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Entertainment

Three Views of ‘The Motherboard Suite,’ Indoors, Outdoor and On-line

“Does anyone out there know what Afrofuturism is?” Bill T. Jones asked on Saturday night in the middle of Times Square.

Jones is, among other things, Artistic Director of New York Live Arts, an experimental performing arts center in Chelsea. In that capacity, he performed on Saturday to discuss a free outdoor performance of “The Motherboard Suite,” a movement and musical work he directed for the center’s Live Ideas Festival.

I’m not sure anyone who watched this event got a much clearer sense of Afrofuturism, but the Saturday outdoor performance certainly sparked a renewed appreciation for live ideas and live art.

This year’s theme was “Changed Worlds: Black Utopia and the Age of Acceleration”. In keeping with a technology-related theme, the five-day festival was a mix of virtual and personal symposia and performances. In a virtual segment, Reynaldo Anderson, a co-curator, generally defined Afrofuturism as “the speculative product of the thinking of people in the African diaspora”.

He spoke of visions of the future, and the festival delivered them, although it also felt very timely as the city’s performing arts scene cautiously adjusts to new opportunities at this stage of the pandemic.

“The Motherboard Suite” is itself a hybrid: a 45-minute concert by the slam poet, who became musician Saul Williams, with titles from his albums “MartyrLoserKing” (2016) and “Encrypted & Vulnerable” (2019), published by six respected choreographers were interpreted in the flesh. I’ve experienced it in three ways. I saw its premiere on Thursday at the New York Live Arts theater. I stayed at home on Friday and met him virtually. On Saturday I ventured into Times Square for the outdoor show.

The Thursday show was a milestone, the first live performance in the theater since last March.

There were about 30 of us in the audience, taking up about one-sixth of the venue’s seats. Being there felt excitingly strange and dauntingly familiar, and also excitingly familiar and dauntingly strange.

For one set, the show had an installation by Jasmine Murrell with mirrored rock and soil formations in the form of hands or giant cacti. It reminded me of a desert planet on the original Star Trek. Murrell was also responsible for the headdresses some of the choreographers wore – who, with the exception of Shamel Pitts, performed their own works (Pitts was danced by Morgan Bobrow-Williams and Maria Bauman was accompanied by Samantha Speis). The headgear was eye-catching: one like a giant brain or a large afro, another like a cubist head made from shards of records.

But those theatrical elements (including flashing and neon lights from Serena Wong) felt superficial. Williams, charismatic in his sunglasses, delivered his compositions on a rear platform (along with multi-instrumentalist Aku Orraca-Tetteh), and each choreographer recorded a song or two, mostly alone. The more conspicuous among them, especially Jasmine Hearn, caught attention, but the connections between sections and cast seemed terribly constructed and unimaginative, with ensemble pieces on the order of “Now Everyone Freezes in One Pose”. Live is not always amazing.

The virtual option came through a platform called Interspace. Each visitor is represented by a kind of mobile nameplate, an avatar that you can press with the arrow key around a 3D diagram of a theater complex. You can go to a gallery and see an extensive visual art exhibition from the Black Speculative Arts Movement. You can chat, virtually meet other visitors, start a conversation, or overhear someone else’s before and after entering the digital theater for a digital show.

Watching the show this way was like watching another video of a live performance, only the stream was half frozen for me. Especially after experiencing the flawed but real thing the night before, the virtual version felt less like a utopian taste of the future than like an already half-outdated world that we hopefully won’t have to live in.

For much of prepandemic life, life returns, as attested by the exciting and frightening crowds the size of a prepandemic in Times Square. There “The Motherboard Suite” didn’t have its own sets or lighting on Saturday. It had a superior replacement: the Blade Runner electronic billboards. Sometimes the roar of motorcycles or the drumming and chanting of Hare Krishnas accidentally sounded with the score, but the energy of the place continuously weighed on the performance.

The performance took place in a cordoned off area of ​​Father Duffy Square. This time the choreographers did not sit up and down, but on the stage, observing and interacting with one another. And that change, along with the increase in audience (potentially large, if small in practice), changed everything. The show came to life.

