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Sri Lanka’s Zoo Animals Are Having a Pandemic Child Growth

COLOMBO, Sri Lanka – To prevent the worst of the devastation from Covid, Sri Lanka imposed lockdowns and suspended flights from overseas for almost a year, weakening the economy and drying up a vital tourism industry.

However, it was a fun time for animals in the island nation’s zoos.

Given the absence of visitors, animal births at zoos rose 25 percent last year, according to Ishini Wickremesinghe, director general of the Sri Lankan Department of National Zoological Gardens. Particularly noticeable, she said, was that several animals were born that have no breeding history in local zoos.

“Animals actually have a less stressful and relaxed time without people,” she said.

Sri Lanka closed its zoos in March 2020 and briefly reopened them to visitors earlier this year before closing again as coronavirus infections rose. The animals bred for the first time include a black swan, a white peacock and a Nilgai, the largest antelope in Asia. Others who have produced offspring include an Arabian oryx, a black duck, a scimitar-horned oryx, and a zebra.

“We also have three new lion cubs,” said Ms. Wickremesinghe. “After years, the animals really got a good break.”

The boys are now about six months old. With no visitors nearby, adult lions can roam freely in their enclosures and group together with potential companions.

In Sri Lanka’s wildlife parks, officials have not been able to confirm whether the brood is increasing, but the animals are “definitely stress-free,” said Manoj Vidyaratne, the overseer of Yala National Park on the island’s southeast coast. “We usually see around 400 vehicles in the park every day,” he said, “but this time nobody is there.”

Creatures in captivity elsewhere have also taken advantage of the pandemic to reproduce. Last April, two giant pandas successfully mated at the Hong Kong Zoo, which was closed to visitors due to the coronavirus.

Sri Lanka, an early success story in containing the spread of the virus, has seen a surge recently, registering nearly 3,000 new infections daily, according to a New York Times database. The pandemic has exacerbated the economic hardship of a country that struggled to recover from the terrorist attacks as early as 2019.

Sri Lanka’s zoos, which are home to around 4,000 species of animals, are among the main attractions of the tourism-dependent country, drawing more than three million visitors a year before the pandemic.

Despite the impact on revenue, Ms. Wickremesinghe said she hoped to keep the zoos closed until cases fell amid fears that primates could catch Covid-19 from an infected visitor. “We don’t know what to do when that happens,” she said.

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Business

U.S. air journey reaches pandemic excessive as peak season kicks off

Travelers wait in line at a Transportation Security Administration (TSA) screening checkpoint at Orlando International Airport on the Friday before Memorial Day. As more and more people have received the COVID-19 vaccine, American Automobile Association (AAA) is predicting more than 37 million Americans will travel more than 50 miles this Memorial Day weekend, many for the first time since the pandemic began.

Paul Hennessy | LightRocket | Getty Images

Air traveler volumes hit the highest levels since before the coronavirus pandemic began during Memorial Day weekend, the latest sign of recovery for the sector.

The Transportation Security Administration screened an average of 1.78 million people from Friday through Monday, hitting a peak of 1.96 million on Friday. Those volumes are more than six times higher than a year ago, but still 22% below Memorial Day weekend in 2019.

The surge in travelers is pushing up the price of vacations, including airfare, hotel rates and car rental prices. Domestic leisure fares are near 2019 levels, airline executives have said.

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Business

‘A Quiet Place’ sequel has highest pandemic opening weekend field workplace

Emily Blunt, Millicent Simmonds and Noah Jupe star in “A Quiet Place Part II.”

Paramount

The box office was anything but quiet over the weekend.

John Krasinski’s “A Quiet Place Part II,” the sequel to his 2018 directorial debut, garnered $48.4 million over the weekend so far, the highest of any film release during the pandemic. The haul was just shy of the $50 million “A Quiet Place” tallied in 2018.

The Paramount film is currently on pace to pick up around $58 million for the four-day Memorial Day weekend.

“This is the start of the second act in movie-going’s rebound and the kind of performance that seemed unimaginable just a few months ago,” said Shawn Robbins, chief analyst at Boxoffice.com. “For ‘A Quiet Place Part II’ to open near the level of its pre-pandemic predecessor despite ongoing capacity limits and other regional restrictions speaks volumes about not just interest in the sequel itself, but also the power of moviegoing.”

