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Entertainment

Your Subsequent Summer time Learn Primarily based on Your Favourite Summer time Cocktail

I can’t think of a better way to spend a summer day than by the pool with a captivating beach read and my favorite cocktail. I only have one (big) problem: I can stand in front of my bookshelf for the better half of the day and try to choose which book to read next. It’s basically the equivalent of scrolling through Netflix for two hours before settling on an hour and a half movie. From thrillers to new releases to intimate stories full of romance, I often have to close my eyes and randomly pick a novel, which isn’t a bad way, I might add. So this time I tried something different. I’ve chosen a book that goes with my summer cocktail. After all, drinks and books go hand in hand – what better way to choose my next reading than my favorite drink? Join me and find your next summer book and cocktail combo!

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Entertainment

‘Myths and Hymns,’ a Theater Cult Favourite, Adjustments Form Once more

Listening to Adam Guettel’s song cycle “Myths and Hymns,” after a year of pandemic isolation and cautiously hoping for vaccinated freedom, you might feel of a pang of recognition in the lyric “So get me up, and get me out, and let me never return,” swelling to “I’m out of here/I am going there/I am gone!”

A little timelessness is to be expected in Guettel’s songs, a genre-hopping clash of ancient Greek tales and hymnal texts that debuted in 1998 (with a brief run at the Public Theater that has taken on a mythic status of its own) and has since inspired artists to take it up in a variety of forms as simple as a recital showpiece, and as elaborate as a book musical adaptation.

The latest iteration reunites Guettel with Ted Sperling — the music director of that original production at the Public, and now the artistic director of MasterVoices, which is presenting “Myths and Hymns” as an online mini-series whose four thematically organized episodes conclude Wednesday with the premiere of “Faith.” (The whole production will remain on YouTube through June.)

In a typical season, MasterVoices marshals luminaries of Broadway and opera for concerts and semi-staged performances of both classic gems and newer works. But no production has been as starry as this “Myths and Hymns,” whose nimble eclecticism opens it up to diverse casting. (Stephen Holden, reviewing the Public performances for The New York Times, wrote that Guettel had “created a kaleidoscopically heady musical-theater piece in which Gabriel Fauré meets Stevie Wonder, Caetano Veloso embraces Earth, Wind and Fire, and they all dance together around the tribal hearth.”)

Each of the piece’s 24 songs was treated as a discrete project — with its own cast and creative team — which made it easy for performers to contribute compared with, say, a weekslong timeline for something at Carnegie Hall. Sperling cast a wide net, not getting everyone on his wish list (like James Taylor) but gathering, among many others, Kelli O’Hara, Renée Fleming, Joshua Henry, Anthony Roth Costanzo, Jennifer Holliday, John Lithgow and the group Take 6.

“It’s a pretty incredible roster,” Guettel said in a recent joint interview with Sperling. “It might be damn near impossible to get all these people together for one night onstage.”

It’s unsurprising that so many singers were willing to join the production. Guettel’s music isn’t the material of Broadway blockbusters, but it is widely beloved for its originality, even for its difficulty, leaning toward the tradition of American art song — or even the high-level writing of golden age musical theater composers like his grandfather Richard Rodgers.

O’Hara, who starred in Guettel’s 2005 musical, “The Light in the Piazza,” as well as in workshops for his work in progress “Days of Wine and Roses,” said that the word that always comes to mind with his music is “satisfying.”

“It’s so rich, and there’s so much work to it, but it begs us to take in and understand it,” said O’Hara, whose appearances in the MasterVoices production include a luxuriously cast “Migratory V” adapted as a trio for her, Fleming and the soprano Julia Bullock. “I don’t want to be spoon-fed easy melodies and things I can hum. I want ones that get inside and kill me, really. And that’s what ‘Myths and Hymns’ does for me.”

This “Myths and Hymns” is a rare opportunity to hear Guettel’s music, which has been absent on Broadway since the lushly sensuous score of “The Light in the Piazza” resounded from the pit of the Vivian Beaumont Theater. Not that he hasn’t been busy; in fact, he’s written entire musicals.

“Two of them are finished, and they’re circling La Guardia,” Guettel said, “for understandable reasons, between the pandemic and some other complications that have come up, in terms of how and where the shows were meant to be produced.” (The embattled megaproducer Scott Rudin had been attached to “Days of Wine and Roses.”)

For now, though, Guettel has been able to revisit some of his earliest music, and in a new medium. Over lunch, he and Sperling talked more about the genesis of “Myths and Hymns,” then and now, and what may be in store for the piece’s future. Here are edited excerpts from that conversation.

Was this conceived as a virtual production from the start?

