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Kamala Harris, Douglas Emhoff on CBS Sunday Morning | Video

Kamala Harris, Douglas Emhoff on CBS Sunday Morning | Video

Kamala Harris and Douglas Emhoff have been together for eight years, but they are still learning (fun) things about their relationship. You may know the vice-president-elect and her husband met on a blind date, but did you know Kamala Googled Doug beforehand? I suspect you probably didn’t, as Doug first realized this fun fact with the couple CBS Sunday morning Interview on January 17th.

Hostess Jane Pauley asked Kamala about the couple’s story after they were started by a friend. “You totally googled him, didn’t you?” she joked. Doug was ready for the big “reveal,” as Kamala admitted, “I was never asked that.” Turns out she totally did it.

“It’s so funny you asked me that question,” Kamala said after laughing with her shocked husband. “So yeah, my best friend got us on a blind date. She said, ‘Just trust me. Just trust me.’ She wanted me to just get into it and said, “Don’t Google it.” I did. Doug already knew a little about Kamala (then California’s attorney general) before they met, but he still had a secret to tell about his side of their love story.

“A friend of mine was in town and we were going to a Laker game,” said Doug. “I told him the story. I said, ‘What do you think I should text her.’ We sat in the stands of the Staples Center and came up with this text that was something like, “Hey, it’s Doug.” Embarrassed. I’ll text you. “Sometimes you need a little help from a friend, right? In the end, everything worked out for Kamala and Doug. Watch the cute interview above in full.

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Issues To Do At House

Things To Do At Home

Here you will find a selection of the events of the week and information on how to set them (all times are east). Note that events can change after they are published.

To join Actors, activists, musicians and elected officials in Celebrating Martin Luther King’s birthday hosted by the Brooklyn Academy of Music during this program. BAM describes the festival as the biggest celebration of Dr. King in New York City. This year, Black Lives Matter co-founder Alicia Garza, musician PJ Morton, and poet and actress Ashley August will perform. This event is free.

When 11 clock

Where bam.org/mlktribute

Catch the meditative documentary “Gunda” This is followed by a sow (the title Gunda who lives on a farm in Norway) and her piglet litter for several months. Times critic Manohla Dargis recently described it in a review as “sublime beautiful and deeply moving”. Presented by the Northwest Film Center and the Portland Art Museum, this screening costs $ 11.99 and is only available in the US.

When Anytime until January 21st

Where nwfc.pam.org/gunda

Hear before inauguration day a conversation between actor Martin Sheen, an actor perhaps best known for his role as President Josiah Bartlet on “The West Wing,” and Ken Walsh, a White House correspondent and columnist for US News & World Report. In one of Smithsonian Associates. During the talk presented, Mr. Walsh and Mr. Sheen will report on Mr. Sheen’s decades-long career and the impact of “The West Wing” on the representation of politics on television. Registration ends at 4:30 p.m. and tickets cost $ 25.

When 6:30 p.m. east

Where smithsonianassociates.org/ticketing/tickets/mr-president-evening-with-martin-sheen

Listen to André Aciman, the author of the book “Call me by your name”. Discuss his latest collection of essays, “Homo Irrealis”, presented by Powell’s Books. Speaking to Jonathan Burnham, President and Editor of the Harper Division at HarperCollins, Mr. Aciman will discuss the process of writing his new book, which examines how imagination shapes memories. This event is free.

When 8 p.m.

Where powells.com/eventsupdate

Celebrate the opening of “not in, from, along or in relation to a line”, a NYU Abu Dhabi Art Gallery virtual art exhibition, created to be viewed on a mobile device. Created specifically to be viewed on a mobile device, this exhibit features the work of nine artists and art collectives, including four new commissions specifically responding to the way the pandemic has changed our digital lives. The online opening reception begins at 9:30 am when the co-curators take viewers on a virtual tour of various Zoom rooms to talk to some artists about their work. The opening and the event are free of charge.

When 9:30 a.m. east

Where nyuad-artgallery.org/en_US/our-exhibitions/main-gallery/not-a-line

Sweat it up Yaminah Legohn’s Red Light Special Urban Burlesque Workshop, which will be presented next to House of Yes, a club in Brooklyn. In an interactive dance class, Ms. Legohn will teach students urban burlesque choreography and provide individual feedback while encouraging participants to embrace their femininity and sexuality. This event is for adults aged 18 and over and costs $ 10.

When 7 p.m. east

Where redlight210120.eventbrite.com/? aff = P.

