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Health

The Perilous Hunt for Coconut Crabs on a Distant Polynesian Island

We meet Adams Maihota in front of his house in the middle of the night. As a crab hunter, he wears white plastic sandals, board shorts, a tank top, and a cummerbund to keep string lengths up. He takes a sprig of wild mint and puts it behind his ear for good luck.

Photographer Eric Guth and I follow Mr. Maihota’s blazing headlights into the forest in search of coconut crabs, locally known as kaveu. The largest terrestrial invertebrates in the world, they are delicious, cooked or fried with coconut milk. Since phosphate mining stopped here in 1966, they have become one of Makatea’s greatest exports.

It’s ankle-breaking terrain. We negotiate the roots of pandanus trees and the infinite Feo, a Polynesian name for the ancient reef rocks that stand tall everywhere. The vegetation hits us in the face and legs, and our skin becomes drenched in sweat.

The traps Mr Maihota set earlier this week are made of notched coconuts tied to trees with fibers from their own shells. When we reach one, we turn off our lights to quietly approach. Then Mr. Maihota throws himself.

A moment later he stands up with a sky-blue crab that kicks its ten legs in wide circles. Even if its fleshy belly curls under the rest of its body, the animal is much longer than the hunter’s hand.

Makatea, part of the Tuamotu Archipelago in French Polynesia, is located in the South Pacific about 150 miles northeast of Tahiti. It is a small raised coral atoll just under four and a half miles in diameter at its widest point with sheer limestone cliffs rising up to 250 feet straight out of the sea.

From 1908 to 1966, Makatea was home to the largest industrial project in French Polynesia: eleven million tons of phosphate-rich sand were excavated and exported for agriculture, pharmaceuticals and ammunition. When mining stopped, the population fell from around 3,000 to less than 100. Today, there are around 80 full-time residents. Most of them live in the central part of the island, near the ruins of the old mining town that is now rotting in the jungle.

A third of Makatea is made up of a maze of more than a million deep, circular holes known as the Extraction Zone – a legacy of mining. Crossing this area, especially at night when coconut crabs are active, can be fatal. Many of the holes are over 30 meters deep and the ledges between them are narrow. Even so, some hunters do it to get to the rich crab habitat on the other side.

One evening before sunset, a hunter named Teiki Ah-scha meets us in a notoriously dangerous area called Le Bureau, named after the mining buildings that used to be there. Mr Ah-scha wears flip-flops and trudges around the holes and balances on their edges. When he chases through the extraction zone, he comes home in the dark with a sack full of crabs on his back.

Mr. Maihota hunted this way too – and he tells me he misses it. However, since his wife fell into a shallow hole a few months before our 2019 visit, she has forbidden him to cross the extraction zone. Instead, he sets traps around the village.

Coconut crabs live in a wide range, from the Seychelles in the Indian Ocean to the Pitcairn Islands in the southern Pacific. They were part of the local diet long before mining. The largest specimens, “les monstres”, can be the length of your arm and live for a century.

There is no population study of Makatea, so the crabs’ conservation status is unclear – although they seem to be everywhere at night when they rattle over the rocks.

If we catch crabs that are not legal – either women or those less than six centimeters above the shell – Mr Maihota lets them go.

If the islanders aren’t careful, the crabs might not be there for future generations. In many locations in the Indo-Pacific, the animals were hunted to extinction or local extinction.

Makatea is at a crossroads. Half a century after the first mining era, a proposal for more phosphate extraction is pending. Although the island’s mayor and other supporters cite the economic benefits of labor and income, opponents say new industrial activity will destroy the island, including its fledgling tourism industry.

“We can’t let her suffer again,” a woman says to me, referring to the island as a living being.

Still, it’s hard to make a living here. “There’s no work,” says Mr. Maihota as we stand under the stars and sweat drips onto the forest floor. He doesn’t want to talk about the mine. The previous month, he shipped 70 coconut crabs to buyers in Tahiti for $ 10 each.

In popular hunting areas, hunters say the crabs are smaller or smaller, but hunters depend on income and no one has a complete picture of how the population as a whole is doing.

The next morning we visit Mr. Maihota’s garden, where the crabs are confiscated in individual boxes so that they do not attack each other. He will feed them coconut and water to cleanse their systems as they eat all kinds of foods in the wild, including carrion.

In daylight, their shells are rainbows of purple, white, orange, and many shades of blue. For now, at least – with no mining and although the crops are still sustainable – they seem perfectly adapted to makatea, holes and everything.

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Business

5 issues about Ford’s F-150 Lightning

Ford officially unveilied the new electric F-150 Lightning pickup on May 19, 2021 at its world headquarters in Dearborn, Mich.

Michael Wayland / CNBC

DETROIT — If anyone doubted the importance of the electric Ford F-150 Lightning to Ford Motor, they shouldn’t after the vehicle’s theatrical debut at the automaker’s world headquarters this week in Michigan.

Ford turned its 12-story home — known as the “Glass House” for its boxy, glass-clad modern design — into a 64,000-square-foot projection screen for the vehicle’s official unveiling Wednesday night. It was an over-the-top presentation that spoke to the significance of the vehicle and Ford’s pickup truck franchise, which hauls in the lion’s share of the company’s profits.

Ford Chairman Bill Ford called it a “defining moment” and a “historic day” for the company. Ford CEO Jim Farley said it was a “moment of tremendous pride” and would test whether mainstream Americans truly want electric vehicles.

Ford did everything it could to make the vehicle appealing to pickup truck customers — from its price to its functionality and design. It also added some surprising features that would not be possible with a gas-powered vehicle, such as an enormous front trunk, or frunk, and the ability to power a house for days.

Here’s more on those features as well as other things to know about the truck.