TED SPERLING From the very beginning. My concept was that it should be kaleidoscopic. I wanted a lot of directors, a lot of input, a lot of difference. I didn’t even want the directors to know what they were doing.

That reflects the music’s range. Adam, can you explain how “Myths and Hymns” took this form to begin with?

ADAM GUETTEL I had been writing these myths just because I was just starting out as a writer, and you don’t know what to write. I did stuff that was tried and true. That was enough to keep me busy. Then I came across this book in an old antique shop, and it was a tiny book, the size of an iPhone. And it was just the words to a bunch of hymns. And for some reason out of this Upper West Side Jew comes all of this music to these hymn lyrics.

So there were these two stacks of things. And Tina Landau came over one day and said, “What are you working on?” and I said, “Well I’ve got these two stacks of things,” and she listened to a bunch of them and said, “Well, why wouldn’t they work together?” And we realized in some ways that the hymns are who we would have ourselves be, and the myths are basically who we are, and that they can kind of antiphonally talk to each other.

What has it been like revisiting this music?

GUETTEL I’ve gone to see a few productions, but I hadn’t listened to it in a long time. I might have had a small case of the usual “Oh my God, I did go on a bit”; “Jesus, that needs help”; “boy, those lyrics are over couplet-y.” There’s stuff that I was a little embarrassed by at first. But I let go of my vanity and let it be what it was. And there’s the honor of being a composer who wrote something 22 years ago that’s getting done again. That’s really what you write for, so that you leave something behind.

SPERLING I imagine every writer feels with more experience that their craft grows. My impression is you have to acknowledge that you were a certain person of a certain age when you wrote a piece and you keep changing, but the piece is a record of who you were then. If you try to monkey with it too much from a later perspective you run the rusk of muddying the waters.

GUETTEL You’re operating on a patient whose anatomy you’re not familiar with anymore.

In this form, “Myths and Hymns” is probably reaching its largest audience yet.

SPERLING We’re at over 50,000 now, which is way more than we would get in a season. We are planning to package it as a single work and re-edit it, and it will be broadcast on PBS.

And with such a starry cast, will there be an album, too?

GUETTEL There are six songs that are not on the Nonesuch record [released in 1999] that no one’s ever heard, except the people who saw it at the Public.

SPERLING And one of them not even that! One of my impulses to do this was that I wanted a more complete recording. People on YouTube have been asking, “Can we please have this as audio?” It would be lovely to have a little more time with it.

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Business

As soon as Tech’s Favourite Economist, Now a Thorn in Its Aspect

Paul Romer was once the most popular economist in Silicon Valley. The theory that helped him win a Nobel Prize – that ideas are the turbo-charged fuel of the modern economy – resonated deeply in the global capital of ideas that create wealth. In the 1990s, Wired magazine called him “an economist for the technological age”. The Wall Street Journal said the tech industry treated him “like a rock star.”

No more.

The 65-year-old Romer still believes in science and technology as the engines of progress. But he’s also become a heavy critic of the biggest tech companies, saying they stifle the flow of new ideas. He campaigned for new state taxes on digital ads sold by companies like Facebook and Google, an idea Maryland adopted earlier this year.

And he’s tough on economists, including himself, for having long provided the intellectual cover for the hands-off guidelines and court decisions that have led to what he calls the “collapse of competition” in technology and other industries .

“Economists taught: ‘It’s the market. There is nothing we can do, ”said Mr Romer. “This is really just so wrong.”

Mr Romer’s current call for government activism reflected “a profound change in my thinking” in recent years. It also fits in with a broader reassessment of the technology industry and government regulation among prominent economists.

You see markets – search, social networks, online advertising, e-commerce – that don’t behave according to free market theory. Monopoly or oligopoly seems to be the order of the day.

The relentless rise of the digital giants requires new thinking and new rules. Some were members of the tech-friendly Obama administration. In statements and research reports from Congress, they bring ideas and credibility to policy makers who want to curb the big tech companies.

Your policy recommendations vary. That includes stronger enforcement that gives people more control over their data and new laws. Many economists support the bill introduced earlier this year by Senator Amy Klobuchar, a Democrat of Minnesota, to tighten up on mergers. The bill would effectively “override a number of flawed, pro-indicted Supreme Court cases,” wrote Carl Shapiro, an economist at the University of California at Berkeley and a member of the Obama administration’s council of economic advisers, recently presented to the American Bar Association.

Some economists, notably Jason Furman, a Harvard professor, chairman of the Obama administration’s council of economic advisers, and digital markets advisor to the UK government, are recommending a new regulator to enforce a code of conduct for big tech companies that would include fair access to their platforms for competitors, open technical standards and data mobility.