Turn up your stereo and set one up Performance of the musician Arlo parkswhose song “Green Eyes” the critic Lindsay Zoladz described in a review for The Times as “a slightly aching snapshot of the young, strange heartache”. The show, broadcast by the London venue Rough Trade East, will feature selections from Ms. Park’s upcoming album “Collapsed in Sunbeams”. Tickets are $ 7.

When 8 p.m. east

Where dice.fm

Bring your appetite too “Recovery, “A new online exhibition from the National Museum of Women in the Arts. Using recipes, stories, and images submitted by the public, as well as new work by nine different artists, the exhibition explores the role women have traditionally played in providing food and the way food connects communities.

When Anytime after January 18th

Where reclamation.nmwa.org

Learn how to dye fabrics with common household items Online workshop organized by the United States Botanic Garden. In a live class, An-Phuong Ly, a natural dye and textile artist, teaches participants how to use kitchen waste, plant materials, and cooking ingredients to dye fabrics at home. Registration ends on January 22nd at 11:55 pm and participation is limited to 250. This event is free.

When 11:30 a.m.

Where usbg.gov/onlineprograms

Round off the youngest yogis in your family for a yoga class from Cosmic Kids. Many of the offers, which vary in length from just five minutes to half an hour, contain stories and popular characters. A class based on “Cinderella” is a long-running hit, while a new series called “Superhero Kids Yoga in Space!” Has proven to be a new hit. Some videos can be viewed online for free. The entire archive is available on the Cosmic Kids app for $ 10 per month.

When At any time

Where cosmickids.com/watch

Put on your dancing shoes and join in last night of the HotHouse Meets Havana concert series. The show is curated by Chicago-based arts organization HotHouse as part of the annual Havana Jazz Festival and features musicians from Chicago and Cuba, including cellist Tomeka Reid and drummer Ruy López-Nussa Lekszycki. General admission tickets are $ 25.

When 8 p.m. east

Where hothouse.net

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‘Surprise Girl 1984’ | Anatomy of a Scene

‘Wonder Woman 1984’ | Anatomy of a Scene

I am Patty Jenkins. I’m the director of Wonder Woman 1984. “” We need the police here now! ” So this is a scene that we enjoyed so much. It is the first scene in the film that takes place today. The only thing we’ve seen in advance is a look back. And the first scene where we see Wonder Woman as an adult in our film. “What you are doing?” What was most important to me about this scene was that when I was thinking about what we were going to do with the second film, I realized that we wanted to say something much more serious and important than we were saying with the first film. So the immediate thing is, how do you do this and reach the audience that is most important to reaching out with this type of message? Which is the youth audience. It is the heroes of tomorrow who want to inspire you. We wanted to have a fun and engaging playful scene right away, and I’m really excited to be with kids and watch them see that scene. I also longed to see Wonder Woman at the peak of her powers and have a good time to save the day without effort. It’s something I love in so many superhero films. “We won’t do that today.” Where they are only on top of the world and you watch how they take care of everything. Another thing was the 80s of everything. Lynda Carter’s Wonder Woman was such a big moment for Wonder Woman and her story in the world and a big moment for me because that is exactly what I saw as a kid. Playing with that version of Wonder Woman that we hadn’t touched on in the first film made me realize that I wanted to do it in the first place because our story wouldn’t allow it. I have a lot more of it because I’m always with myself deal with the main character’s point of view. Of course, she gets into trouble right away and can’t just let go and have fun. It was a great thing to get into the 80s, but also to use new technology. All of these things, including this setting where these human bodies slam and Wonder Woman jumping over the barrier and flying through the air. 100% real, no digidouble, no special effect to achieve this. This was all wire work that we could design and engineer to get every single move there because no one has ever tried to do something like that in a real place. That was an amazing challenge, great craftsmen, and my great second unit director Dan Bradley, my great stunt coordinator Rob Inch. We just had amazing people working on it and making these magical things possible. And of course my cast here made it a sheer delight. [SIRENS]

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The Arts Are in Disaster. Right here’s How Biden Can Assist.

The Arts Are in Crisis. Here’s How Biden Can Help.

American art institutions shouldn’t give up their independence for crumbs. Especially with the pandemic easing, the more pressing task is to promote richer cultural offerings at the local level. A nimbler and more practical solution to this is a White House office for cultureSimilar to the National Economic Council or the Domestic Policy Council, which could research and coordinate art policy throughout the federal government.

