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Entertainment

Musicians Say Streaming Doesn’t Pay. Can the Trade Change?

An example of this tension is the pop duo Frenship from Los Angeles.

In 2016, the group with Brett Hite and James Sunderland had a breakout hit with “Capsize”, recorded with singer and songwriter Emily Warren. Frenship released the song independently, and it was quickly added to a prominent playlist on Spotify. Capsize hit 40 million streams in 10 weeks and raised $ 150,000 in payments, the group said.

“Spotify made our career possible for us,” Hite said in an interview.

Then the group signed with Columbia Records, which launched a radio advertising campaign centered around “Capsize”. The song failed to break the Top 40 on the Billboard Hot 100 chart, but it remained a steady streaming success, now with around 570 million clicks on Spotify. The band declined to disclose specific details of their time in Columbia – they agreed to confidentiality in their 2018 separation agreement with the label – but Hite glorified his time with the majors with an anecdote about buying a car in the months “Capsize” lifted off.

“I look at BMWs and when I break down, I leased a Honda CR-V,” he said. “I’ll let this be the tale of where our hit brought us from.” The group is now independently preparing its next release.

Columbia declined to comment.

Despite the criticism of the artists of their labels, the contracts with the big record companies have steadily developed in recent years, which benefits the performers. Joint venture deals and shorter engagements are now more common, according to music managers, lawyers, and artist managers.

And the all-important license fee is also increasing. A 2002 study by Steven S. Wildman of Michigan State University that examined hundreds of major label contracts from that time found that artists who received their first contract from a label had, on average, royalties of 15 to 16 percent were offered. Tony Harlow, the managing director of Warner Music UK, told the parliamentary committee in January that the company’s royalties to artists had “increased from 27 to 32 percent” since 2015.

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Health

FDA to suggest ban on menthol-flavored cigarettes, with trade prone to problem

The Food and Drug Administration announced Thursday that it would propose a ban on menthol-flavored cigarettes in the US, which would mean a big blow to future tobacco sales.

Menthol is the last permitted flavor for cigarettes. According to the FDA, menthol cigarettes were disproportionately used by teenagers, black people and low-income groups. The vast majority of black smokers prefer menthol brands of cigarettes, and black men currently have the highest rates of lung cancer in the country.

“With these actions, the FDA will help significantly reduce initiation of adolescents, increase the likelihood of smoking cessation among current smokers, and eliminate health gaps that occur among color communities, low-income populations, and LGBTQ + people, all of which are far more likely are to use these tobacco products, “said Janet Woodcock, acting FDA commissioner, in a press release.

This decision was in response to a 2013 citizen application. A court had ordered a response from the agency by Thursday.

Years until implementation

However, Jefferies analyst Owen Bennett said that proposal would take years to reach a conclusion, as it would need sufficient evidence from both sides, which could be difficult.

“If we see a proposed rule for menthol, it could take years to reach the final rule as a waterproof evidence package would have to be put together … the FDA itself has said in the past that there was not enough evidence,” he said in a report, adding that large tobacco companies might strike back in response, which would mean more time.

This decision was made after years of deliberation by public health officials to help smokers make the transition to less harmful practices such as non-flammable products or smoking cessation altogether.

Menthol cigarettes make up about a third of all cigarettes sold in the United States. The leading brands are Newport, owned by British American Tobacco’s RJ Reynolds, and Kool, owned by Imperial Tobacco’s ITG Brands.

British American Tobacco controls a whopping 66% stake in the menthol market, while Altria has a 26% stake and Imperial an 8% stake, according to a report by Bernstein analyst Callum Elliott.

Altria’s business is less exposed to menthol sales. Elliott estimates that only about 17% of its volume falls into this category. It would be a bigger blow to British American as more than half of its cigarette volume comes from that category, Elliott said.

Imperial Brands said the FDA’s decision was “disappointing” but expected. According to Elliott, menthol makes up about 30% of its volume.

“We believe the rulemaking process will show that there is no clear scientific evidence to support a menthol and flavor ban at the federal level. We hope the FDA will comply with the law and prioritize sound politics and science over political pressure,” said the enterprise.

‘Unintended Consequences’

Marlboro cigarette maker Altria has warned of the possibility of a ban that could create an illegal market.

