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Entertainment

HBO and HBO Max Subscribers Seen Reaching 73 Million in 2021

AT&T may not want HBO Max anymore, but the streaming platform is gaining traction with customers.

HBO and HBO Max, home to genre-bending franchises such as “Game of Thrones” and “The Sopranos” and Hollywood blockbusters like “Wonder Woman 1984,” have added 10.7 million customers in a little over a year, with 2.8 million coming in the three months ending in June, AT&T reported on Thursday. Those figures include both HBO Max and the HBO TV channel.

The company has 67.5 million subscribers to HBO and HBO Max, with 47 million in the United States. AT&T, which has struck a deal to sell its media businesses, expects HBO and HBO Max will have between 70 million and 73 million customers by the end of the year, exceeding earlier predictions.

Netflix, the most popular streaming service, has 209 million subscribers, with about 66 million in the United States. It gained customers in the second quarter, but growth has considerably slowed and it lost 430,000 subscribers across the United States and Canada, a sign that cracks are beginning to show in the streamer’s long-held dominance.

Speaking on the broader streaming industry, Jason Kilar, the chief executive of AT&T’s media arm, WarnerMedia, said in an interview: “The only thing I can promise you is change. There is no doubt that change is coming, and that’s appropriate because we live in a dynamic time.”

WarnerMedia, which includes CNN, the Warner Bros. film and television studios and the Turner cable networks, is about to become the property of Discovery Inc., as media companies continue to gobble each other up in an effort to take on Amazon, Apple, Facebook and Google. The deal, which is expected to close around the middle of next year, will create the second-largest media business in the United States, behind the Walt Disney Company and ahead of Netflix and NBCUniversal.

Mr. Kilar, who learned of the acquisition only weeks before it would be announced, could be out of a job after the deal closes.

Both companies are prohibited from working together until the merger is approved by government regulators, including striking any employment agreements. Still, such deals often involve tacit arrangements about leadership. Mr. Kilar said that he had met socially with David Zaslav, the head of Discovery, but that he hadn’t broached the topic of his employment.

“David and I have known each other for a long time,” he said, “and I think it’s fair to say there’s a lot of shared respect between the both of us.”

Mr. Kilar, who took charge of the company only 15 months ago, said he did not have plans to step away.

“There will be a point where I pick my head up next year where I think about this topic,” he continued. “But I certainly don’t intend to do it until 2022.”

Mr. Kilar, who was the founding chief executive of Hulu, is considered within Hollywood to be a bit of an iconoclast. In 2011, he broadsided the industry with a now-famous manifesto on the future of entertainment that, to many, came across as a blistering critique of Hulu’s corporate ownership.

The post panned traditional TV for running far too many commercials. Mr. Kilar also blasted cable, predicting that viewers would eventually drop expensive packages.

After Mr. Kilar joined WarnerMedia, he quickly shuffled the executive ranks and cut costs in an effort to streamline the business.

Then he angered Hollywood (again) by breaking with tradition and releasing the entire 2021 lineup of Warner Bros. films on HBO Max on the same day they were scheduled to appear in theaters. The move would have cost some of Hollywood’s biggest players back-end profits — the commission that top-flight producers and stars earn based on box office receipts — but the company quickly worked out deals to make sure they would be paid.

Unlike Netflix, Disney+ and HBO Max and other new entrants into streaming have legacy agreements with cable distributors and Hollywood studios that prevent a more full-throated approach to making films and TV shows immediately available online.

For Mr. Kilar, the move wasn’t about upsetting Hollywood, but rather was part of a larger strategy to goose HBO Max.

It seems to have worked. The release of made-for-the-big-screen spectacles like “Godzilla vs. Kong” on HBO Max helped to increase the service’s customer rolls.

Mr. Kilar intends to keep up that strategy through 2022. Warner Bros. will release 10 films exclusively for the streaming platform. And big-budget films like “The Batman,” a reimagining of the comic book character starring Robert Pattinson, will have relatively short windows in theaters of 45 days before they show up on HBO Max, according to Mr. Kilar.

“That’s very, very different than the way the world operated in 2019,” he said. “Ultimately, I do think that as long as you’re thoughtful about it, change could be very, very good for not only the customers but also the people we get to work with.”

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Business

HBO Max Positive factors Traction in a Crowded Area

AT&T added 2.7 million new customers to HBO and HBO Max in the first quarter. This is a boost for the company’s new streaming endeavors in an increasingly crowded area.

The company’s WarnerMedia division, which also includes HBO, had sales of $ 8.5 billion for the period. This is a 9.8 percent increase over the previous year, when theater and advertising revenues fell during the pandemic. Under the direction of Jason Kilar, WarnerMedia also owns the cable networks CNN and Turner and the film studios Warner Bros.

HBO is the cornerstone of AT & T’s media strategy, and the company sees HBO Max as a way to deter its cellular customers from fleeing and is offering the streaming platform to its phone customers at a discount.

In its report for the first quarter of the year, AT&T stopped disclosing the number of active HBO Max users, thereby masking how many people are actually tuned to the new streaming service.

AT & T had a total of 44.1 million subscribers to HBO and HBO Max in the USA at the end of March, an increase of 2.7 million compared to the previous quarter. Before it stopped breaking out of HBO Max subscriptions in December, there were 41.5 million subscribers as of December: 17.1 million for the streaming service, 20 million for HBO over cable and the rest of hotels or other offerings.

HBO Max most likely made the profit for the quarter, which is remarkable given the competitiveness of the streaming universe. HBO Max is also the most expensive of the major streaming platforms at $ 15 a month. Netflix, which posted profits on Tuesday, continues to lead the way with 67 million customers in the US and nearly 208 million total.

Netflix’s dominance has declined, also due to new entrants in the market like HBO Max and Disney +. Netflix added four million new subscribers in the quarter, a little over 400,000 in the US.