“Audiences are increasingly eager to reintegrate that shared theatrical experience back into their daily lives,” he said.

The sequel has been widely praised by critics and earmarked as a must-see film, especially in theaters. In reviews, critics touted how seeing the film in a theater heightened the experience because sounds — whether on the screen or in the seats nearby — made the thriller more suspenseful.

Heading into the holiday weekend, more than 70% of theaters were open. As vaccination rates continue to rise and the number of coronavirus cases decline consumer confidence in returning to movie theaters has spiked. Not to mention, studios are finally releasing new content.

Analysts are optimistic that this could be the first weekend the domestic box office could top $100 million since the pandemic began. The last time the box office reached that figure over a weekend was March 6, 2020.

“The momentous success of ‘A Quiet Place Part II’ delivered a knockout punch to those who had figured that the pandemic would accelerate the oft-predicted downward spiral and eventual demise of the movie theater,” said Paul Dergarabedian, senior media analyst at Comscore.

The strong performance of “A Quiet Place Part II” could be aided by Disney’s “Cruella,” which was also released this weekend. Current estimates indicate that the film could secure nearly $30 million. The studio is expected to release its box office data later on Sunday.

Although, the film could bring in much less. After all, it was made available in theaters and through Disney+ for $30 on the same day. Some consumers may have ventured out to the cinema to see the film, but others may choose to stay on the couch and stream. Plus, the film is getting mixed reviews.

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Business

Memorial Day field workplace could possibly be first to high $100 million throughout pandemic

Emma Stone stars in Disney’s “Cruella.”

Disney

This Memorial Day weekend could have the right combination of new movie releases, number of cinemas open and increased consumer confidence to break the $100 million mark at the box office.

Since the pandemic began, theaters have struggled to lure back moviegoers, even with enticing titles like “Godzilla vs. Kong,” “Mortal Kombat” and “Wonder Woman 1984.”

The weekend of April 23 is currently has the highest-grossing weekend box office tally since the pandemic locked down theaters last spring. Ticket sales reached $57 million, with only around 60% of movie theaters open, according to data from Comscore. The weekend’s top earners were “Demon Slayer: Mugen Train” and “Mortal Kombat.”

Heading into this Memorial Day weekend, more than 70% of theaters are open and Hollywood has two blockbuster releases: “Cruella” and “A Quiet Place Part II.”

The last time the box office topped $100 million over the weekend was March 6, 2020. In non-pandemic times, Memorial Day weekend has averaged around $200 million in ticket sales.

Memorial Day weekend in 2020 shrunk to just $842,000 in ticket sales, driven almost entirely by drive-in movie theaters.

“What a difference a year makes as we now look toward what will be a pivotal Memorial weekend for movie theaters and, thankfully, the start of a true summer movie season, something the industry hasn’t seen in two years,” said Paul Dergarabedian, senior media analyst at Comscore.

While “Cruella” will have a dual release in theaters and on Disney+ Premiere Access, “A Quiet Place Part II” will only be available in theaters. The sequel has been widely praised by critics and been earmarked as a must-see film, especially in theaters. In reviews, critics touted how seeing the film in a theater heightened the experience because sounds — whether on the screen or in the seats nearby — made the thriller more suspenseful.

With more theaters open and the pent-up demand, Dergarabedian foresees a chance that Paramount’s “A Quiet Place Part II” could usurp “Godzilla vs. Kong” for the highest opening weekend debut since the health crisis started. “Godzilla vs. Kong” opened with a $32 million haul during the first weekend in April. At that time only 55% of theaters were open in North America.

The fate of Disney’s “Cruella” is a little less certain because it will be available in theaters and through Disney+ for $30 on the same day. Some consumers may venture out to the cinema to see the film, but others may choose to stay on the couch and stream. Plus, the film is getting mixed reviews.

“The performance of the two new films will serve as a bellwether of consumer confidence and enthusiasm for the movie theater experience,” said Dergarabedian. “[They will] also help to bolster the perception of the movie theater experience as more viable and essential than ever before and not as some had erroneously predicted a pre-ordained casualty of the pandemic.”  