“We share a common goal of switching adult smokers from cigarettes to potentially less harmful alternatives, but the ban is not working,” Altria said in a statement. “The criminalization of menthol will have serious unintended consequences.”

Reynolds and his parent company British American Tobacco were not immediately available for comment.

The argument against flavors

If implemented, the proposal would be of great benefit to anti-tobacco advocates who have long seen flavored cigarettes as a way for consumers to become acquainted with smoking.

Tobacco product smoking is the leading cause of preventable death in the country, according to the FDA. There are plans to introduce product standards to eliminate menthol in cigarettes within the next year, as well as to eliminate all signature flavors, including menthol, in cigars.

According to the Centers for Disease Control and Prevention, fourteen percent of all American adults smoked cigarettes in 2019. Although smoking rates are similar between black and white populations, black smokers are less likely to quit, which some have attributed to the menthol taste. The mint taste of menthol cools the throat and makes it easier for smokers to tolerate the tobacco taste.

The FDA cited a tobacco control study indicating that a ban could help smokers quit smoking. It pursued behavior after menthol bans were introduced in Canada. The FDA estimates a US ban could cause an additional 923,000 smokers, including 230,000 African Americans, to quit in the first 13 to 17 months.

Last week, the Biden government also announced it was considering limiting nicotine levels in cigarettes. This is another step that the FDA has been pushing for years. However, today’s announcement on menthol cigarettes makes no mention of a reduction in nicotine levels.

Altria and British American Tobacco, Reynolds’ parent company, lost nearly 2% in midday trading.

Read the FDA statement here.

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Business

Remodeled by Covid and Business Shifts, the 2021 Academy Awards Units Off

LOS ANGELES – A surreal 93rd Academy Awards, a televised stage show about films that mainly go online, began on Sunday with Regina King, a former Academy Award winner and director of One Night in Miami, who performed for Dinner strutted club set.

“It’s been quite a year and we’re still in the middle of it,” she said, citing the pandemic and the guilty verdict in the George Floyd murder trial. “Our love of movies helped us get through.”

With a little more preamble, Oscar statuettes were handed out, and Emerald Fennell, a first-time nominee, won Best Original Screenplay for Promising Young Woman, a startling revenge drama. The last woman to win this category alone was Diablo Cody (“Juno”) in 2007.

“It’s so heavy and so cold,” said Fennell of the gilded Oscar statuette in an impromptu speech that took up one she wrote when she was 10 and loved Zack Morris on the television series “Saved By the Bell.” “You said write a speech. I’m going to have trouble with Steven Soderbergh, ”she said.

Christopher Hampton and Florian Zeller won the adapted script award for “The Father” about the devastation caused by dementia. Another Round, about middle-aged men who want to get drunk every day, won an Oscar for International Feature Film (formerly known as Foreign Language Film). The Danish filmmaker Thomas Vinterberg dedicated “Another Round” to his daughter Ida, who was killed in a car accident in 2019.

“Perhaps you’ve pulled some strings somewhere,” said Vinterberg, fighting back the tears.

At the ceremony, there was a possibility that the night might go down in Hollywood history. People of Color were nominated for all four acting awards – an indication that the film industry has made significant reforms. The academy, with around 10,000 members, is still predominantly white and male, but the organization invited more women and people of color to join its ranks after the intense outcry by #OscarsSoWhite in 2015 and 2016, when the incumbent nominees were all white . This year nine of the 20 nominations went to people of color.

As expected, Daniel Kaluuya was named supporting actor for playing the leader of the Black Panther, Fred Hampton, in Judas and the Black Messiah.

“Bro, we’re out here!” Kaluuya shouted solemnly before getting serious and paying tribute to Hampton (“what a man, what a man”) and ending with the cri de coeur: “When they played divide and conquer, we said unite and ascend.”

Hollywood wanted the TV show’s producers to do an almost impossible hat trick. First and foremost, they were asked to create a show that would keep TV ratings from dropping to alarming lows – while also celebrating films that, for the most part, had little audience relevance. The production team, which included Oscar-winning filmmaker Steven Soderbergh (“Traffic”), is also hoping to use the television show to start the theater. This is no easy task when most of the world has been at the box office for more than a year. Ultimately, manufacturers had to integrate live camera feeds from more than 20 locations in order to comply with coronavirus security restrictions.

