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World News

An Experimental H.I.V. Vaccine Fails in Africa

An advanced H.I.V. vaccine trial in Africa has been shut down after data showed the shots offered only limited protection against the virus, researchers announced on Tuesday.

The vaccine, made by Johnson & Johnson, is one in a long line found to offer little defense against H.I.V., one of medicine’s most intractable adversaries. One candidate vaccine even increased the risk of infection.

Another trial was halted last year in South Africa after a different experimental vaccine failed to offer sufficient protection. Some 1.5 million people were infected with H.I.V. worldwide in 2020, and 38 million are living with the infection.

Scientists were dismayed by the most recent failure.

“I should be used to it by now, but you’re never used to it — you still put your heart and soul into it,” said Glenda Gray, the principal investigator of the trial and chair of the South African Medical Research Council. Dr. Gray has been working to develop an H.I.V. vaccine for more than 15 years.

Entirely new approaches may be needed. This month, Moderna announced that it would test a vaccine based on the mRNA platform used to devise the company’s coronavirus vaccine.

The trial, called Imbokodo, tested an experimental vaccine in 2,600 young women deemed at high risk of H.I.V. infection in five sub-Saharan African countries. Women and girls accounted for almost two-thirds of new H.I.V. infections in the region last year.

The trial was funded by Johnson & Johnson, the Bill and Melinda Gates Foundation, and the National Institutes of Health.

The vaccine relied on an adenovirus called Ad26, modified to carry fragments of four H.I.V. subtypes into the body in hopes of provoking an immune response that might defend against infection.

Mitchell Warren, executive director of AVAC, an advocacy group that lobbies for AIDS prevention and treatment, said the cancellation of the trial was a “reality check” amid excitement about new vaccine technologies.

“It’s a grand reminder that H.I.V. is a pathogen unlike any other in its complexity,” he said. “We know the platform worked, but what do we put in it? Because this virus is infecting the exact same immune system that we’re trying to boost with a vaccine.”

Participants in the Imbokodo trial, which began in 2017, were given two initial shots and two boosters over the course of a year. Researchers tracked the numbers of new infections in the placebo and vaccine groups from the seventh month (one month after the third vaccination) through the 24th month.

Over two years, 63 of 1,109 participants who received the placebo were infected with H.I.V., compared with 51 of 1,079 participants who received the vaccine — giving the vaccine an efficacy rate of 25 percent.

Earlier studies, including one carried out in Thailand, had indicated that the kind of antibodies this vaccine provoked might be sufficient to offer good protection from H.I.V. for at least an initial period of time.

“But in South Africa, the higher rates of H.I.V. incidence means you need something much more potent,” Dr. Gray said. “The kind of immune responses that were induced were just not enough to stop the high attack rates we see in Africa.”

When the disappointing data showed a low efficacy rate, guidelines set up before the trial dictated it should be shut down. A vaccine that offered only 25 percent protection risked giving women a “false sense of security,” Dr. Gray said.

But a parallel trial that uses a different iteration of this vaccine will continue, Johnson & Johnson said. It is being tested on men who have sex with men and transgender people, in eight countries including Poland, Brazil and the United States.

That study, called Mosaico, is testing the vaccine against different subtypes of H.I.V. in different populations, and could produce different efficacy results.

Dr. Gray said that the lesson from the failed trial lies in figuring out why it worked for the 25 percent of people who were protected and not for the others, and then trying to translate those clues into a recipe for a future vaccine.

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Health

Zoo Animals Are Getting Experimental Coronavirus Vaccines

The Oakland Zoo in California started this week with bears, mountain lions, tigers and ferrets, the first of about 100 animals to receive an experimental vaccine against the coronavirus this summer.

Zoetis, a veterinary drug company, is donating 11,000 doses of the vaccine to approximately 70 zoos, sanctuaries, universities, and other wildlife sanctuaries in 27 states, and Oakland Zoo is one of the first to benefit. The vaccine is only intended for animals, is going through a different approval process than for humans and cannot be used to protect humans.

“It means a lot more safety for our beautiful animals,” said Dr. Alex Herman, vice president of veterinary services at Oakland Zoo. “Our very first animals to be vaccinated in the zoo were two of our beautiful and older tigers.”

