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World News

Indian vs. Black: Vigilante Killings Upend a South African City

Later that day, the family saw pictures and videos of their bloody and seemingly lifeless bodies on social media.

An Indian homeowner in Phoenix, who spoke anonymously for fear of retaliation, said he saw the two men on the street long after the attack. They were still alive.

He stopped two police cars, both of which stopped briefly before spinning off. A third police vehicle stopped, called an ambulance, and waited for it to arrive before leaving, he said.

However, the privately owned ambulance only treated the men briefly before leaving them alive on the side of the road, the local resident said. The next day a hearse came to pick her up. Their bodies were cremated, family members said.

A relative, Thulani Dube, said they didn’t deserve to be killed even if they looted.

At the cousins’ funeral, in a tent in a spacious field with brown grass behind a family house in KwaMashu, loved ones cried and boiled, but also thought of the good times: Mlondi, a 28-year-old father of two, just had his celebrated first wedding anniversary. Delani, 41, a world-traveling dance instructor, was preparing for a trip to Russia.

Still, they struggled to understand what had happened – and what it meant for their country.

“I can’t sleep thinking about what I saw in the morgue,” said Mr. Dube, who identified their bodies. “Sometimes the smell fills my nose.”

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Entertainment

‘This City’ Evaluate: Love and Rifles

“This Town” is set in rural New Zealand and deprives an unusual premise of dark humor: Sean (David White, also the writer / director), a young man accused of murdering his entire family and then firing him for technical reasons, falls in love with a naive country girl, Casey (Alice May Connolly). White’s film parodies the loose tongues and small aspirations of crazy small town guys and borrows the mockumentary productions from dead comedies like “The Office”. But beneath the film’s crooked exterior is a piercing darkness – a streak of real danger that flinches more than flinches.

Take Sean’s obsession with guns, for example. It’s one of the red flags that Pam (Robyn Malcolm), the policewoman who stopped in anger when Sean was acquitted, has been put on the evidence card, where she continues to gather evidence of his possible guilt. Another lead from Pam is Sean’s alleged drunken sexual assault on her nephew’s girlfriend. It doesn’t help that Sean is awkward and unfathomable. When he meets the unsuspecting Casey in a dating app and they hit it off over Chinese food and pink “Munta” (a bastardization of Fanta), Casey’s friends and family are alarmed.

Like any viewer who is familiar with the realities of misogyny. The mystery of whether Sean is a misunderstood “good guy” or a sociopathic killer keeps “This Town” walking a tightrope between twee comedy and “dateline” drama, playing with the fear that gender violence causes in many of us. Yet White misses the opportunity for real satire and accelerates the many topical issues raised by the script – police corruption, mental health, gun crime – into a feel-good outcome that leaves a bad taste in the mouth.

This city
Not rated. Running time: 1 hour 31 minutes. View topic.

Categories
Entertainment

The Largest Dance Present in City? At a Brooklyn Nets Sport

I found an impressive performance – truly a spectacle – in a place I never expected: a basketball game.

The Brooklynettes, the Brooklyn Nets dance team, have been a pandemic anomaly since February: They perform live at games for nearly 2,000 spectators. It’s not the same as it has ever been before – it’s better. The reduced capacity Barclays Center is more intimate. The ushers treat you like a guest at a dinner party. The players are more sharply focused. And the dancers, whether they are performing their choreographed routines or responding to an exciting setting, are critical to the whole thing.

Back in the day, a Brooklynettes number seemed to have three qualities: speed, strength, and hair. The lines were wide. Were the dancers skillful and meticulous? Absolutely. But at the games, their hard work was masked by the noise and crowds of fans. The reality was that this wasn’t so much a dance team as it was a group of backup dancers for a basketball team.

While the Brooklynettes are still concentrating on hip-hop and street jazz this season, the look is different and more precise. At a recent arena rehearsal, Asha Singh, the Brooklynettes coach and occasional choreographer, slowed the dancers to clean up a routine. “Which angle from the left do we go?” she asked them. “Are we going to the corner? Are we stepping aside? “

Why should a position be held for a millisecond during a sprint of a dance thing? When these six bodies move as one, they pull you in – not just to dance, but into the arena, where their movement creates an invisible line of energy between the players and fans.