The Academy of Arts and Sciences for Feature Films had postponed the event, which usually takes place in February, to escape the pandemic. Nevertheless, the red carpet had to be radically reduced in size and the extravagant parties canceled.

Updated

April 25, 2021, 9:14 p.m. ET

For the first time, the Academy nominated two women for best director and recognized Chloé Zhao for “Nomadland”, a bittersweet meditation on grief and the American dream, and Fennell for “Promising Young Woman” for the consequences of sexual assault. The other nominated directors were David Fincher for “Mank,” a black and white love letter to Old Hollywood; Lee Isaac Chung for “Minari,” a semi-autobiographical story about a Korean-American family; and surprisingly Vinterberg for “Another Round”.

Zhao had been hailed for her “nomad land” direction by nearly 60 other organizations, including the Directors Guild of America and the British Academy of Film and Television Arts. In 93 years of the Oscars, only one woman, Kathryn Bigelow, has ever won. (Bigelow was celebrated for directing “The Hurt Locker” in 2010.) The directing category has also been dominated by white men over the decades, which makes the nomination of Chinese Zhao even more significant.

Netflix received its first Oscar nomination in 2014 for The Square, a documentary about the Egyptian revolution. Since then, the streaming giant has dominated the nominations, in large part due to the high spending on price campaigns. It amassed 36 this year, more than any other company, with Mank receiving 10 more than any other film.

But Netflix and its astute price warriors keep snooping in the end.

Last year the company’s hopes were based on The Irishman. Not even one of his 10 nominations was able to convert into a win. In 2019, Netflix pushed “Roma”. It won three Academy Awards, including one for Alfonso Cuarón’s direction, but lost the Grand Prix.

On Sunday, Netflix had two nominees, “Mank” and “The Trial of the Chicago 7”. These films competed with Zhao’s “Nomadland,” a contribution from Searchlight, a division of the Walt Disney Company. The other nominees for best picture were “Sound of Metal”, “Minari”, “Promising Young Woman”, “Judas and the Black Messiah” and “The Father”.

Soderbergh wasn’t your usual Oscar producer, which may make him the perfect pick for this very unusual year. He and his production partners for the event, Stacey Sher and Jesse Collins, avoided Zoom and implemented enough protocols to allow nominees a mask-free environment.

In the run-up to Sunday, Soderbergh repeatedly referred to the show as a three-act film. The television station’s staff included filmmaker Dream Hampton “Surviving R. Kelly” and veteran writer and director Richard LaGravenese (“The Fisher King”). Moderators were referred to as “performers”. These included Zendaya, Brad Pitt, and Bong Joon Ho, last year’s best director winner.

The ceremony usually included performances of the five pieces that were nominated for best song. Not this year. These were brought from the main stage to a preshow that allowed them to be performed in their entirety.

That year, however, the academy decided to hand out two honorary Oscars during the main show. (Since 2009, honorary statuettes have been awarded during a non-televised fall banquet.) The non-profit film and television fund that draws technicians for a nursing home and retirement village for aging and sick “industrial” people (actors, executives, choreographers, lighting) , Cameramen), received one. Founded in 1921 by stars like Mary Pickford and Charlie Chaplin, the organization also offers a wide range of other services to Hollywood seniors.

The second went to Tyler Perry, whom the Academy described as “a cultural influence that goes well beyond his work as a filmmaker.” Perry, of course, began his entertainment career as a playwright. Since the end of his popular nine-film series “Madea” in 2019, Perry has focused on producing TV shows such as “Bruh”, “Sistahs” and “The Oval” for BET. He owns a studio in Atlanta.

The Dolby Theater, home to more than 3,000 people and which has hosted the Academy Awards since 2001, wasn’t the epicenter of the television broadcast. That year, an Art Deco Mission Revival train station in downtown Los Angeles served as the main venue and only the nominees and their guests attended.

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Business

What Snoop Dogg’s Success Says Concerning the E book Business

When fears for their industry turned to a baffled optimism last year, publishers began rethinking almost everything they had once taken for granted, from nurturing new literary talent to the way they market books and to sell. Live literary events like signatures and author appearances have been replaced with Zoom, as with so many things. BookExpo, the largest gathering of publishing professionals in the United States, which usually took place in May and attracted thousands of booksellers, publishers, editors, agents, authors and librarians to the Javits Center in New York, has been canceled. The convention center is now used as a mass vaccination center.