There were no cases of animals infected with SARS-CoV-2, the virus that causes Covid in humans, at the Oakland Zoo. But the zoo has taken extraordinary precautions, said Dr. Herman, by asking the zookeepers to keep a safe distance from the animals and to wear protective equipment.

However, big cats and other endangered animals such as gorillas have been infected in zoos in the United States and elsewhere. The San Diego Zoo vaccinated monkeys in February with the Zoetis vaccine, which was first tested on minks.

The New Jersey-based company made the same experimental vaccine available to Oregon mink farmers after the state ruled this spring that all mink it farms must be vaccinated. The US Department of Agriculture approved the vaccine for experimental use “on a case-by-case basis,” said Christina Lood, senior communications director at Zoetis.

The vaccine donation is the latest development in the patchwork response to animals infected with the virus.

Since the beginning of the pandemic, pet owners, zookeepers, fur keepers and scientists all have had their own specific concerns about animal infections. Pet owners have been concerned about the health of beloved cats and dogs, while epidemiologists and public health officials have warned that some species – domestic or wild – could become reservoirs where the virus can live and mutate, even if the world tries to fight it In people.

The U.S. Department of Agriculture has not considered vaccine candidates for cats or dogs, and veterinarians have consistently found that there is no evidence that pets can transmit the virus to humans. However, the virus was transmitted to humans from the cultured mink.

Updated

July 2, 2021, 5:06 p.m. ET

However, scientists continue to determine that both cats and dogs get the virus from their owners. Cats are more susceptible, and although most have mild symptoms, several studies have reported cats with severe symptoms. A cat in the UK had to be euthanized.

Dr. Dorothee Bienzle, a veterinarian and immunologist at the University of Guelph in Ontario, who recently completed a study of cats and dogs in households with people with Covid, found several cases of cats with severe symptoms. However, she said that all other diseases should have been ruled out in order to definitively assign the symptoms to the coronavirus; this was not possible in their study, which depended on blood samples and descriptions of symptoms from the owners.

Dr. Karen Terio, a veterinarian and pathologist at the University of Illinois Veterinary School at Urbana-Champaign, repeated that sentiment, saying, “I have heard of cats with severe clinical symptoms but have not seen any cases where they could confirm the signs were on SARS-CoV-2. “

At the latest online meeting of the European Congress of Clinical Microbiology & Infectious Diseases, Dr. Bienzle preliminary research that she and her colleagues had conducted.

They first tested cats and dogs in households where people tested positive for the coronavirus. “We focused on a likely positive population group,” said Dr. Bienzle.

They found that, as expected, more cats than dogs tested positive, 67 percent versus 43 percent. In cats, too, the time they spent with their owners, especially sleeping in the same bed, increased the risk of infection. This was not the case with dogs.

The researchers then tested cats that were taken to animal shelters and cats that were taken to inexpensive clinics for neutering. These cats, not known to have lived with infected humans, had a remarkably lower rate of infection, 9 percent in cats in shelters and only 3 percent in cats brought to clinics.

Dr. Bienzle said the advice to pet owners has remained consistent throughout the pandemic. If you have Covid, isolate yourself from your pets as you would from a human. Neither the United States nor Canada endorses vaccination of pets. Dr. Bienzle said that human transmission to the animals could be prevented through social distancing and masks.

Researchers in protected areas and those who work with endangered species like bats have taken stricter measures to keep the animals safe from infection.

For zoos, the question is not whether to vaccinate, but how to approach the patient if it is a tiger. “With a lot of positive reinforcement,” said Dr. Herman. The zoo trains its animals by giving them rewards so that they can voluntarily be stung. It’s pretty much the same idea as getting a lollipop after a shot, though animals are more willing to volunteer than humans.

“The tiger is leaning against the fence,” said Dr. Herman. “The thousand-pound grizzly bear is leaning against the fence.”

Good tiger. Good bear.

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Health

San Diego Zoo Apes Get an Experimental Covid Vaccine

The San Diego Zoo gave nine monkeys an experimental coronavirus vaccine developed by Zoetis, a large veterinary drug company.

In January, a group of gorillas in the zoo’s Safari Park tested positive for the virus. Everyone is recovering, but the Zoo asked Zoetis for help vaccinating other monkeys. The company provided an experimental vaccine that was originally developed for pets and is now being tested in mink.

