Categories
Entertainment

The Workplace Actress Kat Ahn Calls Out the Present’s Racist Jokes

Hollywood’s portrayal of Asian women in the media is historically disturbing. Harmful stereotypes, hypersexualization and fetishization have played a role in onscreen projects for decades, including at NBCs The office. Actress Kat Ahn recently opened up to that Washington Post about how her guest appearance on the “Benihana Christmas” episode of the comedy show led to her being the butt of racist jokes.

In the 2006 episode, Michael Scott (played by Steve Carrell) calls Benihana “Asian Hooters” and marks the arm of an Asian waitress with Sharpie so he can tell her apart from another. Michael’s behavior throughout the show’s tenure is knowingly problematic and is said to be a parody of ignorant bosses at workplaces across the country. For Ahn, however, this story remains hurtful even 15 years later. Ahn said she was “only there to make the joke” and felt powerless. “You should shut up and be grateful,” she said. “Actors have no power until they become a star.”

Ahn previously explained this experience in a TikTok video. “The plot with me and the other Asian American actress is that we were the ‘uglier’ version of the actresses in Benihana,” she said. “Also that all Asians look the same; we are a big monolith; and we’re just a big, walking stereotype with no personality or individuality, which is problematic.” Ahn’s personal life has also been influenced by the show’s racism. Later, a worker in her office tried to tag her arm just like below. He would wipe her discomfort with a sadly typical response and say it was just a joke.

Jenna Fischer and Angela Kinsey, Pam and Angela of the series, agreed that this episode was problematic during their time Office ladies Podcast admitting the Sharpie scene makes them “wince”. Kinsey said, “I just don’t think this story was written today.” Fisher agreed, “I don’t think so either.”

Categories
Entertainment

Cicely Tyson, an Actress Who Shattered Stereotypes, Dies at 96

“It’s easy,” she said. “I always try to be true to myself. I learned from my mother: “Never lie, no matter how bad it is. Never lie to me, OK? You’ll be happier that you told the truth. ‘That stayed with me, and it will stay with me as long as I am lucky enough to be here. “

Cicely Tyson was born in East Harlem on December 19, 1924, the youngest of three children to William and Theodosia (also known as Frederica) Tyson, immigrants from the Caribbean island of Nevis. Her father was a carpenter and painter and her mother was a domestic worker. Her parents separated when she was 10 years old and the children were raised by a strictly Christian mother who did not allow movies or dates.

After graduating from Charles Evans Hughes High School, Cicely became a model and has appeared in Vogue, Harper’s Bazaar and elsewhere. In the 1940s she studied at the Actors Studio. Her first role was on NBC’s Frontiers of Faith in 1951. Her disapproving mother threw her out.

After small film and television parts in the 1950s, she appeared in 1961 with James Earl Jones and Louis Gossett Jr. in the original New York cast of Jean Genet’s “The Blacks”. It was the longest-running off-Broadway drama of the decade, earning 1,408 performances. Ms. Tyson played Stephanie Virtue, a prostitute, for two years and won a Vernon Rice Award in 1962 that kicked off her career.

She helped found the Harlem Dance Theater after the murder of Dr. King in 1968. In 1994, a building in East Harlem where she lived as a child was named after her. it and three others were rehabilitated for 58 poor families. In 1995, a magnet school she supported in East Orange, New Jersey, was renamed the Cicely Tyson School of Performing and Fine Arts.

Her later television roles included that of Ophelia Harkness in half a dozen episodes of the longstanding ABC legal drama “How to Get Away With Murder,” for which she was repeatedly nominated for Emmys and other awards for outstanding guest or supporting actresses (2015) -19 ) and in the role of Doris Jones in three episodes of “House of Cards” (2016).