“One of the most important things that will change is the reassessment of everything we do and how we do it,” said Don Weisberg, Macmillan’s general manager.

The loss of live authoring events has all but wiped out a significant source of income for bookstores. Virtual events can attract a larger and more geographically diverse crowd and are cheaper for publishers, but online audiences often do not buy the book from the store where it is hosted.

Gayle Shanks, co-owner of Changing Hands in Phoenix and Tempe, Arizona, said the store only sold half a dozen books at virtual book events. At a really good virtual event, they could sell 150 copies – but the same author could personally sell 1,000. Some publishers have started paying their businesses to host virtual events, usually between $ 200 and $ 500, which is roughly what they would make if they sold 20 to 50 books, she said.

Like the big retailers, independent bookstores were flooded with online orders, a welcome spike in business when their doors closed, but one they were poorly set up to manage – some stores were dropping maybe a dozen orders a day last spring to hundreds over. For many of them, online sales growth was still insufficient.

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Entertainment

Did the Music Trade Change? A Race ‘Report Card’ Is on the Manner.

Last summer, as the protests over the death of George Floyd raged, the music industry began to look closely at itself in terms of race – how it treats black artists, how black workers at music companies fare, how fair money across the board Company flows.

Major record companies, streaming services, and broadcasters have pledged hundreds of millions of dollars in donations, convened task forces, and promised to take concrete steps to diversify their ranks and correct inequalities. Artists like Weeknd and BTS donated money to support social justice, and Erykah Badu and Kelis signaled their support for economic reform in the music industry.

Everything seemed to be on the table. Even the term “urban” in radio formats and marketing – a racist euphemism for some, a sign of pride and sophistication for others – has been scrutinized. However, there was still great skepticism about whether the company was really determined to make significant changes, or whether its donations and lofty statements were more a matter of crisis PR

The Black Music Action Coalition, a group of artist managers, lawyers, and others, was formed last summer with the aim of holding the industry accountable. A “Testimony” is due to be released in June showing how well the various music companies have kept their promises and commitments to progress.

The report details the steps companies have taken towards race parity and tracks whether and where promised donations have been made. It also examines the number of black executives in leading music companies and the power they hold, as well as the number of black people sitting on their boards. Future reports will delve deeper into issues like industry equality itself, said Binta Niambi Brown and Willie Stiggers, aka Prophet, the coalition co-chairs in an interview this week.

“Our struggle is way bigger than just whether or not you wrote a check,” said Prophet, an artist manager who works with Asian Doll, Layton Greene, and other acts. “But the fact that you said you would write a check, we want to make sure that money was actually given and that it went to a place that actually hit the veins of the black community.”

The report, written by Naima Cochrane, a journalist and former label manager, is based on the annual media studies by advocacy group GLAAD, which track the depiction of LGBTQ characters in film and television and assign ratings to the various companies behind them. It is scheduled to be released June 19 through June 19, the annual public holiday marking the end of slavery in the United States.

The coalition’s public statements have made it clear that it sees itself as a stern and unwavering judge of the music industry, which has a dark history of exploiting black artists, despite the fact that black music has long been and remains its most important product. Last summer, an online campaign called #BlackoutTuesday produced painful comments that many black executives still feel are marginalized to this day, depending on white supervisors who are more empowered and make more money.

Brown, a label manager and artist manager, said the goal of the report was not punishment, but encouragement.

“We want to do it in a way that is more carrots than whip so we can continue to incentivize good behavior,” she said. “We want to hold people accountable, not cancel.”

Most major music companies have hired diversity officers and promoted some top black executives to positions equivalent to their white counterparts, although there are still only a handful of blacks at the top of the board.

A number of outside studies were also commissioned to examine diversity within the industry, including one from the Annenberg Inclusion Initiative at the University of Southern California and another from the Recording Academy, Berklee College of Music, and Arizona State University about Women in Music.

However, there has been relatively little public debate about how to look at artist contracts, including those from past decades, and how to cure unfair terms.

One company, BMG, examined thousands of contracts and found that out of 15 catalogs it owns that contain rosters of both black and non-black artists, 11 showed no evidence of racial discrimination. Among the four companies, the company found a “statistically significant negative correlation between being black and lower registered license fees” of 1.1 to 3.4 percentage points. BMG has promised to take action to correct this inequality.