Even mishaps were transformed. During Marjani Forté-Saunders’ solo, her headdress – a top hat draped in elephantine spools of cloth with a face – began to untangle. She dropped it and was freed into new powers. That accident opened connections in the choreography: the way Kayla Farrish exploded after taking off her cubist vinyl helmet, or the way Bobrow-Williams’s hands felt like he was having trouble getting himself off after taking it off for his missing giant brain to adapt to it could be without it.

Only d. Sabela Grimes seemed invigorated by his troublesome costume: a body-covering, sophisticated pony in purple and white with a ski mask framed by cowrie shells. But its popping isolations also drew a greater shamanic force from the street energy of Times Square. The show was less about cosplay and more about being together.

In a way, the elaborately costumed characters of “The Motherboard Suite” fit right in with the costumed tourist attractions of Times Square. But Williams’ sometimes profane texts – mostly words of opposition to the capitalist fantasy around him, the seductive status quo – played a much larger role than in the other, less public spaces. His final list of things to hack into (capitalism, sexuality, God) felt less like preaching to the choir. Location is important. If the show didn’t start a revolution, it was a good introduction to what New York Live Arts can be.

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Health

CDC says totally vaccinated individuals needn’t put on face masks indoors or outdoor in most settings

Fully vaccinated people no longer need to wear face masks or stay 6 feet away from others in most environments, whether outdoors or indoors, the Centers for Disease Control and Prevention said in updated public health guidelines released Thursday.

There are a handful of cases where people still have to wear masks – in healthcare, in a company that needs them – even after receiving their final vaccine dose two or more weeks ago, CDC Director Dr. Rochelle Walensky told reporters at a news conference. Fully vaccinated people are still required to wear masks on planes, buses, trains and other public transport, she said.

“Anyone who is fully vaccinated can participate in indoor and outdoor activities, large and small, without wearing a mask or physically distancing themselves,” said Walensky. “When you are fully vaccinated you can start doing the things you stopped doing because of the pandemic. We have all longed for that moment when we can return to a sense of normalcy.”

Walensky said unvaccinated people should continue to wear masks, adding that they continue to face the risk of mild or serious illness, death, and the risk of spreading the disease to others. People with compromised immune systems should speak to their doctor before giving up their masks, she said.

She added that there is always a chance the CDC will change its guidelines again if the pandemic worsens or additional variants emerge.

“This is an exciting and powerful moment that can only come because of the work of so many people who have made sure that three safe and effective vaccines are given quickly,” she said.

The CDC’s announcement comes just before Memorial Day and July 4th parade season. President Joe Biden has said he hopes that enough Americans will be vaccinated by Independence Day to hold outdoor meetings safely.

Last week, Biden announced his government’s latest goals in the fight against the coronavirus: 70% of adults in the US should receive at least one dose of a Covid-19 vaccine, and 160 million adults should be fully vaccinated by July 4.

As of Wednesday, more than 151 million Americans 18 and older, or 58.7% of the adult US population, had received at least one dose of a Covid vaccine, according to the CDC. Around 116 million American adults, or 45.1% of the American adult population, are fully vaccinated, according to the CDC.

To achieve the president’s goal, the government is working to make vaccination with Covid as easy and convenient as possible.

Biden is instructing thousands of local pharmacies to offer walk-in vaccinations to people without an appointment, a senior administration official told reporters last week. The Federal Emergency Management Agency will also support pop-up and mobile clinics aimed at those who may otherwise have difficulty reaching vaccination sites.

On Tuesday, the White House announced a new partnership with Uber and Lyft that will offer free trips to vaccination sites through July 4th.

Thursday’s new CDC guidelines will likely encourage more Americans, especially those who are still reluctant to get the shots, to get the vaccine.

–CNBC’s Rich Mendez contributed to this report.

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Absolutely vaccinated individuals can train, maintain small gatherings open air with out masks

The Centers for Disease Control and Prevention on Tuesday revised their public health guidelines, stating that fully vaccinated people can exercise outdoors and attend small gatherings without face masks.