Netflix has attributed the comparatively slow growth to the slowdown in production when Hollywood studios largely stopped producing shows and films during the pandemic. The company anticipated a more successful second half of the year as recurring favorites and highly anticipated films become available.

HBO Max most likely received a boost from an unorthodox strategy championed by Mr. Kilar: sibling Warner Bros. plans to release their entire line of 2021 films on HBO Max the same day they are due to hit theaters. The announcement rumbled across Hollywood, disgruntled agents and filmmakers who had lost important bonuses and commissions by shorting out the old theatrical release schedule.

Mr Kilar said the company will likely return to a more traditional sales plan next year. For the remainder of 2021, he’s betting on the film, which includes the recent releases of “Zack Snyder’s Justice League” and “Godzilla vs. Kong,” as well as the Friday premiere of “Mortal Kombat” to drive people to HBO max.

The company is also planning a global expansion of HBO Max starting June, as well as a lower-cost version of the service that will include commercials. The company has approximately 19.7 million overseas HBO customers whom it plans to convert into HBO Max subscribers.

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Business

HBO Max Plans International Enlargement: Stay Updates

Here’s what you need to know:

Credit…Kevin Lamarque/Reuters

Lawmakers on Friday debated an antitrust bill that would give news publishers collective bargaining power with online platforms like Facebook and Google, putting the spotlight on a proposal aimed at chipping away at the power of Big Tech.

At a hearing held by the House antitrust subcommittee, Microsoft’s president, Brad Smith, emerged as a leading industry voice in favor of the law. He took a divergent path from his tech counterparts, pointing to an imbalance in power between publishers and tech platforms. Newspaper ad revenue plummeted to $14.3 billion in 2018 from $49.4 billion in 2005, he said, while ad revenue at Google jumped to $116 billion from $6.1 billion.

“Even though news helps fuel search engines, news organizations frequently are uncompensated or, at best, undercompensated for its use,” Mr. Smith said. “The problems that beset journalism today are caused in part by a fundamental lack of competition in the search and ad tech markets that are controlled by Google.”

The hearing was the second in a series planned by the subcommittee to set the stage for the creation of stronger antitrust laws. In October, the subcommittee, led by Representative David Cicilline, Democrat of Rhode Island, released the results of a 16-month investigation into the power of Amazon, Apple, Facebook and Google. The report accused the companies of monopoly behavior.

This week, the committee’s two top leaders, Mr. Cicilline and Representative Ken Buck, Republican of Colorado, introduced the Journalism and Competition Preservation Act. The bill aims to give smaller news publishers the ability to band together to bargain with online platforms for higher fees for distributing their content. The bill was also introduced in the Senate by Senator Amy Klobuchar, a Democrat of Minnesota and the chairwoman of that chamber’s antitrust subcommittee.

Global concern is growing over the decline of local news organizations, which have become dependent on online platforms for distribution of their content. Australia recently proposed a law allowing news publishers to bargain with Google and Facebook, and lawmakers in Canada and Britain are considering similar steps.

Mr. Cicilline said, “While I do not view this legislation as a substitute for more meaningful competition online — including structural remedies to address the underlying problems in the market — it is clear that we must do something in the short term to save trustworthy journalism before it is lost forever.”

Google, though not a witness at the hearing, issued a statement in response to Mr. Smith’s planned testimony, defending its business practices and disparaging the motives of Microsoft, whose Bing search engine runs a very distant second place behind Google.

“Unfortunately, as competition in these areas intensifies, they are reverting to their familiar playbook of attacking rivals and lobbying for regulations that benefit their own interests,” wrote Kent Walker, the senior vice president of policy for Google.

Union members canvassing at the Amazon fulfillment center in Bessemer, Ala.Credit…Lynsey Weatherspoon for The New York Times

Senator Marco Rubio of Florida became the most prominent Republican leader to weigh in on the unionization drive at the Amazon warehouse in Bessemer, Ala., with a surprising endorsement of the organizing effort on Friday.

“The days of conservatives being taken for granted by the business community are over,” Mr. Rubio wrote in an opinion piece published in USA Today.

“Here’s my standard: When the conflict is between working Americans and a company whose leadership has decided to wage culture war against working-class values, the choice is easy — I support the workers,” he continues. “And that’s why I stand with those at Amazon’s Bessemer warehouse today.”

More than 5,800 workers at the Amazon warehouse, outside Birmingham, are voting by mail this month to decide whether to join the Retail, Wholesale and Department Store Union. Last week, President Biden posted a video message on Twitter referring to the vote in Alabama and espousing on the importance of unions in helping build the middle class, while excoriating employers who interfere in unionization efforts. He did not mention Amazon by name, but his remarks followed reports that the online retailer was engaged in aggressive anti-union tactics.

“We welcome support from all quarters,” the union’s president, Stuart Appelbaum, said in a statement. “Senator Rubio’s support demonstrates that the best way for working people to achieve dignity and respect in the workplace is through unionization. This should not be a partisan issue.”

Mr. Rubio, who recalls marching in a union picket line with his father, a hotel bartender, accused Amazon of expressing “woke” values, while bowing to Chinese censorship. And he warned the company not to expect Republicans to come to its rescue and condone its anti-union efforts.

“Its workers are right to suspect that its management doesn’t have their best interests in mind,” Mr. Rubio wrote. “Wealthy woke C.E.O.s instead view them as a cog in a machine that consistently prioritizes global profit margins and stoking cheap culture wars. The company’s workers deserve better.”

A recut of “Justice League” by Zack Snyder is among the films available on HBO Max as AT&T looks to build out its streaming service.Credit…Warner Bros. Pictures

HBO Max is going global.

The new streaming platform, currently only available to U.S. subscribers, will launch in 61 other markets starting in June.

The company also plans to launch an advertising-driven streaming service in the United States at the same time. The announcements came Friday as part of a broader presentation outlining a set of goals for AT&T, which owns HBO.