These deeper issues of fairness in the music industry could be addressed in future coalition reports. They currently limit their scope to whether promises have been kept.

“Racism is a 400 year old problem,” said the Prophet. “We didn’t think it would be resolved in 12 months.”

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Business

The auto business ‘has to maneuver’ on electrification, sustainability

Sustainability has found its way onto the dashboard of many company executives, and the money will follow – especially in the electric vehicle space, when investment trends and R&D commitments play a role.

“ESG (environmental, social and corporate governance) has become a priority for our industry, not only because of the long-term impact of emissions, but also because … the quality of the governance problem,” said Makoto Uchida, CEO of Nissan , across from CNBC’s “Street Signs” Europe Tuesday.

“And the ESG has a significant impact on how we as an automaker do our business. Of course, over the past few decades the industry has come under significant pressure from government and society to be more sustainable, but with a more conscious consumer,” said Uchida said, has “more emphasis on areas like electrification, autonomy and connectivity which I think the industry needs to evolve.”

Nissan recently announced it would be carbon neutral by 2050 and plans to electrify 100% of its new vehicles by the early 2030s. The all-electric Nissan Leaf sold 500,000 units in 2020, a car the company has been producing since 2010.

Investing in electric vehicles and electric vehicle components appears to be on a runway. California-based investment firm Wedbush predicts EV shares could rise up to 50% this year, emphasizing that there is more than just Tesla room in the market. In 2020, market research firm Fortune Business Insights valued the EV industry at around $ 250 billion.

EV components and materials will also grow in importance. Goldman Sachs highlighted six electric vehicle battery specialists with significant upside in a February release.

“There is a business imperative”

For Mario Greco, CEO of Zurich Insurance and founding member of CNBC’s ESG Council, there really is no other option but to pursue ESG solutions in the face of climate change.

“There’s a deal,” Greco told CNBC. “The most important thing is to work on prevention. Insuring the climate risk again is expensive and will become more expensive.”

Zurich Insurance has set new climate targets for its investments and activities to become a net zero carbon business by 2050.

“We have to change the industrial sector and our societies,” said the CEO. “And insurance can support this change – what insurance cannot do is just pay for the damage caused by climate change. But the change in industrial sectors and the change in the way we live today, we will live and we will do it.” be happy to keep moving forward. “

Insuring against climate risks will be a major challenge as weather events become more extreme. In this context, it is necessary “to work on prevention and to convert these risks into different business models,” said Greco.

But none of this means fossil fuels are going away anytime soon. In fact, the demand for fossil fuels will increase significantly in the coming years as the urban population continues to boom.

To counter this, Greco said, “I think we need to embed the cost of carbon in the pricing mechanism – today, pricing has no bearing on the final price of any good we buy. We need to embed this entirely in the cost of the goods and merchandise.” this will accelerate and facilitate the transformation of the oil industry. “

– CNBC’s Sam Shead contributed to this report.

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Business

The Watch Business Lacks Transparency. That Is Altering.

The Swiss have long had a reputation for being discreet in business life. (Think banks). And their watch industry is no different.

However, growing pressure from activists, investors and consumers on environmental and ethical accountability has convinced some brands that the time has come to reveal where they source some of their raw materials.

They are fighting the deeply ingrained tradition of discretion in the industry, a practice born out of watchmakers’ fear that identifying suppliers will reveal details of their expertise and give competitors an edge.

However, many are kept secret for a completely different reason: They are reluctant to admit that their “Swiss Made” watches contain numerous components made in China. These are not legal concerns: According to Swiss law, at least 60 percent of the manufacturing costs of a product must be incurred in the country in order for it to qualify for the label.

Rather, it is at least partly a branding issue: “Swiss Made” has long been associated with quality, precision and value and is an essential part of the marketing strategies of most Swiss watchmakers. Will that be undermined if the products are not exclusively of Swiss origin?

“The real transparency challenge facing the watch industry goes beyond these important issues, supply chain ethics – it’s the integrity of Swiss Made,” said Jean-Christophe Babin, Bulgari General Manager, in a video call earlier this month. “When you find watches for 500 Swiss francs [$530] If you claim to be Swiss with mechanical movements, you can assume that there is a miracle behind it. Because I’ve never done it before and have been in the Swiss watch industry for 20 years. “

Brands at the prestigious end of the watchmaking spectrum, for whom the Swiss Made edition is less of a problem because they make their own parts or buy them from Swiss suppliers, face a different challenge: the need to demonstrate their commitment to sustainability and ethical sourcing.