People two weeks away from their last vaccine can exercise on their own or with other household members without a face covering, the CDC said. You can also meet outdoors with a small group of other fully vaccinated people or a mix of fully vaccinated and unvaccinated people, the agency added. The instruction did not say what counts as a small gathering.

It is also acceptable to eat without a mask at an outdoor restaurant with friends from multiple households, according to the CDC.

The agency continues to recommend that fully vaccinated individuals wear a mask in outdoor locations where the risk of Covid-19 is less clear. This includes sporting events, concerts, parades and other crowded places.

“In public spaces, the vaccination status of other people or whether they are at increased risk of severe COVID-19 is likely to be unknown,” the CDC wrote in its guidelines. “Therefore, fully vaccinated individuals should continue to follow instructions to protect themselves and others, including wearing a well-fitting mask when they are indoors, outdoors, or in places where masks are required.”

“CDC cannot give the specific risk for each activity in each community, so it is important to consider your personal situation and the risk to you, your family and your community before heading out without a mask,” added the Agency added.

Some former health officials and infectious disease experts have said that outdoor mask mandates are no longer required as the US vaccinates more Americans.

As of Monday, more than 140 million Americans, or 42.5% of the total population, had received at least one dose of a Covid vaccine, according to the CDC. Around 95.8 million Americans, or 28.9% of the population, are fully vaccinated, according to the CDC.

During a press conference on Tuesday, CDC Director Dr. Rochelle Walensky, she hopes the new guidelines will encourage more Americans to get vaccinated.

“Today is another day where we can take a step back to normal,” she said. “When you are fully vaccinated things are much safer for you than those who are not fully vaccinated.”

Walensky refused to define a “small gathering”. She said it was difficult to give an exact number as it would depend on the size of the plenum, the space between people and the amount of ventilation.

The CDC’s announcement comes just before Memorial Day and July 4th parade season. President Joe Biden said he hoped that enough Americans would be vaccinated by Independence Day to safely hold small outdoor gatherings.

On Tuesday, Biden pointed to the CDC guidance and said vaccinated people could now go to the park or have a picnic with exposed friends. He cited the relaxed restrictions as the reason for vaccination, but stressed that Americans should still wear masks in crowded outdoor areas.

“I want to be clear: when you are in a crowd like a stadium or a concert, you still have to wear a mask even when you are outside,” he said in a speech on North Lawn at the White House.

Dr. Scott Gottlieb, a former appointee for the Food and Drug Administration, told CNBC Monday that public health officials should generally be more relaxed about outdoor activities as vaccination rates lower new infections in the United States.

Officials should take steps “to allow more outdoor gatherings, more large groups to allow, sporting events, things like that,” he told Squawk Box. “The weather is warming up. We have the ability to take more activity outside. We know that outdoor activity is less of a risk than indoor activity.”

Dr. Isaac Bogoch, an infectious disease specialist at the University of Toronto, said Monday he supported the expected guidance. He said more research shows fewer Covid infections occur outdoors.

He added that indoor masks should continue to be mandatory until most of the US population is vaccinated and it is difficult for the virus to spread from one person to another.

The CDC also said that unvaccinated people can exercise alone or with a household member without a mask. It is also recommended that vaccinated people wear masks in places such as hair salons, shopping malls, museums, cinemas, and places of worship.

“It’s been over a year. We have a very good understanding of who gets infected and how they get infected,” he told CNBC in a telephone interview. “I think it’s fair to say you don’t have to wear a mask outside unless you can’t maintain 2 meters or 6 feet of social distance.”

Over the weekend, the White House Chief Medical Officer, Dr. However, Anthony Fauci, suggesting the new mask tour was imminent, also warned Americans should adhere to public health measures until the CDC does an assessment.

“What I think you’re going to hear, what the country is about to hear is updated guidelines from the CDC,” Fauci told ABC’s Sunday program “This Week with George Stephanopoulos”. “The CDC is a science-based organization. You don’t want to make guidelines unless you look at the data and the data back it up.”

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Health

Dr. Scott Gottlieb says carry them for open air

Dr. Scott Gottlieb told CNBC on Monday that outdoor masks mandates are no longer required at this point in the coronavirus pandemic.

