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Entertainment

California Misplaced 175,000 ‘Inventive Economic system’ Jobs, Research Finds

Arts officials and elected officials in California on Thursday called for additional government spending to stave off what an organization chief called the “impending cultural depression” sparked by the pandemic.

“There is no economic recovery in our region unless it is powered by a working creative engine,” said Karen Bass, a US Congressman who represents part of Los Angeles, in a video taped for a panel discussion .

“Congress needs to provide additional support to the creative industries and their millions of employees,” she continued, saying that her district can only fully recover if the local arts community leads the way.

Calls for more help were broadcast during a video conference held by Otis College of Art and Design, which released a report on the creative industries. Two business impact assessments by the Californians for the Arts advocacy group on Thursday were also discussed.

According to the Otis College report, total job losses in the “creative industries” between February 2020 and December 2020 reached about 13 percent nationwide and Los Angeles County 24 percent.

During that time, the state lost 175,000 jobs in that economy, including architecture and related services, creative goods and products, entertainment and digital media, fashion and the visual arts.

Updated

Apr. 25, 2021, 7:19 p.m. ET

Californians for the Arts polls were conducted between October 6 and November 20, 2020 and focused on nonprofit arts and cultural organizations. Creative businesses that rely on revenue from ticket sales, contract work, and sales, and commissions from works of art; and individual art workers.

Of the 607 organizations surveyed, 72 percent said they had laid off paid employees and half said they had laid off contractors. Of nearly 1,000 employees surveyed, 88 percent said they would lose income or other art-related income. Some considered giving up artistic work or leaving the state.

Art workers suffer from “fragile economic foundations” and “devastating and immediate loss of income,” said Julie Baker, executive director of Californians for the Arts. “We are facing a California creativity crisis and what is known as a cultural depression.”

Baker said government assistance, particularly unemployment benefits for the self-employed, is vital to the survival of arts organizations and workers and should continue.

She added that the surveys found racial differences in income loss and access to federal funds: those who identified themselves as black or African American reported a loss of income, while an average of 12 percent of those in all other races identified a similar loss.

And 18 percent of black, indigenous or colored people or organizations said they were denied funding under the federal law on aid, aid and economic security for coronavirus. The report added that 5 percent of other people and organizations said they had been turned down.

The panel and polls came a day after the Comptroller’s New York State Office released a report that found employment in New York’s arts, entertainment and leisure sectors rose 66 percent from December 2019 to December 2020 has decreased.

During Thursday’s panel, Ben Allen, a senator who represents a district that includes Santa Monica, West Hollywood, and Los Angeles neighborhoods, said he was calling on fellow Legislators to support a program that was “run by Works Progress Administration Inspired “is the New Deal that would employ artists to spread news about the coronavirus and document experiences during the pandemic.

“The arts can and must play an important role in rebuilding our society and getting us back on track,” he said.

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Business

Academics on TV? Faculties Strive Artistic Technique to Slim Digital Divide

The concept quickly spread to Fox stations in Chicago, San Francisco, and Washington, all of which partnered with local school districts or teacher unions to get teachers on television. (The initiative ended in Houston and Washington after the spring, but it still airs every weekday in San Francisco and Saturdays in Chicago.)

In Houston, an average of 37,000 people watched the show every time it aired in the spring, and about 2,200 people watched the San Francisco version every day this fall, the television network said. We Still Teach, the Chicago version of the program that began in May, reaches 50,000 households in the region every weekend, according to Nielsen.

“We’re not solving the digital divide, but based on my experience of personal connection getting into a viewer’s kitchen or living room, I thought this could be an immediate way to fill that gap,” Ms. Spaulding Chevalier. “We’ll let you know you haven’t been forgotten.”

The educational gap between families who can afford laptops and strong Wi-Fi signals and those who cannot has been well documented and often affects rural areas and color communities. In 2018, 15 to 16 million students did not have adequate equipment or reliable internet connections at home. This comes from a report by Common Sense Media, a child advocacy and media rating group that receives royalties from Internet service providers who distribute their content.

The gap between owners and non-owners has been exacerbated by school closings. As recently as October, at least thousands of students in the United States were unable to enter remote classrooms because they did not have access to a laptop. According to Nielsen, 96 percent of Americans have a working television.

Ms. Spaulding Chevalier’s sister Tamika Spaulding, who is producing the Chicago version of the program with her friend Katherine O’Brien, said they acted urgently.

“There are many plans to close the digital divide, but there are four-year rollout plans,” said Ms. Spaulding. “So what are you doing today for the student who is not getting any educational content?”