An arts center in the President’s Executive Office – run by a “Dr. Fauci of Culture “- could be sharper and faster than a complete department. This team could help the Treasury Department develop cultural tax policies, advise the education department on music lessons, and liaise with Congress on arts incentives. It is important to ensure that economic funds for states and municipalities whose budgets have been burdened by tax deficits caused by stoppages support and ultimately strengthen the local arts organizations. (“Almost no one has been more injured by Covid than our artists,” New York Governor Andrew Cuomo said this week as he announced a public-private partnership supporting state arts organizations.)

The new administration should too re-establish the President’s Committee on Arts and Humanities, whose members resigned en masse in 2017 following Mr Trump’s reaction to the white supremacist rally in Charlottesville, Virginia. (Artists who stepped down included director George C. Wolfe, writer Jhumpa Lahiri, actor Kal Penn, and architect Thom Mayne.) To use a metaphor that I detest but that politicians seem to like, this committee should Be the hiss of steak that is the bureau of culture. Any transformation this big requires a sales pitch. Well-known actors, writers, and musicians should be the pitchmen who connect Broadway and Hollywood to the city library and school theater.

During last year’s election campaign, Mr. Biden had one sentence that he called almost musically on a regular basis: The election, he always said, was a “fight for the soul of America”. As a piece of political rhetoric, it could just have been a platitude. However, how can I deny that the Capitol’s near-sacking – in a week when the daily Covid-19 death toll hit an unbearable 4,000 Americans for the first time – suggests the United States has seen these last few years some kind of soul death? And if you were treating a patient whose soul was curdled, what kind of medicine could you prescribe?

I have always been careful with arguments about the “necessity” of art. But a mentally ill nation is unlikely to recover if it loses fundamental parts of its humanity. Without actors and dancers and musicians and artists, a society will indeed have lost something necessary – for these citizens, these workers, they are the technicians of a social catharsis that cannot come soon enough. A respiratory virus and riot have left the country breathless in their own way. Artists can teach us to exhale if they’re still with us for years to come.

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Kamala Harris AKA Sorority Founder’s Day Throwback Photographs

Kamala Harris AKA Sorority Founder's Day Throwback Photos

Before Kamala Harris was elected Vice President of the United States, she was a student at Howard University in Washington DC. During her senior year in 1986, Kamala Alpha promised Kappa Alpha (AKA), one of the oldest historically black sororities in the country. On Jan. 15, Harris, who remains a dedicated alum, shared an Instagram post in honor of the Sisterhood’s 113th Annual Founding Day and took some time to remember her college years. “Howard is home for me,” Kamala captioned the post. “This is where I held my first race for the elected office. There I joined my beloved sisterhood Alpha Kappa Alpha – and I am very happy to celebrate our 113th founding day today!”

“You must remember: you are never alone.”

The AKA is a member of the Divine Nine, an organization made up of nine historically black sororities and brotherhoods that want to promote community, solidarity and progress. Kamala’s classmates include Maya Angelou, Toni Morrison, Rosa Parks, Alicia Keys, Ava DuVernay, Coretta Scott King, Ella Fitzgerald, and Phylicia Rashad. “The sororities and brotherhoods that make up the Divine Nine are based on the principle of learning and the principle of faith, which strengthens our responsibility to serve all humanity,” she said at the Virtual Nine rally on October 29, 2020 .

Not only was the elected vice president part of such an influential organization, but she was grateful for the opportunity to explore a variety of subjects – from politics to poetry – while studying while still having time to “hang out” with friends. “For me, that meant going to the National Mall to protest apartheid in South Africa, becoming president of a business club and joining the debate team,” she said, reminding us that it was her before she became a famous one She uses her time to fight for the rights of minorities and the needy.

Looking back on her college years and AKA membership, Kamala had a message of hope to share with those who wanted to follow in her footsteps. “Along the way, Howard taught me that although you will often find that you are the only one in the room who looks like you or who has had the experiences you have had, you must remember: you are never alone.” She wrote. “Your entire bison family will be with you in this room, cheering you on as you speak and speak. We are with you every step of the way.”

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Hong Kong Elvis Impersonator Dies at 68

Hong Kong Elvis Impersonator Dies at 68

“I cried for a long time,” he told The Times, remembering the first time he saw the film. “Elvis: That’s it.”

Mr. Kwok won two Elvis impersonation competitions in the early 1980s, the South China Morning Post reported, but local Chinese fans often mistook him for an imitator of other famous musicians – such as a Beatle or Michael Jackson.

By 1992, Mr. Kwok had quit his job and branded himself the “Cat King,” the Chinese nickname for Elvis. He also had his sights set on an easier quarry: Western expatriates and tourists.