The company hopes to reach between 120 million and 150 million total customers for HBO Max and its traditional HBO TV channel by the end of 2025, a more ambitious target compared with its previous goal of 75 million to 90 million.

The company also expects between 67 million and 70 million customers by the end of 2021. It had 61 million as of the end of December, but the number of people actually watching HBO Max is much smaller. About 41.5 million customers are in the United States, and of that group about 17.2 million have HBO Max accounts. That suggests that of the company’s new subscriber target, not all of them will necessarily be streaming HBO Max.

The company has a complicated setup around HBO Max. People can sign up for the service directly, and those who already pay for the premium cable channel through their cable or satellite provider also have access, but not everyone has set up their streaming account. The service is also offered for free or at a reduced price to AT&T’s wireless customers.

The jump into international markets shows how aggressively AT&T needs to expand its streaming enterprise. The addition of an advertising-based service means the company sees an opportunity to capture the ad dollars that have started to move away from traditional television. It’s unclear if the ad-supported version will be free or whether it will only be available at a reduced price from HBO Max’s current $15 per month cost.

Jason Kilar, the chief executive of WarnerMedia, the unit that manages HBO, said the service is expected to start making money after 2025. It should generate about $15 billion in sales by that year, he added.

HBO Max has become a key part of AT&T’s overall strategy to keep and grow mobile customers, so losing money is less of an immediate concern if it helps AT&T retain its core wireless subscribers. Mr. Kilar emphasized HBO Max’s value to the phone business, citing that 25 percent of HBO Max customers have come via AT&T.

He ended his presentation with a cliché from the Warner Bros. film archives: “It’s the beginning of a beautiful friendship.”

Simon Hu, the chief executive of Ant Group, at a conference in Shanghai in September. Mr. Hu asked to resign for personal reasons, the company said.Credit…Cheng Leng/Reuters

The chief executive of Ant Group, the Chinese internet finance giant, has stepped down, the company said on Friday, a move that came in the middle of a business overhaul meant to address regulators’ concerns about its rapid growth.

Ant said its chief executive, Simon Hu, had asked to resign for personal reasons. The company’s chairman, Eric Jing, was named as Mr. Hu’s replacement, effective immediately. Mr. Jing, who will remain Ant’s chairman, previously served as chief executive until December 2019, when Mr. Hu took over the post.

Hundreds of millions of people in China use Ant’s Alipay app to make everyday payments, sock away savings and shop on credit. Ant, which was spun out of the e-commerce giant Alibaba, has faced rising scrutiny from China’s government, and officials scuttled the company’s plans last year to go public in Shanghai and Hong Kong.

The company had been preparing to raise more than $34 billion by listing its shares in November, in what would have been the largest initial public offering on record. Instead, days before Ant’s shares were scheduled to begin trading, Chinese officials summoned company executives — namely, Mr. Hu, Mr. Jing and Jack Ma, Alibaba’s co-founder — to discuss regulation. The I.P.O. was halted soon after, and financial watchdogs said Ant had taken advantage of gaps in China’s regulatory system and ordered it to revamp its business.

Mr. Hu joined Alibaba in 2005 and was president of its cloud division from 2014 to 2018. He joined Ant as president that year before becoming chief executive in 2019. Mr. Jing, also an Alibaba veteran, has been Ant’s executive chairman since April 2018. They are both members of the Alibaba Partnership, the company’s club of elite management partners.

Ford Motor said two members of the Ford family have been nominated to join the automaker’s board of directors, replacing one family member who is retiring and an independent director who has chosen not to seek re-election.

Alexandra Ford English, 33, daughter of Ford’s chairman, Bill Ford, and Henry Ford III, 40, son of Edsel B. Ford II, a current board member, are expected to be elected to the board by shareholders at the company’s annual meeting on May 13. Both are great-great-grandchildren of Henry Ford, who founded the company in 1903.

Ms. English is a director in corporate strategy at the company. Henry Ford III is a director in investor relations.

They will replace Edsel Ford II, 72, who is retiring after being on the board since 1988, and John C. Lechleiter, 67, who joined Ford’s board in 2013 and is a former president of Eli Lilly, the pharmaceutical company.

Although the Ford family only owns a small portion of the company’s common stock, it retains effective control of the automaker though Class B shares with super-voting rights.

A banner for the South Korean retailer Coupang hung in front of the New York Stock Exchange on Thursday, the day the company’s shares began trading.Credit…Courtney Crow/New York Stock Exchange, via Associated Press

The stock of Coupang, a start-up in South Korea that is sometimes called the Amazon of South Korea, drifted after trading publicly for the first time in New York on Thursday.

Coupang — the company’s name is a mix of the English word “coupon” and “pang,” the Korean sound for hitting the jackpot — was founded by a Harvard Business School dropout and has shaken up shopping in South Korea, an industry long dominated by huge, button-down conglomerates.

The initial public offering raised $4.6 billion and valued Coupang at about $85 billion, the second-largest American tally for an Asian company after Alibaba Group of China in 2014. Coupang’s shares rose 6.6 percent on Friday as trading began but ended the day down 2 percent.

Coupang is South Korea’s biggest e-commerce retailer, its status further cemented by people stuck at home during the pandemic and those in the country who crave faster delivery. In a country where people are obsessed with “ppalli ppalli,” or getting things done quickly, Coupang has become a household name by offering “next-day” and even “same-day” and “dawn” delivery of groceries and millions of other items at no extra charge.

The electric Endurance pickup truck made by Lordstown Motors. An investment firm claimed the company had inflated the number of orders for its pickup trucks.Credit…Tony Dejak/Associated Press

Shares of Lordstown Motors, an electric-vehicle start-up, fell more than 19 percent on Friday after an investment firm claimed the company had inflated the number of orders for its pickup trucks and overstated its technological and production capabilities.