Thomas Philippon, an economist at New York University’s Stern School of Business, has estimated that monopolies in industries across the economy cost American households $ 300 a month.

“We’ve all changed because what really happened is an extension of the evidence,” said Fiona Scott Morton, an antitrust officer in the Obama administration’s Justice Department who is an economist at Yale University School of Management.

Of all the economists now exploring big tech, Mr Romer is perhaps the most unlikely. He earned his bachelor’s and doctoral degrees from the University of Chicago, the long-standing church of free market absolutism, whose ideology has guided antitrust court decisions for years.

Mr. Romer spent 21 years in the Bay Area, mostly as a professor first at Berkeley and then at Stanford. While in California, he founded and sold an educational software company. In his research, Mr. Romer uses software as a data exploration and discovery tool and has become a skilled Python programmer. “I enjoy the solitary practice of building things with code,” he said.

His son Geoffrey is a software developer at Google. His wife, Caroline Weber, author of Proust’s Duchess, a finalist in the Pulitzer Prize for Biography and a professor at Barnard College, is a friend of Harvard classmate Sheryl Sandberg, Facebook’s chief operating officer. Mr. Romer has never consulted for the big technology companies, but he has friends and former professional colleagues there.

“People I like are often dissatisfied with me,” he said.

Mr Romer, who joined New York University faculty a decade ago, said preparing his Nobel Lecture in 2018 made him think about the “progress gap” in America. Progress, he explained, is not just a question of economic growth, but should also be seen in measures of individual and social well-being.

In the United States, Mr. Romer saw worrying trends: a decline in life expectancy; rising “deaths of desperation” from suicides and overdoses; falling activity rates for adults in their prime working years from 25 to 54; a growing wealth gap; and increasing inequality.

While there are many causes for such problems, Mr. Romer believes that one of the causes was a business occupation which has diminished the importance of government. His new growth theory recognized that government played an important role in scientific and technological advancement, but most importantly by funding basic research.

Looking back, Mr. Romer admits that he was trapped in the “little government bubble” of the time. “I seriously underestimated the role of government in sustaining progress,” he said.

“Real progress takes both science and government – a government that can say no to bad things,” said Romer.

For Mr. Romer, the economy is a means to apply the independent rigor of scientific thinking to social challenges.

City planning, for example. For years, Mr. Romer pushed the idea that new cities in developing countries should be a mix of government design for basics like roads and sanitation, and that the markets should mainly take care of the rest. During a brief stint as chief economist at the World Bank, he had hoped to convince the bank to support a new city, to no avail.

In the big tech debate, Romer notes the influence of progressives like Lina Khan, an antitrust scientist at Columbia Law School and Democratic candidate for the Federal Trade Commission, who view market power itself as a threat and investigate its effects on workers, Suppliers and communities.

This social perspective is another lens that appeals to Mr. Romer and others.

“I’m fully on board with Paul,” said Rebecca Henderson, economist and professor at Harvard Business School. “We have a much bigger problem than one that falls within the limits of applicable antitrust law.”

Mr Romer’s specific contribution is a proposal for a progressive tax on digital ads that would apply primarily to the largest advertising-supported Internet companies. The premise is that social networks like Facebook and Google’s YouTube rely on keeping people on their sites for as long as possible by targeting them with attention-grabbing ads and content – a business model that is disinformation, hate speech, and polarizing political Messages naturally amplified.

Romer insists that digital ad revenue is a fair game for taxation. He wants the tax to drive businesses from targeted ads to a subscription model. But at least, he said, it would give governments the tax revenue they need.

In February, Maryland became the first state to pass legislation embodying the concept of Mr. Romer’s digital advertising tax. Other states, including Connecticut and Indiana, are considering similar proposals. Industry groups have filed a legal challenge to Maryland law alleging it was an illegal state violation.

Mr Romer says the tax is an economic instrument with a political aim.

“I really think the much bigger problem we are facing is maintaining democracy,” he said. “That goes way beyond efficiency.”

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Entertainment

‘Titanic’ Is My Favourite Film. There, I Mentioned It.

I had a date a year ago and the guy asked me what my favorite movie was. A simple question, but I stammered. His brow furrowed. “Didn’t your profile say you love movie quotes?”

I didn’t want to reveal the truth – at least not anytime soon – so I hid behind the Criterion Collection (“La Strada”, “Rebecca” etc.). Then a scene flashed in my head – a hint of music, a huge hat: “You can blow about some things, Rose, but not about the Titanic!”