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Business

Man Fieri is on a mission to assist save eating places hit by pandemic

Food Network star and restaurateur Guy Fieri has more on his mind these days than navigating his own restaurant business out of the Covid pandemic.

He’s trying to help revitalize the industry itself.

Next month, he’ll give out $300,000 in grants to aspiring restaurant entrepreneurs and existing owners.

“I’ve been very blessed,” said Fieri, who recently signed a three-year deal with the Food Network that Forbes said is worth $80 million.

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“That’s why I try to turn my time and attention to helping others and raising that money and raising some awareness,” he added.

About 90,000 eating and drinking establishments are still closed, either completely or long term, according to the National Restaurant Association’s Covid-19 Operator Survey for April.

Those that are open are dealing with higher costs and lower profits.

The grants, to be made in partnership with the National Restaurant Association Education Foundation and the California Restaurant Association, will take place during Fieri’s event, Guy’s Restaurant Reboot, on June 12 at 7 p.m. ET. It will be livestreamed on his Facebook page and GuysRestaurantReboot.com, as well as simulcast across other social media platforms.

NBC | NBCUniversal | Getty Images

The recipients, who will get $25,000 each, will be chosen by the two food groups, Fieri said. The grants are largely funded by the event’s sponsors, including LendingTree. In fact, there will be no fundraising during the event. Instead, celebrities and culinary icons will join in with food creations and conversation.

“It’s not a telethon,” Fieri said. “It’s a celebration, an inspiration.

“We want to remind everybody: Go eat out more often,” he added. “Go get more delivery. Buy more gift certificates.”

This isn’t Fieri’s first foray into philanthropy. He’s been honored by Make-A-Wish for his work with the charity and he fed firefighters battling California wildfires last year, among other activities.

Also last year, he raised $21.5 million to help restaurant workers through the National Restaurant Association’s Employee Relief Fund. The result: $500 grants to more than 43,000 workers.

Now, as restaurants reopen and try to move forward, workers are hard to find. In fact, 84% of operators say their staffing level is lower than it was in the absence of Covid-19, the National Restaurant Association’s April survey found.

Owners have blamed unemployment benefits, lack of child care for working parents and people leaving the business during the pandemic.

“I hope folks are recognizing that the industry needs you,” Fieri said. “The industry has been great to you.”

Even Fieri is feeling the pain. He recently tried to get a friend into Guy Fieri’s Vegas Kitchen and Bar for lunch on a weekday — only to find out the location wasn’t open for those hours yet.

“It’s a variety of topics, staffing being one of them,” he said.

“But we’re making it, you know, we’re coming back.”

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Business

How Meals Vans Endured and Succeeded Throughout the Pandemic

This article is part of Owning the Future, a series on how small businesses across the country have been affected by the pandemic.

The Covid pandemic hit California hard. It has seen well over 3.5 million cases and over 60,000 deaths. Scores of businesses have closed. But for Ana Jimenez, the owner of Tacos El Jerry, a small fleet of food trucks in Santa Cruz County, it provided an opportunity to bring her business into the 21st century.

Ms. Jimenez’s four trucks began taking orders through an app and a website, delivering directly to customers, and cultivating a customer base through a new social media presence. All of that added up to a significant increase in sales.

“Our business grew,” said Ms. Jimenez, 50. “We even added a new truck. Credit goes to my son, Jerry, who is 23. We didn’t have anything on social media. He said, ‘we’re going digital on all of this, Mom.’” Half of her orders are now placed online, she said.

Ms. Jimenez’s son created Facebook and Instagram pages for the food trucks and a social media advertising campaign, and the trucks began accepting credit card purchases. “Each truck is now serving around 300 people per day, which translates to roughly $5,000 in sales daily,” Ms. Jimenez said.

Food trucks — kitchens on wheels, essentially — are flexible by design and quickly became a substitute during the pandemic for customers who couldn’t dine indoors and coveted something different than their mainstream carryout options. That, in turn, has delivered a new client base to add on to an existing cadre of loyal followers. In a very real sense, food trucks are vehicles for equality in the post-pandemic world.

“While the pandemic has certainly hurt the majority of small businesses, it has also pushed many to be more innovative by looking for new revenue streams and ways to reach customers,” said Kimberly A. Eddleston, a professor of entrepreneurship and innovation at Northeastern University.