Public health officials should generally be more relaxed about outdoor activities, said Gottlieb, who serves on the board of directors at Covid vaccine maker Pfizer.

“People could choose to wear a mask if they want. I think there shouldn’t be any requirement that they wear masks outdoors,” the former commissioner for the Food and Drug Administration said on Squawk Box.

Steps should be taken “to allow more outdoor gatherings, larger groups, sporting events and the like,” he added. “The weather is warming up. We have the ability to take more activity outside. We know that outdoor activity is less of a risk than indoor activity.”

The Chief Medical Officer of the White House, Dr. Anthony Fauci, agrees to the risk of coronavirus transmission outdoors. In an interview on Sunday, he suggested that the Centers for Disease Control and Prevention could change their attitude towards wearing masks outdoors.

“What I think … the country will be hearing soon are updated guidelines from the CDC,” Fauci said on ABC’s “This Week with George Stephanopoulos.” “The CDC is a science-based organization. You don’t want to make guidelines unless you look at the data and back it up. However, if you look at the common sense situation, the risk is obviously very small, especially when You are vaccinated. “

President Joe Biden is expected to announce new CDC guidelines for wearing masks outdoors as early as Tuesday, a source familiar with the discussions told NBC News. However, the source cautioned that the recommendations are still being finalized and are likely to provide guidance for people who are fully vaccinated versus those who don’t.

The CDC’s current guidelines on face covering state the following: “Masks may not be required when traveling alone outside of others or with people in your household. However, some areas may have mask mandates when out in public. Please check the rules in your region (e.g. in your city, your district or your state). Also check whether federal mask mandates apply to your whereabouts. “

In their respective mask requirements, several states say people do not need to wear them when outside and keep a physical distance of at least 6 feet from anyone who is not in their household.

Gottlieb said he believes it is time to end the requirements for external masks as vaccination levels in the US reduce the number of new infections. More than 42% of the US population have received at least one dose of vaccine, according to CDC data, including 28.5% who were fully vaccinated.

As of Monday, the 7-day average of new daily coronavirus infections in the US was 58,160, according to a CNBC analysis of data compiled by Johns Hopkins University. That number is down 14% from a week ago.

“The gains we are currently seeing against the virus are solidified by vaccinations and immunity in the population, while before we saw people, they were the result of behaviors that people were more careful about what they were doing,” Gottlieb said . who headed the FDA during the Trump administration. “Now it’s the result of immunity. We can be sure that these will solidify.”

Disclosure: Scott Gottlieb is a CNBC employee and a member of the boards of directors of Pfizer, genetic testing startup Tempus, health technology company Aetion Inc., and biotech company Illumina. He is also co-chair of the Healthy Sail Panel for Norwegian Cruise Line Holdings and Royal Caribbean.

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Health

Do We Nonetheless Must Hold Carrying Masks Open air?

If you stop having a long conversation with someone who isn’t vaccinated, masks are recommended. Even outdoors, the longer and closer you stand, the greater the risk of breathing someone else’s air. One of the few documented cases of outdoor transmission occurred at the start of the pandemic in China, when a 27-year-old man stopped to chat outside with a friend who had just returned from Wuhan, where the virus originated. Seven days later, he had his first symptoms of Covid-19.

Updated

April 25, 2021, 5:06 p.m. ET

And masks are still recommended if you are in a crowd outside. Standing shoulder to shoulder with strangers during an outdoor concert or protest can increase the risk, especially for the unvaccinated.

Recently, when she was hiking without a mask, Dr. Marr, she still tried to keep her distance from large groups when the path was crowded.

“When I passed a solo hiker it was none of my business,” said Dr. Marr. “But when I passed a group of 10 hikers in a row, I continued to step off the path. The risk is still small, but at some point there could be enough people for the risk to be felt. “

Take your dog for a walk, ride a bike, hike a trail, or have a picnic with members of your household or vaccinated friends. These are activities where the risk of virus exposure is negligible. In such situations, you can have a mask in your pocket in case you find yourself in a crowd or need to go into the house.