A woman’s heart is a deep ocean of secrets; My secret is that I love Titanic. This has been true since I was 10 years old crying uncontrollably on my mother’s lap in a darkened theater. Like the on-screen kids saying goodbye to the doomed steamer, I marveled at the magnitude of what passed before my eyes: a full history lesson and a devastating romance between a first-rate passenger named Rose (Kate Winslet) and a dreamer below deck called Jack (Leonardo DiCaprio). Until then, my cultural diet consisted of Rodgers and Hammerstein singalongs and the Disney canon. “Titanic” – delighted, tragic, real – was an awakening. In just over three hours, the film colored all my ideas about adult life: love, loss, female struggle, the unbreakable bond of a string quartet.

For my child, “Titanic” was incredibly big: it felt like the film encompassed the entire mysterious realm of human life. It was clearly the most powerful experience I’ve ever had with a work of art – but I was 10 years old. I couldn’t fully understand this feeling of transcendence, so I kept looking at it. I saw the film three times when it was released in 1997. The following year when it came out on VHS – a fat brick of a box set neatly split into two happy and sad acts – I routinely popped up in the fore-iceberg with duct tape to enjoy with my after-school snack. I began to focus on improbable features of the film and enjoyed the banal dialogue of its supporting characters: the clueless gray beards (“Freud? Who is he? Is he a passenger?”); the poetry of the bridge (“Take them to sea, Mr. Murdoch. Let’s stretch their legs”); the snobbery of Rose’s mother (“Depending on the class, will the lifeboats be seated? I hope they aren’t too full”).

As I matured, I stopped looking around regularly, but the movie kept playing in my head. I was a melancholy indoor girl myself, and Rose perfectly expressed my teenage boredom: “Same close people, same pointless chatter.” Even in the face of more complex ideas and challenges – like the difficulties of gender politics or the problems of class – I supported me to their casual wisdom and brilliant sentimentality. The movie’s unsubtle gender commentary was starting to feel revolutionary. (“Of course it’s unfair,” says the cool matriarch as she pulls the strings on her daughter’s corset. “We’re women.”) In the late 1990s, everyone I knew adored the Titanic, but I felt it in my heart My own love affair was special.

It was clearly the most powerful experience I’ve ever had with a work of art – but I was 10 years old.

However, late-night jokes and two decades’ worth of revisionist hot takes have shrouded my feelings of affection in deep shame. (Just last month, “The Iceberg That Sank Titanic” appeared on Saturday Night Live complaining, “Why are people still talking about it?”) The older I got, the more my continued admiration felt like some sort of typo in my development, a box I accidentally checked when applying for adulthood. I told myself it was just a guilty pleasure. How could it be anything else? To say that “Titanic” is my favorite movie would be like saying that my favorite picture is the “Mona Lisa”: it suggests a lack of discernment.

But for me the breadth of the film is just right. What snarky critics don’t appreciate is that the movie is a meme because it’s a masterpiece. The film has become a cultural shortcut, a way of talking about ideas bigger than ourselves – mythical subjects like hubris, love, and tragedy – while also making a joke. (Has any line captured our collective quarantine mood more than that old chestnut “It’s been 84 years …”?) It also won 11 Oscars.

Last January, for the first time in ten years, I decided to watch the film from start to finish. When I was young – 1 year in my tape – I was blinded by the spectacle of the film. And yes, watching one more time, I fell for it all the old ways: Jack’s good looks, Rose’s Edwardian hiking suit, the allure of a real party. But as the camera panned over the sleeping elder Rose, I sobbed and saw the images of her life after the Titanic – riding on the beach, climbing a flying machine in Amelia Earheart cosplay, posing in a glamor shot on set.

After a year of great loss, the pathos of this moment struck me differently. Don’t worry about her heart – her life went on. She survived a disaster and led a life so full that the experience became just a memory. It was the message in a bottle that I needed, one of many the Titanic has sent me over the years. I imagine that I will receive this news forever – even as an old lady, warm in her bed.

Jessie Heyman is the Editor-in-Chief of Vogue.com.

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Business

From ‘unloved’ to ‘favourite,’ Britain’s inventory market rides a wave.

The start of 2021 was rocky for the UK. Leaving the European Union sparked enormous bureaucracy that has desperately sought help from some industries, and the country is once again in lockdown due to a rapidly spreading strain of the coronavirus.

But there was a glimmer of hope. In the UK, more than four million people have been partially vaccinated against the coronavirus, a promising rate of vaccination.

Investors seeking a wave of optimism about vaccine rollouts have turned to the UK stock market, which had a strong start to the year, rising more than 6 percent in the first week.