Like Ms. Jimenez, some businesses have “focused on ways to maintain their customer base by, for example, delivering products directly to customers,” Prof. Eddleston said. “While others have created products and services that attract new customers.”

Luke Cypher, 34, for instance, expanded the already eclectic selections at his Blue Sparrow food trucks in Pittsburgh, adding pizza, four-packs of local beer, gift cards and five-ounce bottles of housemade hot sauce.

Mr. Cypher’s main fare since he hit the streets in 2016 has been global street food. His menu carries a heavy Asian inspiration. There’s made-from-scratch kimchi on the menu daily. Dishes can include rice bowls, Vietnamese banh mi, falafel burritos, and a burger made with a ramen bun.

During the pandemic, Mr. Cypher’s business took a hit when 24 festivals and over a dozen weddings where he was booked were canceled. “I switched gears to keep things as lean as possible,” Mr. Cypher said.

He temporarily shut down a second food truck — a retrofitted 35-foot, 1956 Greyhound bus that he used for the big parties — and introduced a website to interact with his customers and an online ordering system for his smaller truck, which he usually parked at a neighborhood brewery.

“I switched the menu to focus on soups, noodles, burritos and pressed sandwiches, so that the things that we were handing our customers would make it home and still be a good experience after they opened up the bag and took it out,” he said.

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And he began to make and sell pizza one day a week at the kitchen where he used to do his prep work for the trucks before the pandemic. (The pizza, too, has an international flair: a banh mi pie, for example, made with pork or tofu, miso garlic sauce, mozzarella, pickled carrots, cucumbers, and cilantro.)

Customers can order and pay online or by phone and schedule a time to pick up; they receive a text or an email when their order is ready.

The kitchen “was already in place, so we turned around and said, well, what can we offer our customers in this unknown time that would be comforting,” Mr. Cypher said. “We had a wood-fired oven there that we use for bread baking, but basically it wasn’t being utilized.”

Before the pandemic, Mr. Cypher was serving roughly 1,500 customers a week from his food truck. A weekly festival on weekends, with 5,000 people stopping by the bus, of course, ramped up that number.

“The cool part is I was able to stay afloat because, unlike a restaurant with traditional seating, it was just myself, my sous-chef and his wife, who worked part-time,” he said. “We ended up serving roughly a hundred people a day, four or five days a week. So it wasn’t the numbers that we did before, but our lights were able to stay on because we had reduced a lot of costs that we had involved in running multiple rigs.”

Mr. Cypher, however, opted not to use delivery apps like Uber Eats or Grub Hub. “I don’t want to hand my food off to somebody else,” he said. “If we weren’t going to have the one-on-one conversations with our customers, we were at least going to give it to them directly.”

And like Tacos El Jerry, social media became a huge part of his marketing platform. “The pictures that we take and post on Instagram and Facebook let people feel like they’re a part of our truck family,” Mr. Cypher said.

“Food trucks were well-equipped to withstand pandemic restrictions, as they’re naturally to-go and socially distanced businesses,” said Luz Urrutia, chief executive of Accion Opportunity Fund, a nonprofit organization providing small-business owners with access to capital, networks and coaching. “Many food truck owners stepped forward to seize opportunity during a time of great uncertainty,” she said.

As Pittsburgh emerges from the pandemic, Mr. Cypher is adding a twist at his kitchen location. “We have licensing to offer beer on draft from our local breweries, so we’re going to have a small beer garden,” he said. “And that’s a revenue stream that we’re going to kind of lean into that we probably never would have done if not for Covid.”

In 2020, Mr. Cypher’s food trucks had $200,000 in gross sales, down about 40 percent from the previous year, he said. “But with the new offerings, more efficiency and only running one rig, we were actually able to net enough to keep the business moving forward,” he said. “This year we’re already up about 30 percent from where we were at last year at this time.”

For Ronicca Whaley, the chef behind the St. Petersburg, Fla.-based truck Shiso Crispy, timing was much tricker: she opened her first truck in November 2019, just a few months before the pandemic. And yet Ms. Whaley, 35, who offers handmade gyozas, bao buns and their signature dish, dirty rice, now has two trucks because of a strategy of regularly parking in certain neighborhoods and offering discounted and free meals outside a nearby Ronald McDonald House. (She added the second truck in January.)