His guitar was sometimes out of tune, his self-taught English a bit rough. (Presley’s first name was misspelled on his business card.)

Still, he made a living saying Elvis was the factory job. Some night owls got to know him as Melvis – no relationship with Relvis, an impersonator in the USA – or as “Lan Kwai Fong Elvis”, a reference to a nightlife in which he often appeared.

Mr Kwok died at the end of a year when coronavirus infections in live music venues caused the government to shut them down for months and empty the sidewalks of its potential customers. Ms. Ma said he spent much of his pandemic downtime watching Elvis videos and playing guitar in his apartment.

Mr. Kwok is survived by his wife Anna and their son and daughter.

His wife, who was also his manager, told the Times in 2010 that she initially did not support his campaign as Elvis. “But then I was moved by his persistence and dedication to the job,” she said.

It’s hard to find a job that you love, she added. “Now that he’s found it, I’m happy to support him.”

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Watch Gal Gadot Struggle Crime on the Mall in ‘Marvel Girl 1984’

Watch Gal Gadot Fight Crime at the Mall in ‘Wonder Woman 1984’

In Anatomy of a Scene, we ask directors to reveal the secrets that go into creating key scenes in their films. Watch new episodes in the series on Fridays. You can also watch our collection of 150+ videos on YouTube and subscribe to our YouTube channel.

Yes, in “Wonder Woman 1984” there are tons of belt bags and mustaches, but also breathtaking action. Set in a ’80s mall (complete with Waldenbooks), this early scene gives the hero a chance to shine more playfully before the film takes a more serious path.

Before the end of the scene, Wonder Woman (Gal Gadot) let some criminals out, saving and delighting children in the process. Director Patty Jenkins recounts the efforts that have been made to perform some of her high-flying stunts. She said she relied on talented, malleable stunt performers and intricate wire work rather than digital doubles.

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Baryshnikov Arts Pronounces Digital Season

Baryshnikov Arts Announces Digital Season

The upcoming digital season at the Baryshnikov Arts Center will premiere seven video works commissioned by the organization in September from artists including Kyle Marshall, Bijayini Satpathy and Justin Hicks. Debuts begin on February 1st with the release of Satpathy’s “Vibhanga”, a piece based on Indian classical dance forms, and end in late June with Marshall’s “STELLAR”, a choreographed result of improvisational sessions he will perform at Zoom This Spring. Each video can be streamed on demand for free for two weeks on bacnyc.org.

“It’s a huge experiment for us, but why not?” Mikhail Baryshnikov, the center’s founder and artistic director, said in an email. “When has there ever been a better time to get creative and rethink our work?”

Baryshnikov said he was intrigued by the dynamics of art exchange over the internet. “The work presented on a digital platform is kind of a massive blind date,” he said. “With such a global reach, the possibilities that someone can make a real connection with what they see are limitless.”

Dance-based work makes up most of the slate: Mariana Valencia’s solo brownout will be available March 1-15, and Stefanie Batten Bland’s collaboration with installation artist Conrad Quesen, “Colonial”, will follow in May.

However, several other interdisciplinary projects are also offered. Hicks’ “Use Your Head for More” combines found sound and spoken text to create a series of portraits (February 15 through March 1). Holland Andrews’ “Museum of Calm” includes vocal music, meditation and performance art (March 15-29); and Tei Blow’s digital installation “The Sprezzaturameron” uses video game technology to tell the story of artists in an apocalyptic near future (May 17-31).

Baryshnikov Arts will continue to share performances from its archive throughout the spring. Planned highlights are the New York premiere of Anne Teresa de Keersmaeker’s dance duet “Verklierter Nacht” from 2019 (April 8-15) and a concert performance by the Tesla Quartet and soprano Alexandra Smither (April 15-22) in 2018.

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Who Is Claudia Jessie From Bridgerton?

Who Is Claudia Jessie From Bridgerton?

The second oldest Bridgerton sister may not get much attention from her family, but the actress who plays Eloise Bridgerton has gotten a lot of fan attention. Bridgerton Breakout star Claudia James has been playing professionally since 2012 when she was cast in an episode of doctors. The English actress landed a recurring role doctors before starring in the TV series carrier, Vanity Fair, and Defend the guilty, among other. We have the feeling that Claudia’s star will only continue to rise thanks to you BridgertonSo we’ve put together everything you should know about the talented actress.