In the first two and a half weeks of January, the FTSE 100, the UK’s benchmark index for large companies, rose 4.3 percent, outperforming the S&P 500 index, which was up 2.6 percent, and the Stoxx Europe 600 index, which was up 3 percent. Even when the profits are converted into US dollars, the FTSE 100 still has a clear head start.

In addition to the introduction of vaccines to help secure an economic recovery, another factor is attracting investors: the relative cheapness of UK stocks.

The UK FTSE 100 index benefits from an investment strategy in which traders buy so-called value stocks. These are companies that are believed to be trading below their real value because their business has been disrupted by a recession, particularly in the financial and energy sectors, and the FTSE 100 has a large stake in these stocks.

Citigroup analysts have made the UK stock market their “preferred” stock market.

“I would like to stress that the very unloved and terribly horrific UK market might be worth a look this year,” said Robert Buckland, a Citigroup equity strategist, in a presentation last week. “We all know it’s been a place to avoid for many, many years.”

Updated

Jan. 21, 2021, 8:46 ET

The UK stock market has been lagging behind for years. The last time the FTSE’s earnings looked better than the US and European benchmarks was in 2016, when a sharp fall in the pound boosted the profits of the FTSE 100 companies, which have three-quarters of their sales overseas.

When converted to US dollars, the FTSE 100’s annual return was the worst of the three indices over the past nine years.

Why are investors now betting on a trend reversal? For one, a lot of them are ready for a bargain. The bull market for stocks has been dominated by expensive stocks in American tech companies, which makes some investors nervous about how much they can go further. An alternative is cheap stocks in industries that tend to do well in times of economic recovery.

And then there is the UK’s free trade agreement with the European Union. Some investors put aside the details of whether it was a good deal or a bad deal to make it easier for an agreement to finally be reached in late December.

The deal “reduced the uncertainty of the overhang people,” said Caroline Simmons, the UK’s chief investment officer at UBS Global Wealth Management. And it could encourage the return of foreign investors who were deterred by Brexit, she said. Up until last week, the Swiss asset management company stated for the first time since 2013 that UK stocks were among its most preferred deals.

Two Schroders wealth managers in London are hoping that interest in large companies will return to smaller companies that are lagging behind. Rory Bateman and Tim Creed raised £ 75 million ($ 102 million) in December for their British Opportunities Trust, a fund that will invest in public and private companies that are affected by the pandemic but that they expect to be they recover with a little more capital.

The vaccines were the “beginning of the mood reversal in Britain,” Bateman said. “The momentum is definitely shifting.”

However, this strategy depends heavily on the success of the vaccine launch and can easily be reversed by signs of delays in manufacture or distribution. And the UK stock index could fall back to the bottom of the stack.

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Health

74 of Our Favourite Details for 2020

Unsere Redakteure sammeln jeden Tag die interessantesten, auffälligsten oder entzückendsten Fakten, die in Artikeln in der gesamten Zeitung erscheinen. Hier sind 74 aus dem vergangenen Jahr, die am aufschlussreichsten waren.

30. Dezember 2020

1. Japans Rechtssystem hat eine Verurteilungsrate von 99 Prozent.
Carlos Ghosn, zu Hause, wartet aber auf den nächsten Schritt

2. Das Fischen ist nach dem Holzeinschlag nach wie vor der zweitgefährlichste Beruf der Vereinigten Staaten.
Von eisigen Meeren überholt, Stunden vor der Hilfe, gab es wenig Überlebenschancen

3. McSorleys Old Ale House, 1854 im East Village gegründet, servierte Abraham Lincoln und John Lennon Bier.
Nach 190 Jahren vermeidet die berühmteste Bar, von der Sie noch nie gehört haben, den letzten Anruf

4. Das Lehigh Valley im Osten von Pennsylvania liegt acht Autostunden von einem Drittel der amerikanischen Verbraucher entfernt.
Was die Wiedergeburt dieses alten Stahlzentrums für Trump bedeutet

8. In Thailand hat das Militär seit dem Ende der absoluten Monarchie im Jahr 1932 18 Staatsstreiche durchgeführt.
Der thailändische Soldat beim Massenschießen hatte einen geschäftlichen Konflikt mit seinem Kommandanten

9. Ungefähr 95 Prozent der ägyptischen Bevölkerung leben auf ungefähr 4 Prozent des Landes, einem Grüngürtel, der ungefähr halb so groß ist wie Irland, der dem Nil folgt, wenn er sich durch die Wüste schlängelt, und dann ins Nildelta hinausfächert.
Wenn die ägyptische Bevölkerung 100 Millionen erreicht, ist die Feier gedämpft