The revelations are the latest to call into question the promises made by an electric vehicle company that has gone public by merging with a shell company that has a stock market listing, cash and no operating business. Lordstown, which gained prominence by buying a former General Motors factory in Ohio to make electric trucks for commercial users, completed its merger with a shell company and started trading on the stock market in October 2020.

In a lengthy post on its website, the investment firm, Hindenburg Research, said that Lordstown’s claim of having 100,000 “pre-orders” for its electric pickup truck included tens of thousands from small companies that do not operate fleets, and others who merely agreed to consider buying trucks but made no commitment to do so. Hindenburg said it had bet against Lordstown’s stock by selling its shares short, a maneuver used by some professional investors when they believe a stock is overvalued and poised to fall.

“Our conversations with former employees, business partners and an extensive document review show that the company’s orders are largely fictitious and used as a prop to raise capital and confer legitimacy,” Hindenburg said.

A Lordstown spokesman said the company was working on a response to the report.

One company that Lordstown said was prepared to buy 14,000 trucks, E Squared Energy, appears to be based in an apartment in Texas, have two employees and owns no vehicles. Hindenburg also unearthed a police report that showed a Lordstown prototype caught fire and burned to a shell during a test drive in January in Michigan.

On Friday morning, Lordstown shares were trading at just over $14 a share, down from their close the previous day of $17.71.

Former President Donald J. Trump hailed Lordstown in 2018 when it agreed to buy a plant in Lordstown, Ohio, that General Motors had closed, and former Vice President Mike Pence participated in an unveiling of the company’s truck in June. In September, Mr. Trump hosted Lordstown’s chief executive, Steve Burns, at the White House and praised the company’s technology.

Hindenburg Research gained prominence last year when it released a report saying Nikola, an electric truck start-up, and its executive chairman, Trevor Milton, had mislead investors and exaggerated the capabilities of that company’s technology. The revelations resulted in Mr. Milton’s departure from Nikola, and prompted General Motors to scale back a partnership with the company.

Nikola denied some of Hindenburg’s claims but recently acknowledged to the Securities and Exchange Commission that Mr. Milton had made statements that were “inaccurate in whole or in part.”

Target will cease operations in the City Center building in downtown Minneapolis, relocating 3,500 employees.Credit…Lucy Nicholson/Reuters

Target, a fixture in downtown Minneapolis, is giving up space in a large office building there, becoming the latest company to permanently allow its staff to spend more time working from home.

The retailer told employees it would cease operations in the City Center building in downtown Minneapolis and that the 3,500 employees working there would relocate to other nearby offices, while also working from home part of the time. More than a quarter of Target’s corporate employees in the Minneapolis area work in the City Center building.

“This change is driven by Target’s longer-term headquarters environment that will include a hybrid model of remote and on-site work, allowing for flexibility and collaboration and ultimately, requiring less space,” the company said Thursday.

Office landlords across the country have been struggling to retain tenants as the pandemic drags on and companies realize their staff has been able to work effectively in a remote setting. Empty office buildings are putting a squeeze on city budgets, which are heavily reliant on property taxes.

Salesforce, the software company based in San Francisco, adopted a flex model in which most of its employees would be able to come into the office one to three days a week. In a bet that more people would work from home after the pandemic ends, Salesforce acquired the workplace software company Slack in December.

After the move, Target said it would still occupy about three million square feet of office space in the Minneapolis area.

“It’s not easy to say goodbye to City Center, but the Twin Cities is still our home after all these years,’’ Target’s chief human resources officer, Melissa Kremer, said in an email to employees.

Microsoft offices in Beijing. Microsoft owns LinkedIn, which has operated in China by conforming to the authoritarian government’s tight restrictions on the internet.Credit…Wu Hong/EPA, via Shutterstock

LinkedIn has stopped allowing people in China to sign up for new member accounts while it works to ensure its service in the country remains in compliance with local law, the company said this week, without specifying what prompted the move. A company representative declined to comment further.

Unlike other global internet mainstays such as Facebook and Google, LinkedIn offers a version of its service in China, which it is able to do by hewing closely to the authoritarian government’s tight controls on cyberspace.

It censors its Chinese users in line with official mandates. It limits certain tools, such as the ability to create or join groups. It has given partial ownership of its Chinese operation to local investors.

In 2017, the company blocked individuals, but not companies, from advertising job openings on its site in China after it fell afoul of government rules requiring it to verify the identities of the people who post job listings.

The backdrop to the suspension of new user registrations is not clear. The government has previously blocked internet services that it believes to be breaking the law. In 2019, Microsoft’s Bing search engine was briefly inaccessible in China for unclear reasons. Microsoft also owns LinkedIn.

By: Ella Koeze·Data delayed at least 15 minutes·Source: FactSet

  • The S&P 500 inched further into record territory on Thursday, rising 0.1 percent. The index gained 2.6 percent this week, its best weekly performance since early February.

  • The Nasdaq composite fell 0.6 percent, while the Dow Jones industrial average rose 0.9 percent.

  • The yield on 10-year Treasury notes jumped as much as 10 basis points, or 0.1 percentage points, to 1.64 percent, its highest level in more than a year.

  • Higher interest rates and tighter central bank policies are now considered to be the single biggest threat to so-called risk assets, mainly stocks, according to a Bank of America survey of fund managers. Investors have grown concerned that the stimulus bill and economic rebound will trigger inflation, prompting central banks to pull back on stimulus measures.

  • The Stoxx Europe 600 index dropped 0.3 percent, while the FTSE 100 index in Britain rose 0.4 percent.

  • Data published on Friday showed that the British economy declined 2.9 percent in January as the country entered its third lockdown, shut schools and left the European Union single market and customs union. Separate data for the same month showed the largest monthly drop in trade since records began in 1997. Exports to the European Union dropped 40 percent and imports fell nearly 30 percent. Some of the fall is because of stockpiling at the end of last year, but many businesses struggled to keep trading as they dealt with new customs requirements.