“I think it’s a little too much to ask people to put the mask on when they’re walking, jogging, or biking,” said Dr. Muge Cevik, Clinical Lecturer in Infectious Diseases and Medical Virology at the University of St Andrews School of Medicine in Scotland, where outdoor masking was never required. “We are at a different stage of the pandemic. I think outside masks shouldn’t have been required at all. Infection and transmission do not take place here. “

“Let me run, maskless. Mask in your pocket, “tweeted Dr. Nahid Bhadelia, an infectious disease physician and medical director of the Department of Specific Pathogens at Boston Medical Center. “Given the conservative opinion I’ve had all year, this should show how low the risk of transmission outdoors is in general with contact for short periods of time – and even lower after vaccination. Keep the masks with you when you are stationary in a crowd and going inside. “

To understand how low the risk of transmission is outdoors, researchers in Italy used mathematical models to calculate the time it would take a person to get infected outdoors in Milan. They envisioned a bleak scenario in which 10 percent of the population were infected with the coronavirus. Their calculations showed that it takes an average of 31.5 days of continuous outdoor exposure for a person avoiding the crowds to inhale a dose of virus sufficient to transmit an infection.

“The result is that this risk in the outside air is negligible if crowds and direct human contact are avoided,” said Daniele Contini, lead author of the study and aerosol scientist at the Institute of Atmospheric Sciences and Climate in Lecce, Italy.

Even with more infectious virus variants floating around, the physics of virus transmission in the open air has not changed and the risk of infection in the open air is still low, according to virus experts. Pay attention to the infection rates in your community. As the number of cases increases, the risk of encountering an infected person increases.

Dr. Cevik notes that outdoor masking debates and articles with photos of crowded beaches during the pandemic have created the false impression that parks and beaches are unsafe and distracted by the much higher risks of indoor transmission. Often times, it is the indoor activities associated with outdoor fun – like traveling without a mask on a subway or a car for hiking, or visiting a pub after a beach break – that pose the greatest risk. “People grill outside, but then they spend time inside chatting in the kitchen,” said Dr. Cevik.

The more people vaccinated, the easier it becomes to make decisions about whether to be maskless outdoors. While no vaccine offers 100 percent protection, the breakthrough infection rate has been exceptionally low. The U.S. Centers for Disease Control and Prevention recently reported just 5,800 breakthrough infection cases in 75 million people vaccinated. And the CDC has said vaccinated friends and family members can safely spend time together without masks.

But it’s okay to keep wearing your mask outdoors if you prefer. After a year of pandemic precautions, people can find it difficult to adjust to less restrictive behaviors. Sarit A. Golub, professor of psychology at Hunter College, City University of New York, said it was important that both the media and public health officials share the reasons people can change certain behaviors, such as masking outdoors.

“In the months ahead, ‘normal life’ will be safer, but I worry that some people may not be willing or able to relax pandemic restrictions in any meaningful way,” said Dr. Golub. “I worry that people have internalized the fear messages without understanding the reasons for certain behavioral recommendations, and therefore the reasons they can be changed if circumstances change.”

Gregg Gonsalves, assistant professor of epidemiology at the Yale School of Public Health, said he recently dated a group of parents, including many vaccinated doctors, who met in a New Haven park to mark a child’s first birthday to celebrate. “We’re all just standing around, all masked, and then we’d be like, ‘When can we be outside and take our masks off?'” Said Dr. Gonsalves. “If people are vaccinated and you’re outdoors, masks are probably unnecessary at this point.”

But Dr. Gonsalves said he understands why some people may not be willing to give up their masks outdoors. “Some of that is Covid Hangover,” he said. “We were so traumatized by all of this. I think we need to have a little compassion for the people who are having trouble letting go. “

Illustrations by Eden Weingart

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Entertainment

Jacob’s Pillow to Return, Open air Solely

Even by 2020 standards, Jacob’s Pillow had a tough year. Not only did the Becket, Massachusetts dance center cancel its annual summer season for the first time in its history, it also lost one of its theaters, the Doris Duke, to a fire.

But 2021 has started brighter: The pillow, as it is called, announced on Thursday that it will host an outdoor festival from June 30th to August 29th this year and that it will soon start renovating its main performance room, the Ted Shawn, theater will begin.