Even when they’re not dancing, that vitality remains standing up, hands on hips that look like clippings from Wonder Woman. It sounds strange, but now, for the Brooklynettes, a position held for a millisecond in the sprint of a dance matters because whether you see the effect or not, you feel it.

The Brooklynettes – along with an electroplated drum line and team hype, a male dance crew performing on the opposite stage – are no longer a decorative afterthought. In pre-pandemic days, they would go straight to court; now two Stages were built to create the necessary social distance to fans and players. The dancers – there are now six per game, down from 20 – are everywhere. They stand out in ways they have not done before, even when they have been front and center and doing routines on the pitch during home games.

And although capacity is reduced at the Barclays Center, the numbers for the dance still fluctuate. How many dancers do you know who perform for so many people indoors? (The arena was 10 percent full, roughly 1,700 spectators, and will rise to 30 percent on May 19th.)

“It’s invigorating,” said dancer Liv David, who added for many months during the pandemic. “I only danced in my small apartment so I wouldn’t kick my cats in the face and make the most of it. I almost forgot that feeling – that adrenaline. “

Live indoor dance performances were hard to come by in New York. When this happens, the audience is kept small. The Works & Process series at the Guggenheim Museum started with 50 spectators; When the government mandates changed, the number was increased to 75 and is now 90. In the cavernous drilling hall on Park Avenue Armory, the capacity for “Afterwardsness”, an upcoming production of the Bill T. Jones / Arnie Zane Company, is increased 118 be.

During the 2019-2020 NBA season, when the arenas were at full capacity, all 30 teams put on performances with dancing. In addition to the Brooklynettes, 10 other dance teams are now performing live. (The Knicks City Dancers don’t do this. Instead, recordings of past performances are played during the games.)

When the fans got back into the arena, Criscia Long, who oversees the Brooklynettes, Brooklyn Nets Beats Drumline, and Team Hype, was tasked with figuring out how to bring back entertainment.

“We’re in the crowd now – we’re right next to the fans,” said Long. “You can deal with them; During the performances and when the ball is in play, you can feel their energy a little more. It’s so much more connected now than having all of the crowd there. “

A seasoned dancer, Long was previously the captain of the Knicks City Dancers. She also appeared with Lil ‘Kim, who appeared in a series with the Brooklynettes that season. “She really wanted to be a part of the show,” said Long. “She rehearsed with us and you know how difficult it is with Covid protocols, but she wanted to be there. It felt like we were on tour with her. “

That was a special occasion. Even so, Singh said if you take the basketball team with you, the Brooklynettes will come up with a tour-style version of concert performances. That is even clearer now. “Very much tour, minus the artist before,” she said. “Imagine all that crazy dope dancing you would see around the artist: that’s some kind of energy we’d love to put into the arena.”

In the past, the Brooklynettes sometimes shared the pitch with team hype for combined routines. Now, however, the two groups are performing on stages on opposite sides of the arena. During the games they play off each other while members of the drum line perform with both groups.

They are all more in the moment. Sometimes the dancers react to a big piece: short bursts of choreography that bloom and disappear quickly. Even these dances, unannounced yet galvanic, attract attention. As David said, “I feel eyes on us. I feel like people appreciate what we do and what we stand up for. And that is very rewarding. “

At the start of the pandemic, like most in the dance world, Singh started zooming rehearsals and found she had less focus on correcting details like the exact placement of arms and timing – that would be taken into account as soon as possible they stood on stage – and got more to the choreography in their bodies. The dancers recorded themselves and sent her the videos for individual notes.