Shoppers wait in line at an outlet mall in Southaven, Miss. on Saturday. Many Americans are set to benefit from the new economic relief plan.Credit…Rory Doyle for The New York Times

The economic relief plan that is headed to President Biden’s desk has been billed as the United States’ most ambitious antipoverty initiative in a generation. But inside the $1.9 trillion package, there are plenty of perks for the middle class, too.

An analysis by the Tax Policy Center published this week estimated that middle-income families — those making $51,000 to $91,000 per year — would see their after-tax income rise by 5.5 percent as a result of the tax changes and stimulus payments in the legislation. This is about twice what that income group received as a result of the 2017 Tax Cuts and Jobs Act.

Here are some of the ways the bill will help the middle class.

Americans will receive stimulus checks of up to $1,400 per person, including dependents.

The size of the payments are scaled down for individuals making more than $75,000 and married couples earning more than $150,000. And they are cut off for individuals making $80,000 or more and couples earning more than $160,000. Those thresholds are lower than in the previous relief bills, but they will still be one of the biggest benefits enjoyed by those who are solidly in the middle class.

The most significant change is to the child tax credit, which will be increased to up to $3,600 for each child under 6, from $2,000 per child. The credit, which is refundable for people with low tax bills, is $3,000 per child for children ages 6 to 17.

The legislation also bolsters the tax credits that parents receive to subsidize the cost of child care this year. The current credit is worth 20 to 35 percent of eligible expenses, with a maximum value of $2,100 for two or more qualifying individuals. The stimulus bill increases that amount to $4,000 for one qualifying individual or $8,000 for two or more.

After four years of being on life support, the Affordable Care Act is expanding, a development that will largely reward middle-income individuals and families, since those on the lower end of the income spectrum generally qualify for Medicaid.

Because the relief legislation expands the subsidies for buying health insurance, a 64-year-old earning $58,000 would see monthly payments decline to $412 from $1,075 under current law, according to the Congressional Budget Office.

One of the more contentious provisions in the legislation is the $86 billion allotted to fixing failing multiemployer pensions. The money is a taxpayer bailout for about 185 union pension plans that are so close to collapse that without the rescue, more than a million retired truck drivers, retail clerks, builders and others could be forced to forgo retirement income.

The legislation gives the weakest plans enough money to pay hundreds of thousands of retirees their full pensions for the next 30 years.

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Business

Woody Allen documentary sequence coming to HBO

Director Woody Allen will start shooting a new film in San Sebastián on July 9, 2019.

Europa Press News | Getty Images

The story of Woody Allen’s infamous relationship with Mia Farrow and her family is explored in a four-part documentary on HBO.

Directed by Oscar-nominated documentary filmmakers Kirby Dick and Amy Ziering, the series entitled “Allen v. Farrow” delves into one of Hollywood’s most public scandals – allegations that Allen sexually abused his then 7-year-old adopted daughter, Dylan . Allen has repeatedly denied the claim.

In the bitter custody battle that followed, it was found that Allen had a relationship with Farrow’s adopted daughter Soon-Yi Previn. Allen eventually married Previn.

HBO will debut the first episode of the series on February 21. New episodes will be broadcast on the following Sundays.

The series is reminiscent of HBO’s involvement in the Michael Jackson documentary “Leaving Neverland,” as both were shot in secret. Jackson was accused of pedophilia prior to his death in 2009. He denied the allegations.

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Entertainment

The Greatest Motion pictures and TV Exhibits Coming to Amazon, HBO Max, Hulu and Extra in February

“The Muppet Show” seasons 1-5

Start streaming: 19th of February

Fans of puppeteer and filmmaker Jim Henson have waited a while for his TV series, “The Muppet Show,” – perhaps his most enduring masterpiece – to hit a subscription streaming service. For five seasons and 120 episodes between 1976 and 1981, Henson and his team of writers, craftsmen and performers brought joy and humor to the small screen by imagining a low-rent variety show directed by high-profile madmen. From its catchy songs to a number of A-list guest hosts (including pretty much every well-known entertainer of the era), The Muppet Show helped define popular culture of the day while remaining family-friendly. The full series has never been released in a home video format and is not currently aired on any US cable network. Hence, this addition to Disney + is an important event.

Also arriving:

19th of February

“Flora & Ulysses”

February 26th

“Myth: A Frozen Story”

‘Bliss’

Start streaming: February 5th

In his films “Another Earth” and “I Origins”, writer and director Mike Cahill thought about subdued character studies that circumvent the boundaries of science fiction, about big ideas – alternative universes, the existence of God. In his latest film, Bliss, Owen Wilson plays Greg, a grumpy divorce officer who is in the middle of one of the worst days of his life when he meets Isabel (Salma Hayek), a homeless eccentric who convinces him they are alive Computer simulation controlled with the help of special crystals. Is she right, or are Greg and Isabel both mentally ill drug addicts? Cahill leaves this question unanswered for as long as possible while both scenarios seem plausible. The result is an odd journey through multiple realities that moves faster than Cahill’s previous films, but ultimately still deals with the existential fear of ordinary people.

‘Tell me your secrets’

Start streaming: 19th of February

The secrets in the title of the mystery / suspense series “Tell Me Your Secrets” are buried deep and are slowly being discovered over the course of the first season of the series with 10 episodes. Across several interwoven storylines, creator Harriet Warner follows three main characters: a hidden woman (Lily Rabe), a mother (Amy Brenneman) who is stubbornly struggling to find out what happened to her long-missing daughter, and an offer from a psychopath (Hamish Linklater) his help with law enforcement to atone for old crimes. The sometimes surprising and often grim details of the connections between these people and the mistakes they seek to make up to advance the narrative of a crime show how difficult it is for victims of violence and trauma to get on with their lives.