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5 Issues to Do This Weekend

5 Things to Do This Weekend

In May 2019 the dancer and choreographer Bobbi Jene Smith took over the Ellen Stewart Theater in La MaMa in the East Village with “Lost Mountain”, a lively, stormy work of dance theater for 10 dancers and musicians. During the coronavirus pandemic, Smith, who is currently based in La MaMa, has continued to work with members of that cast on some sort of sequel “Broken Theater” to further uncover the strained, almost family-like relationships of the previous project. “We really got into issues like power, love and chaos, which I believe are all around us these days,” Smith said over the phone.

On Friday and Saturday at 7pm and on Sunday at 12pm, La MaMa will stream “In Process With Bobbi Jene Smith,” a recorded program with an excerpt from “Broken Theater” and conversations with some artists. Tickets for each show cost between $ 5 and $ 25 and are available at lamama.org/in-process-with-bobbi-jene-smith.
SIOBHAN BURKE

Pop rock

If you’ve swiped through TikTok at some point in the fall of 2019, you’ve probably heard a sticky hook from Ashnikko’s song “STUPID”. At the height of its popularity, “STUPID” appeared in videos from around three million users of the app. This early hit shows much of what animates its creator’s new mixtape “Demidevil”: lewd antics, bravery, misandry, and dashing one-liners developed for social media (e.g., “I got the teddy bear you gave me put in a blender ”- face this viral challenge).

The release of “Demidevil” – actually Ashnikko’s debut album – is planned for Friday. Often billed as a rapper, Ashnikko makes use of the trap production but leans towards singing on this tape. Her yelpy style is heavily borrowed from pop-punk from the 2000s. She wears this influence with particular pride in “L8r Boi”, a twist on Avril Lavigne’s 2002 smash “Sk8r Boi”. Ashnikko’s R-rated remake indulges in Y2K nostalgia and tries to make the original more feminist.
Olivia Horn

CHILDREN

Trying to teach preschoolers coping skills and yoga movements through a live-stream zoom musical may sound like a recipe for mayhem. Thanks to judicious use of the mute feature (and the help of the parents in attendance), the New York City Children’s Theater made this premise work.

The result is “Forest of Feelings,” created and performed by Rachel Costello and Dan Costello, the married founders of Yo Re Mi, a musical yoga program for children. During an interactive adventure that helps a lost laugh return to the forest of the title, little ones submit ideas, practice basic yoga poses, and master simple calming techniques like deep breathing.

This half-hour show plays twice on Sundays (except January 24th) through February 7th and plays against Preston Spurlock’s colorful animations. Families who register on the theater’s website will receive video activities and a zoom link for $ 20. Two weeks after production closes, the forest will continue to greet children in an on-demand recorded performance available for $ 15.
LAUREL GRAEBER

When you’re on the phone to speak to an anonymous stranger – not an actor playing a role, just a member of the public like you – it may not sound like theater. But “A Thousand Ways (Part 1): A Telephone Call”, a gentle, participatory piece by the experimental duo 600 Highwaymen, is an impressive exercise in socially distant connection. With an automated voice asking scripted questions (“Are you good in an emergency?”), The two people on either end of the private hour-long encounter are each other’s only audience.

The beginning of a planned triptych, the other parts of which will take place in person, “A Thousand Ways (Part 1): One Phone Call,” is a calming counterpoint to this fearful, atomized moment. Presented until Sunday as part of the Under the Radar Festival (tickets are free but sold out on publictheater.org), it is also available through Stanford Live, where $ 75 tickets at live.stanford.edu include entry to part 2 and 3, which later this year comes to one of the performance rooms on the Stanford University campus in California.
LAURA COLLINS-HUGHES

Classical music

The audience who enjoyed Kaija Saariaho’s production of “L’Amour de Loin” at the 2016 Metropolitan Opera has reason to celebrate this weekend. From Saturday the Operavision platform will broadcast a concert performance of another dramatic work by the Finnish composer: the oratorio “La Passion de Simone”, inspired by the life and writing of Simone Weil. (The stream will be free for six months and available on request.)

Despite the Passion setting, the piece is not an unalloyed celebration of Weil, a mystic and philosopher. Saariaho’s music, along with the writing of her regular librettist Amin Maalouf, moves between Weil’s thinking and commenting. The narrator of the oratorio – usually a soprano role – is sung from the perspective of a nameless, fictional sister of Weil. (Weil’s own writing is also fed into the mix via the electronics.) In this Operavision performance, which was recorded late last year, the part was sung by experienced mezzo-soprano Anne Sofie von Otter, which is another compelling reason to get involved .
SETH COLTER WALLS