10. Zweimal am Tag senkt die Ebbe der Themse den Wasserstand in einigen Gebieten um bis zu 20 Fuß.
Mudlarks durchsuchen die Themse, um 2000 Jahre Geheimnisse aufzudecken

11. In den 1960er Jahren wurden Konzertbesucher in den Fillmore-Theatern von Bill Graham in New York und San Francisco mit Fässern begrüßt, in denen kostenlose Äpfel angeboten wurden.
In Trippy Times kümmerte sich Bill Graham um die Realität

12. Für Jahrzehnte nach der Geburt der modernen Fotografie im Jahr 1839 war eine der häufigsten Anwendungen der Technologie eine professionell aufgenommene Fotografie eines toten Familienmitglieds.
Das iPhone am Sterbebett

13. Die Scott Paper Company war das erste Unternehmen, das 1890 Toilettenpapier mit Papprollen einführte.
Meine unermüdliche Suche nach einem Tubeless Wipe

14. Aus Angst, sie könnten nach dem ersten Luftangriff auf London im Zweiten Weltkrieg einen Mangel an Holz für Särge haben, glaubten Beamte des britischen Innenministeriums, sie müssten Tausende von Menschen in Pappe oder sogar Pappmaché begraben.
Wie Churchill Großbritannien vom Rande zurückbrachte

15. Laut einer Studie des United States Institute of Peace aus dem Jahr 2008 werden fast 90 Prozent der Frauen in Afghanistan in ihrem Leben irgendeine Form von häuslicher Gewalt erfahren.
Sie haben ihre Ehemänner getötet. Jetzt im Gefängnis fühlen sie sich frei.

16. Bei einem Konzert in Wien im Jahr 1808, seinem letzten öffentlichen Auftritt als Pianist, enthüllte Beethoven die Fünfte Symphonie, die Sechste „Pastorale“, das Vierte Klavierkonzert und „Chorfantasie“.
Rückblick: Beethovens größtes Konzert, jetzt mit Hitze

17. Eine im März in Nature Climate Change veröffentlichte Studie ergab, dass bis zum Ende dieses Jahrhunderts mehr als die Hälfte der Sandstrände der Welt verschwinden könnten.
Die ursprünglichen Long Islander kämpfen, um ihr Land vor einem steigenden Meer zu retten

18. In den 24 Jahren, seit sie zusammen in „Wie man erfolgreich Geschäfte macht, ohne es wirklich zu versuchen“ auftraten, verlobten sich Sarah Jessica Parker und Matthew Broderick, heirateten und hatten drei Kinder, handelten aber nicht zusammen.
Matthew Broderick und Sarah Jessica Parker verbringen die Nacht zusammen

19. Der Gipfel des Mount is Everest ist etwa so groß wie zwei Tischtennisplatten.
Nach dem tödlichen Stau am Everest verzögert Nepal neue Sicherheitsregeln

25. Rund 42 Prozent der amerikanischen Erwachsenen – fast 80 Millionen Menschen – leben mit Fettleibigkeit.
Fettleibigkeit im Zusammenhang mit schwerer Coronavirus-Krankheit, insbesondere bei jüngeren Patienten

26. König Saud, Saudi-Arabiens zweiter König, zeugte 53 Söhne und 57 Töchter mit zahlreichen Frauen und Konkubinen.
Nach einem Jahr der Stille bittet eine inhaftierte saudische Prinzessin um Hilfe

27. Vor der industriellen Revolution waren Donner, Kirchenglocken und Kanonenfeuer die Hauptlärmquellen.
Laut, lauter, am lautesten: Wie klassische Musik anfing zu brüllen

28. Vor der Küste der Bronx befand sich auf Hart Island, wo sich heute ein Friedhof für Obdachlose und nicht identifizierte Leichen befindet, einst Stadtgefängnisse, ein Gefangenenlager im Bürgerkrieg und eine Irrenanstalt für Frauen.
Wie Covid-19 uns gezwungen hat, das Undenkbare zu betrachten

29. Ratten müssen ständig nagen, weil ihre scharfen, harten Schneidezähne während ihres gesamten Lebens kontinuierlich wachsen – etwa vier oder fünf Zoll pro Jahr.
Oh, Ratten! Endlich Ihr Auto bewegen? Sie können eine Überraschung bekommen.