Pamela Tatge, director of Jacob’s Pillow, said the festival’s summer schedule was “a combination of contract work and existing work from companies that people know well and are associated with the pillow, in addition to a significant number of Jacob’s Pillow debuts . ” The list will be announced in April.

Many of the groups featured are from or near New York. “We’re leaning on companies that are within driving distance of Jacob’s Pillow this summer.”

Performances will take place in the centre’s outdoor amphitheater, whose seating will be rearranged and expanded to safely accommodate as many spectators as possible in accordance with government regulations, and on the 220-acre campus. “It was so exciting to work with artists to think about which of their work would be appropriate and exciting to show off outdoors,” said Tatge.

The online audience also has the option to tune in. Videos of some of the performances can be streamed until September 10th.

The renovation of the Ted Shawn Theater is the final phase of a five-year plan that is slated for completion to coincide with the pillow’s 90th anniversary in 2022. The new design will enlarge the stage and dressing room. It will also add ventilation and air conditioning, without which, according to Tatge, Ted Shawn “simply wouldn’t be a viable theater in the post-Covid world”.

Of the $ 22 million the pillow will need to meet the plan’s goals, $ 20 million has been raised since 2017. On Thursday, Dance We Must launched a new campaign to get yourself over the financial finish line.

Plans to replace the Doris Duke Theater will be announced in the fall.

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Entertainment

BAM’s 2021 Season Will Be Outdoor and On-line

The Brooklyn Academy of Music’s 2021 season will feature a mix of outdoor and public art performances – including concerts for individual viewers – as well as virtual lectures and music, the organization said on Thursday.

While the season is being cut back significantly from the Academy’s usual program, its presence is expanding across Brooklyn. And it’s just another addition to the growing number of live art events slated to take place in New York City more than a year after the coronavirus pandemic closed the city.

In a press release, academy officials said a large public art installation entitled “Arrivals + Departures” would adorn the front of Brooklyn Borough Hall starting Sunday.

“Influences,” contemporary dance on ice skates, will arrive at the LeFrak Center on Lakeside in Prospect Park in April, and some of New York’s notable musicians will be bringing the Brooklyn Navy intimate “1: 1 CONCERTS” curated by Silkroad Court off May. There will also be a pop-up magazine event on the sidewalks of Fort Greene in June.

Later that summer, Aleshea Harris’s “What You Send Up When It Goes Down” will be presented at the Brooklyn Botanic Garden in coordination with Playwrights Horizons. Originally presented by the Movement Theater Company, the play, which Harris described as a ritual, dance party and “a space in the theater that is unrepentant for and about blacks”, was celebrated off Broadway in 2018.

Live virtual events include “Word. Sound. Achievement. “- a hip-hop and spoken word concert – in April and” DanceAfrica “, an African and African-diasporic dance festival in May. Virtual literary talks are also held during spring and summer.

“We have put together a season that will turn some of Brooklyn’s most popular and iconic locations into breathtaking stages,” BAM artistic director David Binder said in a statement. The programmed artists, he added, “have hit the moment and are presenting work in surprising and exciting ways.”

The BAM announcement comes as live performances find their way back onto the city stages, including those that have been redesigned to keep performers and viewers safe.

Last month, the Javits Center hosted the first in a series of “NY PopsUp” concerts that are part of a broader public-private partnership aimed at revitalizing the arts in the state. In New York City, Mayor Bill de Blasio has called for an Open Culture program for the city that will allow outdoor performances on designated streets of the city in the spring.

Lincoln Center also announced a major initiative known as Restart Stages, which will begin in April with performances in 10 outdoor performance and rehearsal rooms. And last week, Governor Andrew M. Cuomo said that plays, concerts and other performances in New York could resume as early as next month with capacity restrictions.

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Health

Easy methods to Train Outside in Chilly Climate

Along the way, start with a base layer made of merino wool, polypropylene, or a material that will wick away water and sweat. These include glove liners, socks and hats that can get wet with sweat and freeze. Next, add a slightly thicker layer of fleece or light wool and top it off with something that breaks the wind. Sunglasses or goggles, as well as a buff, ties that can be pulled over the mouth and nose, protect the face. There are a variety of winter boot options. So be sure to check the temperature rating and traction.