They are also being driven by a number of other factors – industry changes caused by the pandemic and digital growth, a new generation of executives, public pressure – to displace long-standing ideas about the way they do business. including the value of, reconsidering working with fellow watchmakers.

For consumers, the emerging spirit of openness in the industry means unreachable information such as: B. Where brands get their gold from and how they make their timepieces more available. Some watchmakers even go out of their way to share this.

For example, during the virtual watch fair in Geneva, which began on April 7, Panerai unveiled the Submersible eLAB-ID, a 44-millimeter wristwatch made almost entirely from recycled raw materials, including recycled Super-LumiNova on the hands and recycled Silicon is its movement inhibitor and a recycled titanium alloy known as EcoTitanium is on its case, sandwich dial and bridges.

In a press release, the brand named the nine companies that worked on the watch, which will remain a unique concept watch until 2022, when Panerai plans to release a limited edition of 30 pieces, each priced at around 30 pieces tentatively are 60,000 euros. “We’d like to be copied and improved,” said Jean-Marc Pontroué, Panerai’s managing director, during a video interview last month.

Mr Pontroué said the value of making a recycled watch is in the ability to “make noise” in order to put the collective effort into making it.

“The watch will be limited to 30 pieces. It won’t change the life of Panerai or the watch industry, ”he said. “But the idea is to create a new business that makes these companies stand out and can be approached by any of our competitors.”

Similarly, in November, Ulysse Nardin unveiled an upcycled concept watch called Diver Net, which features a case and bezel made from recycled fishing nets and a bracelet made from recycled plastic taken from the ocean. The company announced the names of its suppliers in press materials.

“We didn’t try to pretend we could do it ourselves,” said Patrick Pruniaux, Ulysse Nardin General Manager. “You have to do things that inspire others.”

This philosophy is also represented by parent company Kering, the Paris-based luxury group that also includes Gucci, Boucheron and ten other companies High-profile brands – this has made a name for itself for transparency and activism in a sector that is not known for either quality.

Kering has taken this route, at least in part, because it keeps an eye on what its buyers – and potential future buyers – want.

“All over the world,” said Marie-Claire Daveu, Kering’s chief sustainability officer, on a video call last month, “they have millennials and Gen Z.” [customers] ask more questions and want more answers in more detail. “

Claudio D’Amore, a Lausanne-based watch designer, is one of the few Swiss watch managers to welcome such a test. In 2016, he founded a crowdfunding brand called Goldgena Project, later renamed Code41, whose radical approach to transparency was a response to the long simmering debate in the industry about the Swiss Made label.

Mr. D’Amore created his own label called TTO for Total Transparency on Origin. And Code41 is just as transparent about another sensitive issue: pricing.

On their website, the brand included a table listing all of the components and processes of their latest crowdfunded watch, the NB24 Chronograph, as well as their prices and origins. For example, the watch’s Swiss movement cost the company $ 1,056 (including tax), while the Chinese-made titanium case, dial, and packaging were $ 167, $ 56, and $ 22, respectively. The total cost of the watch to manufacture was $ 1,474.

Below the table, the brand stated that it had hit a retail price of $ 3,500 by adding something called a “minimal markup” for profitability.

“At first some people didn’t like us explaining everything,” D’Amore said on a video call last month. “But we also got a lot of positive comments from people who encouraged us, ‘It’s time someone told us how it works.'”

Even the most established brands in the Swiss watch trade understand this message.

According to IWC Schaffhausen, visitors to the website will be able to click an icon or logo on any product page through July for information on the steps that are being taken to ensure that the materials have been responsibly sourced.

The information is part of the latest sustainability report from IWC. What is new is how easy online access will be, said a spokeswoman.

Chopard is another well-known watchmaker who is making an effort to make its business more transparent. In late February, the Geneva-based brand updated its website with more information on its commodities, including gold from the Barequeros, a community of artisanal miners in the Chocó region on Colombia’s Pacific coast. For the first time, the Code of Conduct for Partners was also published.

However, Juliane Kippenberg, a Berlin-based mineral supply chain expert at Human Rights Watch, says these measures are still not meeting the needs of other sectors such as the apparel industry to create transparency, particularly on the complex issue of gold sourcing.