One challenge: “The internet here is shoddy. And cellphone service in different areas out here just doesn’t work,” she said. “During the height of the pandemic, I was consistently losing two or more transactions at my point of sale every shift.”

Luckily, she was offered a special initiative for small business owners by Verizon Business: a year of complimentary connectivity and a 5G iPhone, as well as tools such as the Clover Flex point of sale program for touchless transactions. “It has digitally transformed my business,” Ms. Whaley said.

She also signed on to an app, called Best Food Trucks, that allows customers near her to pre-order once they know her location for the day.

“The inextricably connected stories of food trucks and Covid are a perfect microcosm of the undeniable reality that women, immigrants and people of color, historically relegated to the edges of the economy, are actually the foundation upon which the next economy must be built,” said Nathalie Molina Niño, author of “Leapfrog: The New Revolution for Women Entrepreneurs.”

But the silver lining from the pandemic for some operators is more personal — including bringing families together. “I have a ton of wisdom about how to operate food trucks and cooking,” Ms. Jimenez said. “It’s the coming together of the generations that made the business stronger now and for the future.”

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Business

Ranch Rider Spirits’ canned craft cocktails boomed through the pandemic

Brian and Quentin at Ranch Rider Spirits.

Source: Ranch Rider Spirits

Ranch Rider Spirits’ cocktail line is as Texan as possible.

The canned cocktails were built and bred in the beating heart of Austin, Texas and are the craft of co-founders Quentin Cantu and Brian Murphy. Ranch Rider Spirits offers four downright Texan craft cocktails with no preservatives or additives in simple 12-ounce cans.

Originally from Texas, Cantu completed a six-year stint in Washington, DC, where he worked in politics before heading out to the Lone Star State in 2016 to befriend Murphy.

“I think we were really hungry to learn new skills outside of class and outside of our previous careers,” Cantu told CNBC. Armed with the basics of business, Cantu and Murphy launched their first company – a food truck that offered healthier options to students on the sprawling UT campus.

“We went out at 6am, bought food, cooked that day, and then went to class and did it all over again with very little sleep,” said Cantu, explaining that the two started business while doing a full deal . Course load of UT’s demanding MBA program.

As the demand for meals cooked on board the food truck, affectionately known as the “Ranch Hand” increased, Cantu and Murphy expanded the business with a range of handmade cocktails.

“I think we hit a nerve,” said Cantu of the relatively quick success. “We met a lot of unknown consumer demand for something that wasn’t beer, but also wasn’t spiked seltzer.”

To keep up with demand, the two pondered how to further scale the happy accident of a potential alcohol business.

“We didn’t want to just open a bar. We wanted to make sure the product we made could be enjoyed by everyone for a longer period of time,” Cantu told CNBC, adding that a canned product gave them flexibility in pursuing e-commerce -Sales as well as doing business with health-focused grocery stores like Whole Foods.

Ranch Rider Spirits

Source: Ranch Rider Spirits

In January 2020, with the grace of Austin Angel investors, Cantu and Murphy launched their first cans in the local market. Four months later, as the coronavirus pandemic raged, forcing restaurants and bars to close, Cantu and Murphy saw soaring demand as diners brought cocktail culture home.

“Obviously people quarantined at home and spent a lot more time online during the pandemic, so we really invested in digital marketing, which we both got from our previous careers before business school,” explained Cantu.

Online alcohol sales rose a whopping 243% in the third week of March, according to data from Nielsen published by Bloomberg.

Data from IWSR and Nielsen showed that ready-to-drink retailers saw sales surge during the coronavirus pandemic, according to BevAlc Insights of alcohol e-commerce platform Drizly.

During a 23-week period amid the August 8th coronavirus pandemic, the ready-to-drink sector saw off-premise dollar sales grow 86.8% year over year, according to Nielsen.

Before the coronavirus pandemic, the sector saw 21.5% growth for a 52 week period ending February 29, according to Drizly.

“When you think about the value proposition of a canned cocktail like Ranch Rider, when you want to go to the lake or pool with friends and have a liquor-based cocktail, you don’t want to bring a glass bottle, you don’t want to bring ice, you don’t want fresh limes and Bring side dishes, “Cantu explained.