The center of gravity of the movement has also changed. “We used to make a lot of big guns,” said Singh. “It was like taking the steps as big as possible. How can I make my body look like it’s taking up space? “

As they still do, she added, “It’s more about the power behind the movement and less about ‘my arm needs to be up here’ so the upper tier fans can see what we’re doing. ”

As always, Singh wants the Brooklynettes to look like “a high-profile professional dance crew based in Brooklyn,” she said. “My approach to everything, everything Brooklynettes is that you have to get it right. At least try to get it right. The last thing I want someone to say – and especially in our industry – is, “Oh, it’s spurious. They make culture their own. Or they’re not really Brooklyn. ‘”

How to pose for this Wonder Woman? “That is literally our signature,” said Singh with a laugh. “I said to the ladies the other night, ‘You have to stand like you’re still performing and stay there.’ When your arms get tired you can relax but keep coming back so it still looks like your body is energized and you are there. When you are not backstage, perform. That has always been my point of view – in every show. “

It’s another example of the Brooklynettes doing something they never had to do. “Now we are learning that we have to change – we have to optimize our show, the in-between moments,” said Singh. “It’s exciting because I’m a fan of a stage. I love lights. I love haze. I love to be exalted. “

How for this stage in the stands? “It just looks a lot more like a show to me,” she said. “So I love our stage moment. We’re not sure how long it will take, but it’s been really fun so far. “

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Business

The Mayor’s Home Was Bombed. The Message: Hold Our City Nuclear-Free.

SUTTSU, Japan – It seemed easy money. The Japanese government conducted a study of potential spent fuel storage locations – a review of old geological maps and research into local plate tectonics. It called on the localities to volunteer. Participation would not oblige them to anything.

Haruo Kataoka, the mayor of a troubled fishing village on the north island of Hokkaido, raised his hand. His city of Suttsu could use the money. What could go wrong?

The answer, he learned quickly, was a lot. A resident threw a fire bomb on his house. Others threatened to remember the city council. A former prime minister traveled six hours from Tokyo to denounce the plan. The city, which spends much of the year in a snow-covered silence, was surrounded by a media storm.

There are few places on earth that want to host a nuclear waste dump. Only Finland and Sweden have committed to permanent repositories for the dregs of their nuclear energy programs. However, the excitement in Suttsu speaks to the deep concern that persists 10 years after a huge earthquake and tsunami in Japan that caused the collapse of three nuclear reactors in Fukushima Prefecture, the world’s worst nuclear disaster since Chernobyl.

The black mark on Japan’s nuclear industry has profound implications for the country’s ability to power the world’s third largest economy while meeting its commitments to tackle climate change. Of the more than 50 Japanese nuclear reactors, all of which were shut down following the March 11, 2011 disaster, only nine have restarted and the problem remains politically toxic.

With Japan’s share of nuclear power falling from roughly a third of total output to single-digit levels, the void has been partially filled by coal and natural gas, complicating the promise that the country was climate neutral by 2050 at the end of last year.

Even before the Fukushima disaster, which resulted in three explosions and a radiation release that forced the evacuation of 150,000 people, ambivalence about nuclear energy was deeply ingrained in Japan. The country is ravaged by hundreds of thousands who were killed by the atomic bombings on Hiroshima and Nagasaki at the end of World War II.

Still, most Japanese had resigned themselves to nuclear energy and viewed it as an inevitable part of the energy mix for a resource-poor country that has to import around 90 percent of the materials used to generate electricity.

After the nuclear disaster, public opinion swung decisively in the other direction. In addition to a renewed fear, there was a new distrust of both the nuclear industry, which had built reactors that could be overwhelmed by a natural disaster, and the government, which had allowed it to do so.

A parliamentary commission found that the meltdown was due to a lack of control and collusion between the government, the plant owner and regulators.

“The utilities, the government, and we nuclear experts kept saying, ‘Don’t worry, there won’t be a major accident,” said Tatsujiro Suzuki, director of the Research Center for the Abolition of Nuclear Weapons at Nagasaki University. Now, “people think that the industry is not trustworthy and the government that is driving the industry is not trustworthy. “

The Japanese government, which has increased safety standards for nuclear power plants, plans to bring more reactors back into operation. But Fukushima’s legacy is now tainting all discussions about nuclear power, even how to deal with waste created long before the disaster.

“Every normal person in town thinks about it,” said Toshihiko Yoshino, 61, the owner of a fish shop and oyster hut in Suttsu, who has become the face of opposition to the mayor.

“Because this kind of tragedy happened, we shouldn’t have nuclear waste here,” Yoshino said in an interview in his restaurant, where large picture windows look out over the snow-capped mountains above Suttsu Bay.