“I buy hand and toe warmers in bulk and have them in my pockets,” said Dr. Katie Eichten, cross-country skier and emergency doctor at the Hayward Area Memorial Hospital in Wisconsin. “I also put one on the back of my phone and put both of them in a medium pocket to make the battery last longer.”

If you are driving into the mountains, your phone can be an especially powerful tool. Dustin Dyer, owner and director of the Kent Mountain Adventure Center, suggests downloading a navigation app like Avenza Maps, Powder Project or Trailforks that contains offline digital maps and uses your phone’s built-in GPS to locate you even if you are not there offer.

SAFETY FIRST Depending on your winter outdoor activity, you should consider special safety training.

Mr. Dyer, who leads backcountry skiers, snowboarders, and ice climbers, recommends CPR training for everyone.

“If you’re an hour away from grooming, spending several days outdoors, or really going offline, you should have Wilderness First Aid,” he said of the certification course. “And everyone who goes to the mountains in winter needs some kind of avalanche training. For most people, avalanche awareness focused on avoidance will be adequate. “

WARM UP (AND COOL DOWN) If you exercise in cold temperatures, your muscles will not be as flexible and you are at increased risk of injury and stress. The cold air also causes the upper airways to narrow, making it difficult to breathe. Breathing through your nose and covering your nose and mouth with a scarf or mask can warm the air before it reaches the lower airway. But both the muscles and the lungs need to warm up for at least 10 to 15 minutes.

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Entertainment

Wool, Sneakers and Neighborhood: Ballet Class Persists Outdoor

Once a week, Amelia Heintzelman puts on two pairs of socks, two pants, and two coats and ventures out to dance rehearsals from her home in Ridgewood, Queens. She only carries a few items like her phone and keys to stop complaining and walks three and a half miles to the edge of the East River in Williamsburg, Brooklyn. She will be dancing outdoors for the next two hours, and the bundled run creates the much-needed warmth.

“I’m very warm when I get there,” she said in a telephone interview. “I try very hard to keep moving and going on.”

Heintzelman, 27, is one of a group of dancers who gather for a weekly class and rehearsal at Marsha P. Johnson State Park on the Williamsburg waterfront. The group was organized by the choreographer Phoebe Berglund, who leads a ballet barre warm-up in white jazz sneakers and a large blue parka. She took shape in August and has met regularly, even when mild days have given way to harsher weather. (For safety and style reasons, the dancers for Phoebe Berglund Dance Troupe wear matching blue satin masks embroidered with the letters PBDT.)

After theaters and studios closed in New York in the spring and many dancers could only train in their living quarters, there was an outbreak of outdoor dance in the summer and early fall, with classes and rehearsals showing up in parks and other public spaces. (Some indoor studios reopened, but with limited capacity.) As temperatures began to drop, outdoor activities subsided. But even in the dead of winter, some artists and teachers insisted on bringing people together to dance in person in the open air.

In this new landscape of outdoor dancing, ballet classes, usually held in studios with barres and sprung floors (good for jumps), have proven particularly tenacious. Across the city, amateur and professional dancers donn sneakers, masks, and many shifts to continue a familiar ritual that for many is essential to maintaining good physical and mental health. While Berglund’s class is for their troupe’s dancers – preparing for their rough rehearsals – other classes are open to the public and have attracted loyal, adventurous followers.

On Sunday afternoons in Central Park, along the way with a view of the Wollman Rink, veteran ballet teacher Kat Wildish offers an hour-long class with live music and welcomes anyone who feels moved. Dianna Warren holds an all-level class on Saturday afternoons at Carl Schurz Park on the Upper East Side. (She suggests getting ballet experience, but mostly “openly.”) And at Brower Park in Crown Heights, Brooklyn, Katy Pyle – the founder of Ballez, a body-positive, queer-friendly ballet company and class – Pro Sneaker Ballez, teaches a 90 -minute session for advanced dancers, once a week.

