celebrity and strolled through SoHo with Sandra Bernhard. And since 2017 he has been organizing an annual comedy-cabaret residency at Café Carlyle.

In December, Mizrahi released Isaac @ CaféCarlyle, a series of concerts he shot in a café without an audience. During these performances, he jokes with his six-member band and exchanges jokes and songs with a special guest. The second show in the series, which will be broadcast online on Friday, shows Jackie Hoffman, who in a teaser clip the text “What happened to you, Bill Cosby?” Sings.

The broadcast begins at 8 p.m. Eastern Time and will be available on request through February 8th. Tickets to access the performance start at $ 22 on broadwayworld.com.
SEAN L. McCARTHY

CHILDREN

A pandemic cannot fail a good woman – or women -.

In March, the ban forced “She Persisted, the Musical,” an hour-long off-Broadway adaptation of a picture book by Chelsea Clinton about historical American women, to close prematurely. But now the show lives up to its title: the producer, Atlantic Theater Company, has developed an adorable streaming version with the same cast. The musical, created by Adam Tobin and Deborah Wicks La Puma, follows Naomi, a fourth grader, on her journey through time and gains confidence when she meets trailblazers like Harriet Tubman, the astronaut Sally Ride and Justice Sonia Sotomayor.

Although She Persisted will be streamed on showtix4u.com upon request through Jan. 20 (tickets are $ 5 or $ 20 per family), a watch party will be held on Sunday from 4:15 pm to 6:15 pm Eastern Time more: a live post-performance zoom discussion with Clinton, the actresses, and the show’s director and choreographer, MK Lawson. Party tickets ($ 25 or $ 50) also include a theater activity for young people.
LAUREL GRAEBER

Contemporary music

What could the bright jump of the Four Tops have in common with a Mozart aria? Maybe not much on the surface. But mezzo-soprano and composer Alicia Hall Moran didn’t come up with “The Motown Project” 12 years ago to argue about similarities. This suite brings together works from the operatic and Motown canons and is both an internal monologue and a formal experiment. And it developed alongside her life; Her pieces have appeared on her two studio albums “Heavy Blue” (2015) and “Here Today” (2017), and her public appearances have inevitably changed as she involved various collaborators.

Hall Moran recorded a version of the lockdown-era suite that works with various musicians in different settings: at the Manhattan Jazz Club Smoke; at Firehouse 12, a studio and performance center in New Haven, Conn .; and about zoom. Joe’s Pub will post this latest version on its website on Friday at 8 p.m. Eastern Time. Streaming passes are free but need to be reserved in advance.
GIOVANNI RUSSONELLO

theatre

For about a decade, New York has started its cultural calendar with a plethora of experimental performances. Producers and function rooms have come and gone (goodbye, coil; so long, American realness), but the avant-garde ethos has survived, as has the Exponential Festival, which runs Thursday through January 31st.

Founded by Theresa Buchheister of the Brick Theater, this seedy, ambitious, multidisciplinary anniversary celebrates local artists. Typically, it scatters its performances across Brooklyn. In this atypical year, instead, all 30 shows appear on the festival’s YouTube channel. (Admission is free, but donations are recommended and will be given to the artists.) This first weekend will include Sunny Hitt’s “On View: WFH,” a permanent performance choreographed by Hitt, on Friday at 8pm Eastern Time. Teresa Braun’s “Virtual Queerality (VQ) Live”, Kennie Zhou’s “A Blueish Fever Dream” and Tina Wang’s “Comfortidades” on Saturday from 9 pm; and a new work from the Object Collection with an unpublished title, inspired by Eric Rohmer, Occult and True Love, on Sunday at 5 p.m. (For more information on Exponential and other festivals, see our Streaming Theater Column.)
ALEXIS SOLOSKI