Also arriving:

February 12th

“The Hunter’s Anthology”

“The map of tiny perfect things”

19th of February

“The boarding school: Las Cumbres”

“Nomadland”

Start streaming: 19th of February

Slice-of-life drama Nomadland, which is likely to be a strong contender for the Academy Awards this year, is a vibrant and emotional portrayal of a growing American subculture: people who live in mobile homes and roam the country and working in succession from seasonal jobs. Frances McDormand plays a young widow who has spent most of her life in a closed factory and is now getting used to living on the street, with the help of some fellow travelers who have turned their circumstances from paycheck to paycheck into a quasi- communal lifestyle. The author and director Chloé Zhao, who easily adapts the non-fiction book by Jessica Bruder, avoids major confrontations and serious conspiracies and instead emphasizes the everyday stress and the unexpected wonders of a life on the edge.

“The United States vs. Billie Holiday”

Start streaming: February 26th

The source material for the historical drama “The United States vs. Billie Holiday” distinguishes it from a typical biopic. Instead of covering a person’s entire life, director Lee Daniels and screenwriter Suzan-Lori Parks adapted passages from Johann Hari’s exposé “Chasing the Scream: The First and Last Days of the War on Drugs,” in which the author uses profiles of some noted addicts including Billie Holiday and traffickers for criticizing the way some governments have approached drug trafficking. Grammy-nominated R&B singer Andra Day gives an exciting performance as jazz legend Holiday, who scandalized the establishment with the anti-lynch song “Strange Fruit” that – according to this raw and hard hitting film – some reactionaries in the US government conspired to use their drug habit to smother them.

Also arriving:

February 1st

“Owner”

February 12th

“Into the Dark: Tentacles”

13th February

“Hip Hop Uncovered”

February 25

“Snowfall” Season 4

‘The investigation’

Start streaming: February 1st

The accomplished Danish screenwriter and director Tobias Lindholm explores what happened after the dismembered body of Swedish journalist Kim Wall was found scattered in Koge Bay, Denmark in 2017 in The Investigation, a six-part miniseries Lindholm dramatizes the incident itself not, which ultimately led to the arrest and conviction of entrepreneur Peter Madsen, who invited Wall to interview him shortly before they disappeared on his submarine. Instead, he follows the two cops in the case (played by Soren Malling and Pilou Asbaek) as they tenaciously pursue the gruesome leads and sacrifice their personal lives in the name of justice. “The Investigation” is another type of procedure that details how difficult it is for the victim’s family and detectives to create a case.

“Earwig and the Witch”

Start streaming: February 5th

With this adaptation of a novel by Diana Wynne Jones, whose book “Howl’s Moving Castle” was previously adapted by Ghibli’s co-founder Hayao Miyazaki, the animators at the venerable Japanese studio Ghibli are making their first foray into full computer animation. Son Goro directed Earwig and the Witch, the story of a courageous and bossy 10 year old orphan who was adopted by a pair of curious gruff adults who teach her about the rock and roll and occult history of their birth family. Fans of the Miyazakis and Ghibli may initially resist the look of this film, which differs from classics like “Spirited Away” and “Kiki’s Delivery Service”. But “Earwig” deals with similar subjects like spiritual wonder and youthful independence, and there is something special about Goro Miyazaki’s visual style that is much simpler than Pixar’s fine detail.

“Judas and the Black Messiah”

Start streaming: February 12th

In 1969, Fred Hampton – the chairman of the Illinois chapter of the Black Panther Party – was killed in a police raid of his Chicago home after an extensive federal law enforcement campaign to identify him as a dangerous radical. In the political drama “Judas and the Black Messiah” Daniel Kaluuya gives an outstanding performance as Hampton and is compared scene by scene with Lakeith Stanfield as William O’Neal, a petty crook recruited by the FBI. Writer-director Shaka King and co-writer Will Berson capture the revolutionary passion of the time and subtly refer to the parallels to this day in the angry arguments about overzealous police officers and systemic racism. The film focuses on Hampton’s complex, passionate, and surprisingly openly armed political philosophies, as well as the circumstances that would have compelled a man who would otherwise have been a devout student to betray him.

Also arriving:

February 2nd

“Fake Famous”

February 4th

“Esme & Roy”

“The head”

February 18

“It’s a sin”

February 22

“Beartown”

February 26th

“Tom Jerry”

Categories
Business

‘Justice League’ will debut March 18 on HBO Max

Justice League

Warner Bros. Pictures

The long-awaited “Snyder Cut” from the Justice League will hit HBO Max on March 18th.

On Friday, director Zack Snyder announced the news on Twitter. WarnerMedia followed up with additional information about the release, saying it would be a full-length film, not the four separate hour-long episodes that were originally planned.

When Justice League was released in 2017, it was tarnished by harsh critical reviews. While it grossed $ 658 million globally, it grossed just $ 230 million domestically. The budget was a whopping $ 300 million, on top of the $ 150 million marketing expense, the film was barely balanced.

The film was co-written and directed by Zack Snyder and Joss Whedon, although the couple did not work on it together. Whedon was brought on board after executives rejected Snyder’s first cut of the film. Snyder eventually left the project due to the death of his daughter.

Snyder’s first cut was 214 minutes long and featured dozens of scenes that worked out the characters’ backstories, developed the myth of the world set in “Justice League,” and teased the upcoming films. While the main plot of the film was retained, many of Snyder’s secondary storylines were cut into Whedon’s paraphrases to streamline the film.

Because Whedon’s version changed so much of Snyder’s vision, fans have asked the director to edit Justice League because they believe it is the purest version of the film.

In May 2020, WarnerMedia announced that it would invest in the repatriation of Snyder. The move was seen as a way to calm fans down and bolster signups for HBO Max.