30. George Washington überlebte Pocken, Malaria (sechsmal), Diphtherie, Tuberkulose (zweimal) und Lungenentzündung.
Was die Geschichtsbücher nicht über George Washington erzählen

31. Wenn sie ein Land wären, würden Kühe vor Brasilien, Japan und Deutschland der sechstgrößte Methangasemittent der Welt sein.
Das Geschäft mit Rülpsen: Wissenschaftler riechen Gewinn bei Kuhemissionen

32. Disneys acht Filmstudios kontrollierten 2018 40 Prozent der heimischen Kinokassen.
Für Walt Disney Co., ein angeschlagenes Imperium

33. Im Mai hatten Elon Musk und seine Freundin Claire Boucher, die als Grimes bekannte Musikerin, ein Kind und nannten ihn X Æ A-12.
Tesla-Besitzer versuchen, Elon Musks ‘Red Pill’-Moment zu verstehen

34. Richard Scherrer, der Ingenieur, der zuerst im Patent für Lockheeds F-117-Stealth-Flugzeug aufgeführt war, hatte in den 1950er Jahren Mondschein gemacht, um einige der Fahrten in Disneyland zu planen, darunter Dumbo the Flying Elephant.
Blick auf den Krieg über 2.500 Jahre

35. Pilze können darauf trainiert werden, Zigarettenkippen, gebrauchte Windeln, Ölverschmutzungen und sogar Strahlung zu essen.
Egal, ob Sie eine Mahlzeit zubereiten oder eine Ölpest reinigen, dafür gibt es einen Pilz

36. Im März, als sich die Coronavirus-Pandemie verschärfte, kauften die Amerikaner zwei Millionen Waffen, den geschäftigsten Verkaufsmonat seit Januar 2013.
Opfer des Schießens durch den Vater der Schule übernimmt Smith & Wesson

37. Es kann Billionen von Virusarten auf der Welt geben. Von ihnen sind einige hunderttausend Arten bekannt, und weniger als 7.000 haben Namen.
Monster oder Maschine? Ein Profil des Coronavirus nach 6 Monaten

38. Brooks Brothers, das Henry Sands Brooks 1818 in Manhattan gründete, ist die älteste im Dauerbetrieb befindliche Bekleidungsmarke in den USA.
Brooks Bros., ‘Made in America’ Seit 1818 braucht möglicherweise bald eine neue Visitenkarte

39. Laut Untersuchungen des Economic Policy Institute verdienen schwarze Frauen im Durchschnitt 64 Cent für jeden Dollar, den ein weißer Mann verdient.
Die starke rassische Ungleichheit der persönlichen Finanzen in Amerika

40. Eine Studie des Ökonomen Enrico Cantoni zum Wahlverhalten ergab, dass eine Viertelmeile größere Entfernung von einem Wahllokal die Wahl um 2 bis 5 Prozent reduzierte.
Für Rassengerechtigkeit benötigen Mitarbeiter bezahlte Stunden für die Abstimmung

41. “Vom Winde verweht” ist nach wie vor der inflationsbereinigte Film mit den höchsten Einnahmen aller Zeiten.
Der lange Kampf um “Vom Winde verweht”

42. In den letzten fünf Jahren hat die Polizei in Minneapolis siebenmal so viel Gewalt gegen Schwarze angewendet wie gegen Weiße.
Die Polizei in Amerika ist kaputt und muss sich ändern. Aber wie?

43. Nur eine bestimmte Erdnuss, die für die richtige Größe und das Aussehen ihrer Schale gezüchtet wurde, macht den Schnitt für den Baseball-Handel. Es heißt Virginia und wächst in diesem Bundesstaat, aber auch in Carolinas, Texas und in geringerem Maße in New Mexico.
Ballpark Peanuts, ein klassisches Sommervergnügen, wurden auf eine Bank gesetzt

44. Ghulam Sarwar Khan, der pakistanische Luftfahrtminister, teilte dem Parlament im Juni mit, dass von rund 860 Piloten, die für pakistanische Luftfahrtunternehmen arbeiten, 260 betrügerische Lizenzen hatten.
Die Aussetzung des europäischen Luftraums ist der jüngste Schlag für Pakistans problematische Fluggesellschaft

45. Das Wort „Homosexualität“ wurde 1869 vom österreichisch-ungarischen Schriftsteller Karl-Maria Kertbeny geprägt.
Nicht mehr übersehen: Karl Heinrich Ulrichs, wegweisender schwuler Aktivist

46. “Brave New World”, Aldous Huxleys Science-Fiction-Roman von 1932, spielt in einer Zukunft mit chemischer Geburtenkontrolle, Stimmungsstabilisatoren, Gentechnik, Videokonferenzen und Fernsehen.
“Schöne neue Welt” kommt in der Zukunft, die es vorhergesagt hat

47. Wir atmen ungefähr 25.000 Mal am Tag.
Atme besser mit diesen neun Übungen

48. Die Self-Storage-Industrie begann in den 1960er Jahren, als der zunehmende Konsumismus die Amerikaner dazu veranlasste, mehr Sachen zu kaufen, als sie Platz hatten.
Amerikaner hocken sich nieder und bedrohen die Self-Storage-Industrie

49. Mit 17 Jahren verließ Lucille Ball ihre High School im Bundesstaat New York für den Broadway, nur um zu erfahren: „Sie haben es einfach nicht. Warum gehst du nicht nach Hause? “
Die ‘Wildcat’-Episode oder Hat der Broadway Lucy geliebt?