“Big companies like Adidas and H&M publish Excel spreadsheets listing the names of the clothing factories that make their products,” said Kippenberg. “But there is far more reluctance to do this in this sector.” (Of course, these companies aren’t immune to controversy either; H&M, for example, is embroiled in one over its cotton sourcing.)

This hesitation may be because many watchmakers still fear the threatening effects of transparency on their intellectual property.

“Part of our know-how is the know-how and the how – why should you share it?” said Wilhelm Schmid, managing director of A. Lange & Söhne, a renowned watchmaker from the German city of Glashütte.

From Ms. Kippenberg’s point of view, however, the information she wants to see has nothing to do with the characteristic technical or artistic details of a watch. “It’s about the conditions under which the material is mined and processed and the actors in the supply chain,” she said. “There is also a broader question of accountability. Transparency is the only way to ensure that human rights violations can be prevented or addressed. “

Like it or not, the greatest watchmakers in Switzerland may soon no longer have a choice.

In November, Swiss voters rejected the Responsible Business Initiative, a proposal by a civil society coalition that would require Swiss companies to carefully review their human rights and environmental risks in their supply chains and publish their reports. A counter-proposal by the Swiss parliament, according to which companies must ensure the traceability of their supply chains and make their reports publicly available for 10 years, is expected to come into force in 2022.

That means even the notoriously narrow Rolex, the world’s top-selling brand – a Morgan Stanley report on Swiss watches published last month found the company now has an estimated 26.8 percent market share – needs to be more transparent about its business.

“You can’t claim to be a private company because nobody asks your trade secrets,” said Milton Pedraza, executive director of the New York City-based Luxury Institute. “You will have to answer. There is no place to hide. “

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Business

Crypto trade to get first main U.S. stadium with Miami-Dade County approving FTX for Warmth dwelling

Milwaukee Bucks’ Giannis Antetokounmpo # 34 heads to the basket against Bam Adebayo # 13 of Miami Heat in the second half at the American Airlines Arena on March 2, 2020 in Miami, Florida.

Michael Reaves | Getty Images

A city trying to rename itself as the center of the crypto world could soon have a cryptocurrency exchange in the stadium of its NBA franchise.

FTX has won the naming rights for the entertainment venue currently known as the American Airlines Arena, which is home to the Miami Heat. The deal, which was approved by the Miami-Dade Board of County Commissioners on Friday, has a term of $ 135 million over 19 years.

The NBA has yet to approve the deal before it becomes official, FTX CEO Sam Bankman-Fried said in an email. The NBA did not immediately respond to requests for comment. The Heat declined to comment.

The company now has a long and sometimes checkered history of companies with stadium naming rights. Some brands, like Gillette and the New England Patriots or Staples Center and the Los Angeles Lakers, become synonymous with their franchises.

For other companies, however, the naming rights served as billboards reminding audiences of their struggles. The sports authority was forced to forego its sponsorship of the NFL’s Broncos Stadium after it went bankrupt in 2016.

Enron is known to have the rights to the MLB’s Houston Astros Stadium before an accounting scandal brought the company to a standstill. And in Oklahoma City, Chesapeake Energy’s branding is still in the basketball arena for the NBA’s Thunder, even after the company filed for bankruptcy last year.

The dot-com era two decades ago offers even more fodder for misnamed naming rights. Tech company CMGI was the original sponsor of what would become the Gillette Stadium, but had to cut that agreement after a CNN report at the time after stocks were replenished. The now dissolved companies Adelphia and PSINet also had naming rights for the NFL stadium at the turn of the century.

Politicians and business leaders in the Miami area have worked over the past year to make the company a welcoming environment for tech and crypto firms. Francis Suarez, the mayor of the city of Miami, told CNBC last month that Miami “positioned us as one of the most tech-friendly cities in America” ​​and announced that city workers could choose to be paid in Bitcoin.

Many of the commissioners and Miami-Dade County’s mayor Daniella Levine Cava praised the agreement that funds from the deal could be used for initiatives to curb poverty and armed violence. Some of the commissioners, including Rebeca Sosa, raised concerns about granting the rights to a young company with limited US presence, but the deal was overwhelmingly accepted.