Politics surrounding garbage shows for now that if it is not buried under suttsu, it will find its way to a similar place: a city worn down by the collapse of local industry and the constant wear and tear of its population through migration and Age.

The central government has tried to motivate local governments to volunteer for examination by offering a payment of around $ 18 million for the first step, a literature search. Those who enter the second phase – a geological study – will receive an additional $ 64.4 million.

Only one other city in the whole country, the neighboring Kamoenai – already next to a nuclear power plant – volunteered with Suttsu.

One thing that Fukushima made clear, said Hirokazu Miyazaki, a professor of anthropology at Northwestern University who studied how communities were compensated after the disaster, is the need to find a just way to meet the social and economic costs Distribute nuclear power.

The problem is symbolized both by the partially uninhabitable cities of Fukushima and by a fight over the government’s plan to release one million tons of treated radioactive water from the site into the ocean.

The government says it would make small publications for over 30 years without harming human health. Fukushima fishermen say the plan will ruin their long road to recovery.

“We have this potentially dangerous technology and we are still relying on it. We need to have a long-term view of nuclear waste and decommissioning so we can better think about a much more democratic way to deal with the costs involved,” Miyazaki-san said in an interview.

Critics of nuclear energy in Japan often cite decades of failure to find a solution to the waste problem as an argument against restarting the country’s existing reactors, let alone building new ones.

In November, former Prime Minister Junichiro Koizumi brought his anti-nuclear campaign to Suttsu at the invitation of local activists. At the city’s gym, he said that after visiting Finland’s underground landfill – a facility similar to that proposed by the Japanese government – he decided that Japan’s active geology would make it impossible to find a working site.

Japanese reactors have produced more than 18,000 tons of spent fuel in the last half century. A small portion of it was converted to glass through a process known as vitrification and encased in huge metal canisters.

Nearly 2,500 of the giant radioactive tubes are in temporary facilities in Aomori and Ibaraki Prefectures, waiting to be lowered 1,000 feet below the surface into vast underground vaults. There they would spend thousands of years reducing their toxic burden.

It will take decades, if at all, to select a location and get the project started in earnest. The Japanese organization for the disposal of nuclear waste, known as NUMO and represented by a cartoon mole carefully sticking its snout out of a hole, is responsible for finding a final resting place.

Long before he accepted NUMO’s offer to conduct a study in his city, Mr. Kataoka, the mayor of Suttsu, had taken an entrepreneurial stance on government subsidies.

Suttsu has a population of just under 2,900, spread thinly along the rocky edge of a deep Cerulean Bay, where fishing boats forage for mackerel and octopus. Starting in 1999, Mr. Kataoka supported an initiative to install a stand for towering wind turbines along the coast with government-supported loans.

Many in town initially opposed it, he said during an interview in his office, but the project has delivered nice returns. The city used the profits from the sale of electricity to pay off debts. City residents have free access to a heated pool, golf course, and modest ski slope with a tow. In addition to an elegant community center, there is a free day-care center for the few residents with children.

The facilities are not uncommon for the small town of Japan. Many places have tried to prevent its decline by spending large sums on white elephant projects. In Suttsu the effect was limited. The city is shrinking, and in early March snow lay on the eaves of newly built but closed shops along the main street.

Mr. Kataoka nominated Suttsu out of a sense of responsibility to the nation for the NUMO program. The subsidies, he admitted, are a nice bonus. But many in Suttsu question the intentions of Mr. Kataoka and the government. The city, they argue, doesn’t need the money. And they wonder why he made the decision without public consultation.

At a city council meeting on Monday, residents expressed concern that once the trial began, it would quickly pick up and become unstoppable.

The plan has severely divided the city. Reporters have come and flaunted the discord at the national level. A sign in the hotel at the port makes it clear that the staff does not accept interviews.

In October, an angry resident threw a Molotov cocktail at Mr. Kataoka’s house. It broke a window, but he smothered it with no further damage. The perpetrator was arrested and is now out on bail. He apologized, said Mr. Kataoka.

The mayor remains confused by the aggressive response. Mr. Katatoka insists that the literature research is not an fait accompli and that citizens will have the final say.