On excessively cold or wet days, these classes are usually postponed or relocated to Zoom, the virtual place that has so much dance training and rehearsals from the time of the pandemic. But for the most part they held out uninterrupted, a consequence that reflects the dancers’ desire to be physically present together, not penned in their apartments or separated by screens.

“Being with other dancers is the best part of being a dancer,” said 29-year-old Anna Rogovoy, who has been taking part in Pyle’s outdoor class since January. She had attempted to take classes online in her studio apartment but found that the lack of space – coupled with a fear of disturbing her downstairs neighbors – undermined her love of ballet, a form that she has nothing to do with it has to stay calm or small.

“I don’t love ballet for doing little fussy exercises,” she said. “I do all of these things so that I can explode in space and lose control and surprise and find new limits in my dancing.” By the time she took Pro Sneaker Ballez, which culminates in a large allegro (the jumping part of the class) over a basketball court, she hadn’t jumped in five months. When she finally did, she was happy. “Even if I only made 16 changes” – small jumps in place – “I could have cried,” she said.

Pyle, who uses the pronoun, began teaching outdoors in late June after teaching Zoom classes (which they continue to offer) for months and dancing alone on an empty handball court. It was Pride month and Pyle wanted to connect with her community through dance.

“To actually take classes with other people, it makes a big difference,” Pyle said, “in relation to other people’s relationship, other people’s testimony, inspiration from other people, learning, socializing – so many things . “

As the weather got colder, Pyle measured the students’ interest in continuing to dance outdoors. “Everyone said, ‘Let’s move on! I want to go on! ‘We joked about getting snowsuits or sponsorships from REI. “(That did not happen, but Pyle” firmly believed in a base layer of wool “.)

For Wildish, too, the student excitement helped keep her outdoor classes, which she has held almost every Sunday since April, in addition to a full online class schedule. “Everything comes back to the dancers,” she said, speaking through Zoom to Sean Pallatroni, who plays for the class on a battery-powered keyboard he drives to Central Park. “You are really tough.”

Ballet on the sidewalk requires some adjustment in any weather. Wildish notes that it is more difficult to articulate your feet in sneakers (as opposed to soft ballet shoes) and jumping too hard on concrete can cause injury. James T. Lane, 43, a Broadway performer and a regular in the Central Park class, said he did fewer jumps and turns than in a studio to protect his body.

Snow adds another challenge. Lane was one of those who came to the barre – a sturdy railing over the rink – after a heavy snowfall in December. He remembers making room for his feet and starting plies that were less focused on achieving perfection than on the spirit of community movement.

“It’s the gathering, it’s the commitment, it’s the community,” he said. “You’re not going to fly over Central Park in the snow. You will not do everything you ever hoped and dreamed of doing. But you will move your body and this Sunday this Sunday you will participate in an experience that is second to none, and you will be in it together. “

Berglund is not deterred by the snow either. Growing up in Newport, Ore., A fishing village she calls “cold and gray” year round, she loves to dance with the elements.

“Ronds de Jambe in the snow? Boom. You’re just sliding, ”she said, referring to a barre exercise where the foot draws semi-circles on the floor. On a stormy day, the wind kicked the dancers into a series of chaîné turns as they lashed across an open patch of pavement.

“It makes me think about special effects on stage like fog machines, special lights, snow makers, fans,” said Berglund. “We have everything. We all have special effects out there. ”

During her Saturday class at Carl Schurz Park, Warren also appreciates the outdoors. She began teaching outdoors in June while recovering from a severe case of Covid-19 that left her weak for months. The last part of the class – a moment of gratitude known as awe – felt more “sacred” than ever as the dancers bow to a sweeping view of the East River.

“It’s like offering yourself where the water is and up in the air,” she said. “It’s full of grace and gratitude for your body, for your community, for your fellow dancers, for New York City, for the world – for just being here and dancing.”

How to take lessons

For updates on the public classes in this article, follow @ ballez.company, @wildkatnyc, and @diannawarrendance on Instagram. Send an email to ballez.company@gmail.com to join the Ballez class email list.