Nadine Lamberski, conservation officer and animal health officer at San Diego Zoo Global, said the zoo vaccinated four orangutans and five bonobos with the experimental vaccine, which is not intended for use in humans. Among the orangutans vaccinated was a monkey named Karen, who made history when she became the first orangutan to undergo open heart surgery in 1994.

Dr. Lamberski said a gorilla in the zoo should also be vaccinated, but the gorillas in the wildlife park had a lower priority because they had already tested positive for infections and had recovered. She said she would vaccinate the gorillas in the wildlife park when the zoo received more doses of the vaccine.

Mahesh Kumar, senior vice president of global biologics at Zoetis, said the company is increasing production, largely due to the pursuit of a license for a mink vaccine, and will provide more doses to San Diego and other zoos if possible. “We have already received a number of inquiries,” he said.

Infection in monkeys is a major concern for zoos and conservationists. They are easily susceptible to human respiratory infections and the common cold virus has caused fatal outbreaks in chimpanzees in Africa. Genomic research has shown chimpanzees, gorillas and other monkeys are susceptible to SARS-CoV-2, the virus that caused the pandemic. Laboratory researchers use some monkeys, like macaques, to test drugs and vaccines and develop new therapies for the virus.

Updated

March 5, 2021, 8:37 a.m. ET

Scientists are concerned not only about the threat the virus poses to great apes and other animals, but also about the potential of the virus to enter a wildlife population that could become a permanent reservoir and emerge at a later date around the world Re-infecting people.

Infections with mink farms have caused the greatest horror so far. When Danish mink farms were destroyed by the virus, which can kill mink as well as humans, a mutated form of the virus emerged from the mink and re-infected people. This variant has shown resistance to some antibodies in laboratory studies, suggesting that vaccines may be less effective against them.

According to the World Health Organization, this virus variant has not been found in humans since November. However, other variants have emerged in people in several countries, proving that the virus can become more contagious and, in some cases, affect the effectiveness of some vaccines.

Denmark killed up to 17 million minks, wiping out its mink farming industry. Thousands of minks have died in the United States, and one wild mink tested positive for the virus.

Although many animals, including dogs, domestic cats, and big cats in zoos, have been infected with the virus through natural spread and others have been infected in laboratory experiments, scientists say widespread testing has found the virus in no animal in any animal other than the one mink .

National Geographic first reported on vaccinating the monkeys at the San Diego Zoo.

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Entertainment

Suzi Analogue Desires Black Girls in Experimental Music to By no means Compromise

The 2020 Black Lives Matter protests put renewed pressure on the music industry to question its long-troubled relationship with race. It’s a business that has relied on black talent on stage without investing in black executives behind the scenes. a space where black artists were nudged into specific genres and ways of creation; A place where women and LGBT people were marginalized even further.

None of this was new to Suzi Analogue. 33-year-old Miami-based producer and label owner Maya Shipman has spent most of her career going her own way – offering alternatives to others who want to avoid being boxed.

Analogue chatted from her multimedia studio, filled with widescreen monitors, cassette decks, and keyboards, at the Faena Forum, where she works as an artist-in-residence. It didn’t take long for Analogue to formulate the core of their mission: “Access to capital is a must for black music in the future, especially for creative and cultural organizers who happen to be women who happen to be queer,” she said in the first of two long video interviews. (It just happens to be both.) In this vast, sunlit space, Analogue creates electronic dance music that centers high-speed drums and obscure audio samples – an idiosyncratic sound that is both current and trend-setting.

“When I hear their music, it’s the first time I feel in Tokyo,” said producer Ringgo Ancheta, a well known figure in the underground beat scene known as Mndsgn. “It has the same glamor as raw glamor. It’s like Sun Ra was a woman who dropped a lot of acid and went to raves. “

Because it makes distinctive music in spaces historically reserved for white men, Analogue still flies below the mainstream radar despite a stacked résumé – a decades-long list of critically acclaimed mixtapes and collaborative albums. Not only does she release her own hard-to-describe work with Never Normal Records, the imprint she created in 2013, but it also provides a platform for other like-minded artists to do the same.