Ranch Rider Spirits ranked second among Drizly’s best-selling 2020 brands, beating ready-to-drink offerings from industry giants like Ketel One, 1800 Tequila, Jim Beam and Cutwater Spirits.

In its first year of business, Ranch Rider had sales of approximately $ 4 million, nearly quadrupling its conservative projections.

“Much of our growth has been organic because we’ve focused on slowly cultivating audiences, mostly in Texas, that appreciate the craftsmanship of our product,” said Cantu.

Austin’s craft culture

Ranch Rider Spirits

Source: Ranch Rider Spirits

The funky, upbeat heart of Texas is home to the University of Texas, the annual SXSW (South by Southwest) technology conference, multiple arts and music festivals, and has become a mecca for startups that are in some ways leaving Silicon Valley.

The city thrives on a vibrant terrace culture powered by food, drinks and live music.

“The culture of Texas, and Austin in particular, is a culture of craft,” Cantu explained. “There’s a high premium here and appreciation and respect for craftsmanship, and we never wanted to lose sight of that value as it drives our growth.”

To ensure full accuracy of the production process, Cantu and Murphy built a 20,000 square foot facility about 40 minutes outside of Austin.

“We felt that it was important to touch and feel everything that goes into our product. We didn’t want to outsource this process to someone else, and I really think a lot of people in Austin really appreciate that attention to detail . ” he added.

“Real citrus fruits, real spirits”

Canned Cocktails from Ranch Rider Spirits Co.

Courtesy Ranch Rider Spirits

Last week Ranch Rider Spirits unveiled their fourth canned cocktail called “The Buck”, a recipe from Moscow Mule made from six times distilled vodka, freshly squeezed organic ginger, freshly squeezed lime and mineral water.

“The Buck” contains 5.9% alcohol and 119 calories and follows “Ranch Water”, a cocktail based on reposado tequila with a dash of sparkling water and freshly squeezed lime juice. The legendary West Texas cocktail “The Chilton” is the place where the freshly squeezed lemon juice shines next to a pinch of sea salt and vodka.

The portfolio is rounded off by the “Tequila Paloma”, in which reposado tequila, freshly squeezed grapefruit, lime, orange and mineral water merge.

“We printed this on the label of each can, but we’re just keeping it stupid. We use real citrus, real liquor, no additives, no preservatives, no sugar at all,” explained Cantu. “It tastes fresh because it’s not artificial and it’s not made in a laboratory,” he added.

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Business

How the Pandemic Modified Sabine Roemer’s Jewellery Enterprise

LONDON – disturber, fixation, opportunity. The pandemic was all of that and more for jewelry fans and designers.

Just ask Sabine Roemer.

The German-born designer has two brands: the high jewelry line that bears her name (one-offs priced at £ 10,000 or around $ 14,095) and Atelier Romy, which has trendy pieces like stackable chain necklaces and ear-party studs Sold online for £ 50 to £ 500.

And now with England easing restrictions, both lines are evolving into direct-to-consumer businesses – more closely tied to their own identities as artisans.

“The workmanship is absolutely evident in everything Sabine does,” said Marisa Drew, a senior investment banker in London who has jewelry from both brands from Ms. Roemer. “There is always personality in her pieces, and she really approaches her designs with a story in mind.”

Ms. Drew said she likes Ms. Roemer’s convertible designs and her attention to detail, traits that resonate with Sarah Giovanna, a director of a private equity firm in London.

“She sits down with you and really creates something that suits you. For me, it’s all about flexibility, ”said Ms. Giovanna, who also carries both lines. “I work in a high-intensity environment and deal with large companies. I want pieces that I can dress up and down. Both brands deliver that. “

However, last year’s lockdown was “a moment of pause,” Ms. Roemer said, especially for Atelier Romy, which was only three years old when the pandemic broke out.

“I was forced to look at every single aspect of the business and not just trust others,” said the 41-year-old designer, admitting that she had focused on creation and clients. Suddenly, she couldn’t just help clients come up with tall jewelry like a pair of diamond and pearl earrings with 17-carat citrines or work on a philanthropic collaboration like the jeweled reproduction of a postage stamp she made for the Queen Elizabeth Scholarship Trust was created in 2017 to celebrate the Queen’s 65th anniversary on the British throne.