In October he will run for a sixth term. He wants voters to support his proposal, but whatever the outcome, he hopes the city can move forward together.

Losing the election would be a bad one, he said, but “the saddest part of it all was losing the city’s trust.”

Motoko Rich contributed to coverage from Tokyo.

Categories
Health

‘Small City, No Hospital’: Covid-19 Is Overwhelming Rural West Texas

ALPINE, Texas – It’s one of the fastest growing coronavirus hotspots in the nation, but there are no long lines of cars piled up for drive-through tests and no rush of appointments to be wiped down at CVS.

That’s because in the rugged, rural expanse of far west Texas, there isn’t a county health department that can get daily tests and no CVS business for more than 100 miles. A handful of clinics offer tests for those who can make an appointment.

Behind the teetering oil platforms of Midland and Odessa, where real road runners scurry down two-lane roads and desert bushes freckle the long, beige horizon, the Big Bend region of Texas is one of the most remote parts of the American mainland and one of the least equipped to break out to treat infectious diseases. There is only one 12,000 square kilometer hospital and no heart or lung specialists to treat serious cases of Covid-19.

But as a sign that the virus is on the rise almost everywhere, the counties that Big Bend belongs to were in the nation’s top 20 for most new cases per capita last week.

Known for its sprawling national park and the artist town of Marfa, Big Bend provides an extreme example of the danger that is unfolding across the country as the virus flares further and more furiously than ever, driving deaths to levels seen since spring and push many places into crisis at the same time. From California to Texas to Mississippi, hospitals and health officials in rural communities are increasingly concerned that they are alone.

“There is no neurologist, there is no long-term care specialist,” said Dr. JP Schwartz, Big Bend’s Presidio County health department and a doctor at a local clinic. “We don’t want to help them at all. There isn’t even a nursing home out here. “

Even with Texas hospitalizations and deaths near their summer peaks, local officials fear they have little power to intervene beyond the measures taken by Republican Governor Greg Abbott.

“My hands are tied,” said Eleazar R. Cano, the Brewster County judge, who said he was advised against issuing a stay at home order or other stricter measures that could violate the governor’s order. Mr. Cano, a Democrat, likened governing during the pandemic to driving his truck through the desert with an empty gas tank without a cell phone operator calling for help.

“It’s helpless, frustrating, almost panicking,” he said.

On the long miles between the sparsely populated cities of Big Bend, it’s hard to fathom how a virus that thrives on human contact can flare up in a place so vast. Falcons rule in the great blue sky. Cell phone service is spotty. Christmas decorations along the street are not in people’s homes, but on the gates of their ranch.

But somehow new cases have exploded in the past few weeks.

In Brewster County, a sprawling giant of 9,200 residents in an area of ​​6,000 square miles, more than half of the 700+ known cases were identified last month. In neighboring Presidio County of 6,700 people near the Mexico border, cases have quadrupled from less than 100 to more than 470 in the past two months. Both communities are older, with 65 and over making up about a quarter of the population.

“The numbers are rising at this point,” said Malynda Richardson, the presidio city ambulance director, who coughed sporadically as she recovered from the freezing chills and knockout exhaustion of Covid-19.

There are a number of reasons for the spike.

The area is so remote that local residents have to travel to El Paso or Odessa to schedule a doctor’s appointment and buy essentials at Walmart. With cases popping up across west Texas, the virus may have come back with them. Officials also cited border traffic from Mexico, cases among young people at Sul Ross State University, and an increase in tourists who were not deterred by the pandemic.

Big Bend National Park visitor numbers rose 20 percent in October, park officials said, and so many cars clogged the park over Thanksgiving weekend that it jammed. In the liberal artist outpost of Marfa, young people from Austin and Dallas roam the city, sipping on almond milk and photographing murals that ask existential questions such as, “Is austerity an illusion?” A recent art installation caused a stir during the pandemic with an obvious message against tourism: “Everyone here hates you.”

However, it turns out that tourism isn’t the biggest part of the problem.

The limited contact tracing in the region shows greater local penetration – in bars, in multi-generational homes, and by people who ignore positive test results and continue to work and socialize as usual.