According to initial estimates, the price was between 20 and 30 million US dollars, since most of the computer-generated images were not yet ready. However, recent estimates suggest that WarnerMedia could have spent $ 70 million or more on the project as Snyder brought back several actors to direct new material.

The re-shoots will add four to five minutes of new footage, Snyder said.

Earlier this week, AT&T announced that HBO Max activations had doubled to 17.2 million. While AT&T pointed to “Wonder Woman 1984” because of the surge in signups, much of the gains were likely due to WarnerMedia’s fourth-quarter arrangements to get the app on Roku devices and Amazon Fire TV.

The telecommunications company that owns WarnerMedia reported that HBO and HBO Max combined now have 41.5 million domestic subscribers, up 20% from 34.6 million last year.

Of the 37.7 million HBO Max eligible subscribers, 30 million were from wholesalers and 6.8 million were through retail channels. Retail subscribers are those who purchase the streaming service directly, not through a cable or other streaming subscription.

This means that nearly half of the HBO subscribers who were eligible to receive HBO Max haven’t signed up yet.

Categories
Entertainment

Will Samantha Be on the Intercourse and the Metropolis Reboot on HBO Max?

Ready or not, a Sex and the City Resuscitation is coming your way! On Sunday, HBO Max confirmed it was ordering a limited series of the title And just like thatwho have favourited Sarah Jessica Parker, Kristin Davis, and Cynthia Nixon as Carrie, Charlotte, and Miranda as they rule city life as women in their fifties. While longtime fans were thrilled with yet another spin-off from the hit ’90s series, their feelings quickly changed when it became clear that Kim Cattrall, who played Samantha, was not going to return.

Following the announcement, Parker confirmed that Cattrall would not be part of the limited series when he responded to a fan comment on his rumored feud. “No. I don’t like her. I never said that. Never would,” said the actress. “Samantha is not part of this story. But she will always be part of us. No matter where we are or what we do. X.”

Over the years, Cattrall has made their opinion about the franchise very popular. According to plans for a third Sex and the City The film was scrapped in 2017, with Cattrall declaring that she was not interested in playing Samantha again. “I play it so I can assure you it will never happen,” she said. “For me it’s over, it’s over with no regrets.” She added, “I’ve moved on, that’s what my 60s is about, about making decisions for myself, not for my career, for myself. And that feels damn fantastic.”

That being said, longtime fans aren’t taking Samantha’s absence lightly on the upcoming series. I mean what is Sex and the City without the core four ladies? Not to mention, Samantha is an undeniable fan favorite because of her outspoken personality and love of dating. “Samantha Jones is the heart of Sex and the City“Wrote one fan while another quipped:” There is no sex and the city without Samantha: she repeated both of them. And she did it like that [badass] She was.”

Another important point from the fans: do we even need someone else? Sex and the City Revival? Sure, the series has a huge fan base and is likely to gain a lot of subscribers to HBO Max, but we’ve already had two additional films. While the 2008 film was a commercial hit, its 2010 sequel couldn’t live up to the same hype. Not to mention, sources say the script for the third film was interesting to say the least. If the writers are able to continue the story in a compelling and entertaining way for the fans, then they have more power. If not, fans can always re-watch the original in full size on HBO Max.

Categories
Entertainment

Meet the Solid of HBO Max’s Gossip Woman Reboot

HBO max gossip Girl Restart introduces us to the next generation of Manhattan’s elite. After production was stopped due to the coronavirus pandemic, the series was filmed in NYC in November. The show is set to take place eight years after the dark of the original Gossip Girl site and features a handful of new students from the Constance Billard School for girls and St. Jude’s School for boys when they are introduced to the infamous site. While most of the show’s details are being kept under wraps, HBO Max recently revealed a handful of character names on Instagram, along with some meaningful descriptors such as “style,” “power,” and “innocence.”

While there’s still no word on whether the original cast will perform, Kristen Bell returns as the voice of Gossip Girl herself. You know you love it! Read on to find out who has signed up for the restart so far.

Categories
Business

HBO Max Plan Makes WarnerMedia Chief A Hollywood Villain

LOS ANGELES – When Jason Kilar took office as CEO of Hulu in July 2007, some competitors thought the streaming service was so likely they called it the Clown Co. Yet Mr. Kilar, armed with the belief that there was a better way to watch TV, and the support of two powerful corporate parents – NBCUniversal and News Corp – confiscated himself and his team from an empty Santa Monica office and got to work . He covered all the windows with newspapers and made the point that naysayers should be ignored.

“Sometimes in life blocking out outside noise is really good,” he said in a recent interview.

Hulu didn’t fail, and 13 years later, Mr. Kilar (the first syllable rhymes with “heaven”) is the CEO of WarnerMedia. Suddenly he has a lot of noise that he has to ignore.

This month Warner Bros. announced that its 17 films planned for 2021 – including big budget offerings like “Dune” and “The Matrix 4” – will be released simultaneously in theaters and on the company’s difficult streaming service, HBO Max . The move orchestrated to address the ongoing challenges of the pandemic Decades of precedents for the way the movie industry does business and drives Hollywood into a frenzy.

Powerful talent agents and theater managers have publicly blown it up. Perhaps most importantly, some of the high profile filmmakers who worked with Warner Bros. – and whom the studio plans to work with again – were harshly critical. Christopher Nolan, whose “Tenet” is just the latest of his films released by Warner, told The Hollywood Reporter, “Some of the greatest filmmakers and stars in our industry went to bed that night before they thought they were working for the biggest studio and woke up to find out they were working for the worst streaming service. “

Denis Villeneuve, the director of “Dune,” wrote in Variety that “Warner Bros. may have killed the” Dune “franchise.” (“Dune” only covers half of Frank Herbert’s novel. It was planned that Mr. Villeneuve would complete the science fiction story in a sequel.) Neither Mr. Nolan, nor Mr. Villeneuve, or most of Hollywood was off been told of Warner’s plans before they were announced.