In March 2020, Ms. Roemer canceled her freight forwarder. She wasn’t entirely satisfied with the service and decided that it should be done in-house. “I packed, I shipped, and tied the ribbon around each box,” she said. “I had to learn everything – my accountant joked that it was like McDonald’s where you start in the kitchen and work your way up.” (A handwritten card is now included with every order.)

Ms. Roemer and her team also focused on Atelier Romy’s social media presence, creating stronger digital content and graphics that highlighted Ms. Roemer as the maker behind the jewels. She wouldn’t share sales numbers, but Ms. Roemer said buyers must have liked the changes as sales quintupled.

It’s the kind of online marketing that’s going to stay here, said Juliet Hutton-Squire, director of global strategy at Adorn, a jewelry market intelligence company.

When consumers couldn’t spend on travel, they spent more on luxury goods and capital goods. Fashion brands were well positioned to generate these revenues thanks to their early investments in digital media. “Brands with online presence or shop-able content on social media were even further ahead of the curve when cell phones became our way of shopping,” said Dr. Hutton-Squire explained. “It will just go on like this. We will not return from it. “

In many ways, Ms. Roemer’s early career, which began as a 15-year-old goldsmith apprentice in Germany, has now led to her role as a businesswoman and jeweler.

Making jewelry, she said, is not just about “tools, craft and creation” as she once imagined. “You quickly realized that you also have to be good at physics and mathematics, chemistry and chemistry. Fortunately, those were my favorite subjects at school. “

Atelier Romy trained her math brain even more. “I love data,” she said. “I find it fascinating to sit in lockdown at home and just look at data and who comes into the virtual shop.”

After graduating from Pforzheim Goldsmith and Watchmaking School in Germany, Ms. Roemer joined Stephen Webster, a London designer whom she admired as “a craftsman and not just a designer”.

Further work for other houses on Bond Street followed, as well as orders from private customers – the early 2000s became a golden era for Ms. Roemer’s high jewelry career. Her philanthropic work has also been recognized, particularly some custom-made items she made in collaboration with the Nelson Mandela Foundation, such as a gold, diamond and emerald bangle with the South African President’s prison number on it. Morgan Freeman wore the piece at the 2010 Oscars as a nominee for Best Actor for “Invictus”.

Ms. Roemer said the experience showed her how jewelry can be a form of storytelling. “The easy thing was to put in a bling diamond piece that grabbed attention, but I wanted to put Mandela’s story on the red carpet,” she said. “In the end, jewelry is emotional – you wear it on your skin every day. I don’t carry my grandmother’s purse every day, but I do wear her ring. It is very close to me and it really carries this emotional value. “

In the same year, her first high jewelry collection debuted at Harrods.

Atelier Romy – a name inspired by the birth of Ms. Roemer’s first daughter Romy – was developed as an affordable ready-to-wear line that can be sold exclusively online. “I wanted to portray something different,” she recalled. “Something with very bold designs, but still modern and timeless” – German for timeless – “depending on how you would superimpose it and make it your own.”

Valery Demure, the London-based brand consultant who represents several independent jewelers (but not Ms. Roemer) said, “Sabine interests me because she doesn’t come from a jewelry family. All she learned was through hard work and the fact that she has all of these skills. She is a woman with a real soul and purpose. “

That sense is becoming more and more relevant in a post-pandemic world. Ms. Hutton-Squire said the pandemic’s “forced pause button” highlighted the importance of sustainability and the environment, and prompted jewelers to trade more authentically online. For example, whether this was a playlist for meditation or sharing home recipes, “It wasn’t just about selling, selling, selling,” she said. “That really separated the authentic bands from the less authentic ones.”

This also explains the growing demand for handicrafts – something Ms. Roemer said she experienced prepandemic among some of the female customers of her high jewelry line. “They have a completely different attitude: to ask who did it and what it is. It’s less about the stone, how big it is and how big it is, ”said Ms. Roemer. “They only want to express themselves and their personality through jewelry.”

She brought the feeling online. Atelier Romy now has weekly drops of videos and footage of Ms. Roemer at the workbench cutting, soldering and shaping metal, always among her most popular posts. “Few people really know how jewelry is still made,” she said. “It was nice to bring people into the workshop and show them the process.”