FTX is a non-US international cryptocurrency exchange that has more products than its FTX US counterpart. Bankman-Fried said the two were separate companies and that he was the majority shareholder of both.

The Miami Heat has been one of the most successful NBA franchises in recent years. Since 2010, it has appeared in five NBA finals and won two titles.

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Health

Journey trade urges White Home for plan to elevate worldwide Covid-19 journey restrictions

COVID-19 vaccination card issued by the Centers for Disease Control

Bill Clark | CQ Appeal, Inc. | Getty Images

U.S. airlines and more than two dozen other industry groups on Monday called on the Biden government to work out a plan by May to lift international travel restrictions, including standards for digital vaccination records, after cross-border travel was destroyed by the Covid pandemic .

Airlines for America, which represents major US carriers like American, United, Southwest, and others, have one letter Jeffrey Zients, the White House’s Covid-19 Response Team coordinator, said the guidelines should exempt vaccinated individuals from international testing rules.

Among other things, the groups urged the Centers for Disease Control and Prevention to update their guidelines to say vaccinated people can travel safely, according to a copy of the letter viewed by CNBC.

“To be clear, we do not currently endorse the repeal or relaxation of key public health safeguards such as the universal mask mandate, in-depth international testing requirements, physical distancing, or any other measure that would make travel safer and the transmission of life Virus, “said the letter, which was also signed by the US Chamber of Commerce, the largest flight attendant union and other industry groups. “However, the data and scientific evidence show that the right public health measures are now being taken to effectively mitigate risk and enable entry restrictions to be lifted safely.”

Most non-US citizens who have recently been to Europe, the UK and Brazil have been banned from entering the US since March last year, when then-President Donald Trump introduced the rules as Covid-19 spread around the world . In January, President Joe Biden expanded entry restrictions and added South Africa to the list as infections and new, more contagious varieties emerged

The group also called on the White House to set standards for digital health records that immigration officials can use to show evidence of vaccinations or test results.

Meanwhile, airlines and officials have been looking for ways to use digital vaccines or health passports to boost travel and eventually replace travel restrictions. The European Union last week proposed a digital health certificate with a QR code that contains vaccine and Covid-19 test results.

Ed Bastian, Delta Air Lines CEO, told NBC Nightly News last week that he expects digital vaccine passports to be required for international travel.

The White House declined to comment, citing a recommendation against travel that CDC director Dr. Rochelle Walensky had given on Monday.

“Now is not the time to travel,” she said at a press conference.

“We are concerned not only with what happens when you are on the plane yourself, but also with what happens when people travel, that is, they go out, they mingle, they mingle with people who are not vaccinated “, she said.

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The Auto Business Bets Its Future on Batteries

“Today’s batteries are not competitive,” said Jagdeep Singh, general manager of QuantumScape, based in San Jose, California. “Batteries have enormous potential and are vital to a renewable energy economy, but they need to get better.”

For the most part, all of the money that goes into battery technology is good news. Capitalism is working to solve a global problem. However, this reorganization of the auto industry will also claim some victims, such as the companies that build parts for cars and trucks with internal combustion engines, or the automakers and investors who rely on the wrong technology.

“Battery innovations are not overnight,” said Venkat Srinivasan, director of the Argonne National Laboratory’s Collaborative Center for Energy Storage Science. “It can take many years. All kinds of things can happen. “

Most experts are certain that the demand for batteries will boost China, which refines most of the metals used in batteries and produces more than 70 percent of all battery cells. According to predictions by Roland Berger, a German management consultancy, China’s influence on battery production will diminish only slightly over the next decade despite ambitious plans to expand production in Europe and the US.

Battery production has “profound geopolitical implications,” said Tom Einar Jensen, managing director of Freyr, which is building a battery factory in northern Norway to harness the region’s abundant wind and hydropower plants. “The European auto industry does not want to rely too much on imports from Asia in general and China in particular,” he added.

Freyr plans to raise $ 850 million as part of a proposed merger with Alussa Energy Acquisition Corporation, a Shell company that sold shares before it had assets. The deal, announced in January, would bring Freyr to the New York Stock Exchange. The company plans to manufacture batteries using technology developed by 24M Technologies of Cambridge, Massachusetts.

The first priority for the industry is to make batteries cheaper. Electric car batteries for a midsize vehicle cost about $ 15,000, or about twice the price that electric cars need for mass adoption, Srinivasan said.