In Alpine, the largest city with 5,900 residents, residents wear masks with their cowboy hats to shop at Porter’s grocery store, but remove them to eat inside at local restaurants. There is no general consensus on whether masks are necessary and effective. In a sign of the controversy that has played out on social media and off-social media, the county was left without a local health authority when the doctor in the position, a volunteer pediatrician, resigned this fall after being told by local residents who opposed, had been pushed back mask orders and other restrictions.

Brewster County, which also includes Alpine, has already ordered bars to shut down and reduce food in indoor restaurants from 75 percent to 50 percent, as the governor’s order for counties with a high percentage of Covid-19 hospital stays prescribes. However, enforcement is incomplete, and the governor has prohibited local officials from imposing stricter rules than his own.

Because of the scarcity of resources, local health clinics are a prime option for testing, but even then, the swabs must be driven to El Paso for three hours and flown out of Dallas for processing in Arlington. The National Guard also offers regular tests. In response to the growing crisis, new mobile test vehicles should arrive this week.

For those who get seriously ill, the hospital, the Big Bend Regional Medical Center in Alpine, only has 25 beds and a makeshift Covid ward where patients were confiscated at the end of the lonely, L-shaped hallway.

Dr. John Ray, a family doctor who works shifts at the hospital, said the hospital had received consecutive calls for incoming coronavirus patients on a final day. One of them had to be taken to a larger hospital in Odessa to receive special care.

Not long after that, said Dr. Ray, he saw the patient’s obituary in the newspaper.

“I don’t want to see Alpine like the pictures you see in New York, just people dying in hallways and waiting for a bed,” said Dr. Ray, 44, who grew up in the small town of Troup, East Texas, Wisconsin for his residency and then returned to Texas to settle in the Big Bend for Beauty and People area in 2013. He and his wife, also a doctor, usually treat a lot of sore throats, urinary tract infections, and pregnancy visits. Now he said: “It’s Covid, Covid, Covid.”

Higher-level hospitals are also full across West Texas. El Paso, which was recently so inundated with infection that it created mobile morgues, is still recovering from its own virus deluge. Lubbock recently had up to 50 percent of beds filled with Covid patients, and on a particularly bad day last week, the city reported that overall hospital capacity was depleted.

Dr. Ray fears there may be a day when critically ill patients who would normally be moved to another location run out of options. “To be very clear,” he said, “if you can’t go anywhere else, you will die here.”

A spokeswoman for Big Bend Regional Medical Center said the hospital has had room so far, adding ventilators, oxygen tanks and nurses to prepare for a surge. Of nine patients in the hospital on Wednesday, four had Covid-19.

Even so, many remain concerned. Simone Rubi, 46, graphic designer and musician who owns a café in Marfa, about 30 minutes by car from the Alpine hospital, hung a poster in front of her to-go window and summarized the precarious situation in four words: “Small town, no hospital . “

“There will be no place for us if we get sick – that’s the bottom line,” she said, sitting on a picnic bench outside her shop on a Saturday morning.

“We’d have to go to Dallas,” said her husband Rob Gungor, who said he had asthma and was resigned to making the nearly eight-hour drive to an Airbnb near a major hospital if he contracted the virus to get it to be around in case it turns bad. Like most people in Marfa, who accepted masks more easily than some other cities in Big Bend, he also wore a mask outdoors.

“Maybe Phoenix,” he added, “because it’s only a nine-hour drive.”

For those living in even more rural parts of West Texas, navigating the coronavirus spike has consequences that go well beyond the virus itself.

There is only one full-service ambulance covering 3,000 square miles in the border community of Terlingua. In some cases, paramedics had to drive coronavirus patients to Alpine hospital for three hours to clear the area for other serious emergencies.

“That has always been our draw – it’s an isolated, beautiful, pristine landscape,” said Sara Allen Colando, Terlingua District Commissioner. But as the cases rise, the wilderness is also its own peril.

“If you have to take someone to God with Covid, where, how long does it take to get this ambulance back up and running?” She said. “Who will be there to take the call?”

Mitch Smith contributed to coverage from Chicago.