In March, Ms. Roemer introduced Cornerstones, her first jewelry collection in more than 10 years. The extra time in Lockdown was a creative blessing, she said (“I always found the best pieces in the shop when you don’t have a plan”) and the nine pairs of earrings collection was a travel muse with multifunctional pieces like sea-inspired blue topaz, aquamarine, and diamond transformable earrings that Ms. Drew bought.

Ms. Roemer hopes to resume meeting customers from both brands who, thanks to the pandemic, feel more complementary than ever. “It’s like having two babies – you can’t choose a favorite baby, they are equally important,” she said. “But also completely different.”

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How the Pandemic Has Modified Attitudes Towards Wealth

In the past three years, several key metrics used to define wealth had declined. In 2018, 65 percent of those polled thought wealth gave them peace of mind, but that number had dropped to 53 percent by the spring. Half of those surveyed equated prosperity with happiness, four percentage points less than in 2018.

On another shift, more people said wealth meant success in life – up to 50 percent, up from 40 percent last time.

“A big component of success is still making money, but it’s just not making money to increase your financial capital,” said Baker. “It’s about achieving something in this process, building other things, taking some of this financial capital and putting it into something else.”

Mr Norton said his priorities had shifted to focusing more on the people around him and he decided to pay the first half of his company’s Christmas bonus to employees in May. “I only did it to make sure they were okay,” he said. “I focused less on my assets and my income than on doing the right thing for our customers, but also on ensuring that my employees and my family are doing well.”

For others, however, the prescribed isolation was centered on their minds. Douglas Swets, an angel investor in early-stage startups, said the pandemic added clarity and focus to the investments he and his partners made.

“After a year of Zoom meetings, I can have a lot more meetings, which improves our due diligence,” he said. “We can have more people making reference calls. You will get all questions answered. “

At the same time, Mr Swets, who is married with two grown children, said the investments he is reviewing are not necessarily better given the extra time. If anything, they were actually riskier, but the pandemic gave him a different view of investing.

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Pandemic removed from over regardless of vaccinations

Family members of Vijay Raju, who died due to Covid, mourn before his cremation in the village of Giddenahalli on the outskirts of Bengaluru, India, on May 13, 2021.

Samuel Rajkumar | Reuters

The global pandemic is not over yet, despite high Covid vaccination rates in some countries, the head of the World Health Organization warned on Monday, days after the CDC told fully vaccinated Americans that they could go without a mask in most places.

“There is a tremendous hiatus where in some countries with the highest vaccination rates the pandemic appears to be over while others are experiencing large waves of infection,” WHO Director General Tedros Adhanom Ghebreyesus said during a news conference from the agency’s headquarters in genf.

“The pandemic is far from over,” he warned. “It won’t be over anywhere until it’s over everywhere.”

Tedros’ comments came four days after the Centers for Disease Control and Prevention updated their public health guidelines to say that fully vaccinated people no longer wear face masks in most settings, whether outdoors or indoors, or 6 Need to stay away from others. It’s the first time the federal government has been encouraging people to stop wearing masks since the agency first called for face coverings more than a year ago.

Some doctors said the new guidelines mean “people who have been vaccinated can go back to normal”.

In the United States, new Covid cases are on the decline as more Americans get vaccinated. As of Sunday, the nation reports about 33,200 new infections daily based on a 7-day average of data compiled by Johns Hopkins University, a 19% decrease from a week earlier. According to the CDC, around 123 million Americans are fully vaccinated.

Major outbreaks occur in other countries. India, for example, reports an average of around 328,900 cases per day for seven days as of Sunday, according to Hopkins. That’s 15% less than a week ago, but it’s still an enormous number of cases. The country also hit a new record of deaths, reporting an average of 4,039 deaths in seven days, according to Hopkins data.

Tedros said the agency has responded to the surge in India and other hot spots around the world. He said WHO needed immediate funding to maintain its technical and operational support to all countries, especially those hardest hit by the pandemic.

“The current response plan is underfunded and the vast majority of it is earmarked by donors for specific countries or activities,” he said.

He also urged Covid’s vaccine makers, including Pfizer and Moderna, to make more vaccines available to COVAX, which doses poorer countries.

“We need cans now and we urge them to move forward with deliveries as soon as possible,” he said.