Mr. Kilar, 49, called the targeted criticism “painful” and added, “We clearly have more work to do in managing this pandemic and the future alongside them.” But he’s spent his career cracking down on entrenched systems and was somewhat prepared for the outrage.

“There is no such thing as a situation where everyone will stand up and applaud,” he said. “That’s not how innovation works. This is neither easy nor should it be easy. When trying something new you have to expect and be ready with some people who are not familiar with change. That’s okay.”

Mr. Kilar’s boss, John Stankey, the managing director of Warner’s parent company AT&T, also defended the strategy, calling it a “win-win-win situation” at a recent investor conference.

Serious and approachable, Mr. Kilar, who took over WarnerMedia in May, acts more as an avid doer than a ruthless disruptor. Both the childhood stories he tells about returning home from school in Pennsylvania to see “Speed ​​Racer” and the enthusiasm he shows for upcoming projects – he named the adaptation of Lin-Manuel Miranda’s musical “In the Heights ”“ life-affirming ”- seem purposeful in distracting the growing narrative that he is the evil villain at the center of a conspiracy to dismantle the act of going to the theater to watch a movie. (In the email exchange after the interview, he shared a list of films he paid to see in theaters before the pandemic stalled things and wrote, “I have a few in theaters my most transcendent experiences. “)

Mr Kilar has positioned WarnerMedia’s decision to release films in theaters and streaming in response to the fighting caused by the pandemic, which has closed the majority of American theaters and caused most studios to postpone release until next year . (A notable exception to the delay is Warner’s “Wonder Woman 1984,” which hits theaters and HBO Max on Christmas Day.) He also referred to the decision as “a” Accommodation for the audience that has got used to watching movies in their living room.

But Mr Kilar joined WarnerMedia just two months before HBO Max’s lackluster debut, and it’s his job to make the service successful.

There are serious challenges. HBO Max is more expensive than other streamers ($ 15 a month) and has been criticized for not having “must see” content. (The miniseries “The Flight Attendant” caused quite a stir recently.) Marketing has puzzled customers trying to tell the difference between it and platforms like HBO Go and HBO Now. The total number of subscribers is 12.6 million, well behind Netflix (195 million subscribers worldwide) and Disney + (87 million). Only 30 percent of HBO subscribers signed up.

Additionally, AT & T’s balance sheet has nearly $ 170 billion in debt, which leaves some in Hollywood to wonder if the company can invest enough in content to achieve its goals.

So it helps that beneath the veneer of “Ah, shit, I’m just a Pittsburgh kid” is a relentlessly ambitious manager who wrote a well-read manifesto on a Hulu blog in 2011 that criticized the television business – and most likely played it played a significant role in landing his current job. In his short time, Mr. Kilar has restructured WarnerMedia, laid off around 1,000 employees and started to free the company from decades of fiefdom.

Economy & Economy

Updated

Apr. 11, 2020, 6:16 pm ET

Some employees appreciate his clear direction and focused approach, while others rub against his lack of respect for Hollywood tradition. He has become known for sending long emails, often late at night or on the weekend, to explain his thoughts.

“If you wanted to design an executive for this time on paper, Jason Kilar is the ideal person for the job,” said Jeff Shell, executive director of NBCUniversal, in an interview. The two met last year when they signed a deal on the Warner-produced and channel-licensed series of films “Harry Potter”.

“While he is known to be a technology expert,” added Shell, “I believe he has both a respect for content and a relentless desire to follow where the consumer is going. It was refreshing to see him do such a bold thing. “

Mr. Kilar had never run an organization the size of WarnerMedia or dealt directly with talent and other artists in his previous work experience.

For example, Mr Kilar was positive when asked before Mr Nolan’s public criticism how he believed the filmmaker, a fierce defender of theatrical experience, might react to Warner’s move.

“I think he would say that this is a company that is so dedicated to the storyteller and fan that they stop at nothing to make sure they go as far as they can to both the storyteller and the fan to help, “said Kilar.

Oops.

Mr. Kilar admits the company should have been more sensitive to how its announcement would be received by actors and filmmakers. “A very important point – something I should have made a central part of our original communication – is that we are thoughtfully approaching the economics of this situation with a guiding principle of generosity,” he said. This blind spot in dealing with creative talent could indicate Mr. Kilar’s emphasis on serving the audience above all else. When announcing “Wonder Woman 1984” he wrote a memo in which the word “fan” or “fans” was used 13 times. Its most recent to announce the 17-picture deal was titled “Some Big 2021 News for Fans”.

Mr. Kilar says that commitment to the customer caught on during a childhood trip to Disney World. As his story tells, Mr. Kilar, the fourth of six children, was impressed with the company’s attention to every detail, from the pristine landscaping to the lack of gum on the sidewalk.

“It moved me in a way I had never done before,” he said.

From there, Mr. Kilar became an expert on all that Walt Disney has to offer. He read the biographies, searched the libraries for more material, and eventually got an internship with the company after drawing a comic when his letters got no response. He was most interested in Mr. Disney’s entrepreneurship, a quality that Mr. Kilar defines as “the relentless pursuit of better ways.”

He sees a direct line from this childhood obsession to his decision, as head of WarnerMedia, to take streaming to a theatrical level.

The broader film industry is not that romantic. Mr. Kilar’s main mistake, according to the city, is not the deal itself – after all, filmmakers have been doing business with Netflix for years – but rather the nerve of ignoring the other stakeholders in the company’s decision. He’s still seen as an outsider discussing revolution but maybe really just trying to endorse a stalled streaming product that needs to get subscribers quickly to get Wall Street approval.

“There are some things to talk about and talk about and talk about, but that doesn’t necessarily change the outcome,” Kilar said. “I don’t think this would have been possible if we’d spent months and months talking to every voter. At a certain point you need to lead. And run with the customer in mind and make decisions on their behalf. “