50. Der Satz von Bayes ist ein Mittel zur rationalen Aktualisierung Ihrer früheren Überzeugungen und Unsicherheiten auf der Grundlage beobachteter Beweise.
Wie man wie ein Epidemiologe denkt

51. Nachdem der Käfer Regimbartia attenuata von einem Frosch verschluckt wurde, kann er den Darm der Amphibie hinunterrutschen und sie zum Kacken zwingen, wobei sie verschmutzt, aber lebendig auftaucht.
Es gibt zwei Wege aus einem Frosch. Dieser Käfer hat die Hintertür gewählt.

52. Penicillin, das 1928 entdeckt wurde, hätte die Lungenentzündung besiegt, bei der während der Influenzapandemie 1918 viele Menschen ums Leben kamen.
In New Yorks Coronavirus Surge, einem erschreckenden Echo der Grippe von 1918

53. Der Fauststoß wurde angeblich von Fred Carter, einem energiegeladenen NBA-Spieler der 1970er Jahre, populär gemacht.
Werden wir jemals wieder (professionell) berühren?

54. Bevor Dorothea Lange 1936 ein berühmtes Foto von Florence Owens Thompson machte, das als „Migrant Mother“ bekannt war, fuhr sie 20 Meilen an dem Lager vorbei, in dem Frau Thompson wohnte, bevor sie sich entschied, sich umzudrehen.
Amerika am Rande des Hungers

55. Die Strände von Spitzbergen, einem norwegischen Archipel, sind mit „Specksteinen“ bedeckt – Kies, vermischt mit Fett, Spuren der Massenmorde an Robben und Walen.
Trauer und Geologie nehmen sich Zeit im Buch der Unregelmäßigkeiten.

56. Martha Stewart, die eine Reihe von CBD-Produkten, darunter Pâte de Fruit, anbietet, wurde von Snoop Dogg, einer Freundin, bei Comedy Central’s „Roast of Justin Bieber“ 2015 in die palliativen Wirkungen von Cannabis eingeführt.
Martha Stewart, auf CBD gesegnet, reitet die Pandemie aus

57. In den Vereinigten Staaten haben sich die lebenslangen Haftstrafen seit den 1980er Jahren vervierfacht.
Kunst machen, wenn ‘Lockdown’ Gefängnis bedeutet

68. Sportmannschaften besuchten das Weiße Haus zum ersten Mal im Jahr 1865, als Präsident Andrew Johnson die Washington Nationals und Brooklyn Atlantics von Baseball begrüßte.
Selbst mit einem neuen Präsidenten wird der Sport im Weißen Haus nicht derselbe sein

69. Früher selten vor den Stränden Südkaliforniens, tauchen immer häufiger Weiße Haie auf. Die Neuankömmlinge sind meist Junghaie, die das warme Wasser näher an der Küste bevorzugen.
Als Haie an ihrem Strand auftauchten, riefen sie Drohnen herbei

70. Im Laufe der Jahre wurden viele Geschichten über die Inspiration für das Lied „Lola“ von den Kinks erzählt. Der Sänger der Gruppe, Ray Davies, sagte, es stamme von einer Begegnung im Castille Club, einem Pariser Nachtlokal, das die Gruppe besuchte.
Ray Davies über 50 Jahre ‘Lola’

71. Unterirdisch bilden Bäume und Pilze Partnerschaften, die als Mykorrhizen bekannt sind: Fadenförmige Pilze umhüllen und verschmelzen mit Baumwurzeln und helfen ihnen, Wasser und Nährstoffe im Austausch gegen einige der kohlenstoffreichen Zucker zu extrahieren, die die Bäume durch Photosynthese herstellen.
Das soziale Leben der Wälder

72. Der olympische Rennstar Rafer Johnson war 1968 Stammspieler in Robert F. Kennedys Präsidentschaftskampagnen-Gefolge. Johnson half bei der Bekämpfung von Sirhan Sirhan, nachdem der Attentäter Kennedy im Ambassador Hotel in Los Angeles erschossen hatte.
Erinnerung an Rafer Johnson in einem langen Jahr verlorener Sportlegenden