In the mainstream industry, “there isn’t much room to find your own creative direction,” said Analogue. “People will say, ‘Oh, we don’t know how to market this.’ This is a collective term for discrimination and racism in the music business. “

Analog interest in music began early and arose in several regions on the east coast. Her family moved from Baltimore to Quincy, Massachusetts as a toddler, and after their parents separated, she and her mother moved to Prince George, Virginia, 30 minutes south of Richmond. Your father is from the Bronx; She visited him there in the summer months and was exposed to the hip hop culture first hand. “When I was growing up, listening to music from everywhere was nothing,” she said.

In elementary school, she made friends with the military children who had moved to Prince George from countries like Japan or Germany, and they introduced her to their local music. As a second grader, she and several other girls shared a love of R&B trio TLC and “started a small music group and sang at our class meeting at the end of the year,” said Analogue. “I think we sang Boyz II Men. But it was me, I put it together. “

As a child she knew that she didn’t just want to be a singer or a producer: “I think I always felt like I was doing more, like, ‘I don’t just want to sing someone’s song, I will sing my own song. “During the day she sang R&B and opera; At night she listened to local rap on the FM radio.

Analog was a teenager when two other Virginia residents, Missy Elliott and Timbaland, started making waves. Other early influences were locals like Teddy Riley (who moved from Harlem to Virginia Beach) and Pharrell Williams; They all did advanced R&B and flourished commercially, despite living outside of the big cities known as funnels to the industry.

After high school, Analogue went to Temple University in Philadelphia; Lured by the community there, which had grown out of the website and message board Okayplayer, she wanted to connect with like-minded creators outside of the south. She started making beats after friends gave her music production software and later adopted a stage name that is a nod to RZA’s alter ego, Bobby Digital.

“They knew I made songs mostly for school and church,” said Analogue. “I would just do what I could with the download. I remember downloading speeches like Malcolm X speeches from Napster. And I would try to get a little jazz sample to do it. “

That was her first foray into the patchwork production style she is known for today. Analogue created a Myspace account and started sharing their music online, which caught the attention of Glenn Boothe (known as Knxwledge), then a Philly upstart who had become one of the most popular beatmakers in underground music. The two became quick friends. “We were just trying to find our own waves,” said Analog. “I secretly got my own apartment because as an only child I couldn’t make the dormitory. It was good because I could have the crib that people could get through and train in. “

Ancheta lived in southern New Jersey; He traveled to Philadelphia to make music with Knxwledge and Analogue in a collective called Klipmode after talking to her online. “Suzi’s music had these crazy chord progressions,” said Ancheta. “Everything had this strange mixture of organic textures; there was something going on and not there. “

Analogs Sound has always had a global flair and appealed to listeners overseas – its fancy time signatures and stacked drums are well suited for dance floors in West or East Africa – and in her early twenties she published works on international labels. But she never connected with industry at home.

“I never tried to get a big US deal when I started releasing tracks for many reasons, but a big one was that the music I was making was more valued outside of the country it was from “said Analogue. “Some were sniffing around, but I couldn’t mean it, waiting for them to get it.”

She started Never Normal Records out of necessity: “I would say that many of my musical male colleagues before me have received help with the release of music. When I saw that, I just kept building what I was working on. “As a result, their label is a safe place for musicians to defy industry ideas of what their work should be. Acts like multidisciplinary artist Khx05 and EDM producer No Eyes have a free hand to be themselves.

“It could be jungle, gabber, ghetto house, trap, anything. It’s all black music, black heritage, black culture and black traditions, ”said Analog. Despite these black roots in many types of dance music, Analogue said it had been discriminated against in the genre. “Electronic music is heavily whitewashed,” she said. “Anyone who doesn’t know is treated like an anomaly.”

The distortions go beyond colored lines. “We all go through this as women,” said experimental producer Jennifer Hernandez, who records as JWords and released her EP “Sín Sénal” on Analogues’ label last year. “In the beginning I was on these bills and all of these guys were a little uncomfortable,” she said.

While their label has upgraded their profile, Analogue knows their job is far from over. This year she is starting a project that brings producers from the African diaspora together with beatmakers in Africa to create new tracks. She also plans to release new music and visual art from other unconventional black creators while teaching music education workshops in Ghana as a cultural diplomat for the U.S. Department of State.

“Music was always about people,” she said. “It has always been an instrument of connection.” As a black woman, Analog added, she knows exactly what it feels like to “feel like there is no place for me. I want to show other artists that there will always be a place for you. “