Anti-Tesla design

The pickup resembles the automaker’s current F-150 but includes new interior and exterior features. It’s powered by two electric motors and a battery pack instead of a traditional gas engine. It will be offered in two battery options with targeted ranges of 230 miles or 300 miles, Ford said.

The design and functionality of the F-150 Lightning pickup is meant to be a truck, “not a science experiment,” according to Linda Zhang, chief engineer of the vehicle.

A promotional shot of Tesla’s Cybertruck.

handout

Taking a jab at Tesla’s Cybertruck design, Jasen Turnbull, marketing manager for the Lightning, put it a different way: “Our customers told us they want something modern and advanced, but did not want their truck to look like a doorstop or a spaceship,” he said. “They wanted something distinct but not different.”

Tesla’s upcoming Cybertruck has a unique and polarizing design that was inspired by the films “Blade Runner” and “The Spy Who Loved Me.”

It can power a house

The F-150 Lightning is available with 11 outlet plugs, including four in the frunk and one 240-volt in the pickup box for heavy-duty equipment. Using the vehicle’s battery, the truck also works as an electric generator. Depending on the amount of electricity being drawn, it could power a house for up to 10 days, Ford said.

Ford is partnering with solar company Sunrun to offer an at-home EV charger and an inverter that would automatically draw power from the truck when it’s plugged in — enough to power an entire home or certain critical products during a power outage. They’ll also offer solar installation for owners.

A current hybrid electric-gas model of the 2021 F-150 also features an electric generator but not the level of power of the EV version.

The F-150 Lightning is estimated at up to 563 horsepower and 775 pound feet of torque — about 130 horsepower and 200 pound feet of torque more than the top-rated version with an engine.

‘Frunking awesome’

The Lightning also boasts a massive front trunk, or frunk.

The frunk, located where the engine would typically be, is unique, as the vehicle’s grille is integrated into the hood. It creates an open, flat area that’s easier to load and unload than a bin-type frunk found on most EVs. It adds 14.1 cubic feet of secured storage for dry or wet items. For the latter, it also features a drain at the bottom.

2022 Ford F-150 Lightning

Ford

“I like to say it’s frunking awesome,” said Nancy Reppenhagen, Ford supervisor of global feature process who led development of the frunk. For tailgating, she said, it could be used as a cooler, table or stand for a large flat-screen TV.

The frunk also features four 110-volt outlet plugs and two USB ports for charging. It is designed to store up to 400 pounds.

Price and profits

The vehicle’s price, much like the traditional F-150, has a wide bandwidth. Ford said a work-oriented version of the truck will start at $39,974. More consumer-centric models will start at $52,974 and top out at around $90,000.

The “74” at the end of the price has a hidden meaning, a Ford spokesman told CNBC. It’s a nod to the 74th anniversary of the Ford F-Series in 2022, which is the first model year of the F-150 Lightning.

Ford said the vehicle will be profitable, however, executives declined to comment on whether every model would make money.

It is expected to be one of the first mainstream electric pickups, if not the first, when it arrives in dealer showrooms by mid-2022.

Reservations

Ford is taking refundable $100 reservations for the F-150 Lightning on its website. It took more than 44,500 reservations in less than 48 hours after the truck’s official debut, Farley tweeted Friday morning. That was up from more than 22,000 as of Thursday morning.

“The response has been great,” Farley said during an interview Thursday on CNBC’s “Squawk Box.” 

The strong response is not unique. Two days after unveiling the Tesla Cybertruck in November 2019, CEO Elon Musk tweeted that the company had taken 146,000 reservations for the steel trapezoid-shaped pickup.

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Politics

Why Arkansas Is a Check Case for a Submit-Trump Republican Get together

When asked about Ms. Rutledge’s criticism, Ms. Sanders ignored her rival and trumpeted her own record-breaking early fundraising. “I don’t take anything for granted,” she said via text message.

Should Ms. Sanders emerge as the Republican standard-bearer, she could face a third-party opponent from far outside of pro-Trump orbit. Senator Jim Hendren, who left the GOP after the January 6 riot, and Davy Carter, a former State House spokesman, are both considering offers.

In separate interviews, they said that they would not compete with each other in the same race. “I am convinced that Trump and Trumpism is a slowly sinking ship even in Arkansas,” said Carter, spokesman who helped drive Medicaid’s expansion. He said that a successful challenge to Trumpism would only come if Liberals, moderates, and anti-Trump Republicans “organize on a track”.

When asked who he would ultimately have back in the governor’s race, Hutchinson said, “I expect to support the Republican candidate.”

But he admitted that he had spoken extensively with his nephew, Mr Hendren, and said that they share “the same frustrations” about the party, except that Mr Hutchinson is determined to fight out of the tent. He gave Mrs. Sanders barely disguised advice and said, “Leadership is about bringing people with you and not giving in to a lie.”

The governor and most observers are deeply skeptical that an independent could win nationwide. In fact, more than a year and a half before Mrs. Sanders took office, many insiders debated what kind of governor she would be.

Would she re-use Mr. Trump’s anti-media and complaint-oriented policies to stay in national headlines and perhaps promote her own presidential election, or would she reflect her father’s more pragmatic approach to the office? While now known for his own Fox News and social media profile, Mr. Huckabee ruled the political center and even aroused the ire of the far right, whom he described as “Shiite Conservatives.”

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Health

Instances could have peaked however deaths hit new document

People receive their Covid-19 vaccines from medical workers at a vaccination centre set up in the classroom of a government school on May 04, 2021 in New Delhi, India.

Getty Images | Getty Images News | Getty Images

India reported its highest single-day increase in Covid-19 deaths as cases stayed below 300,000 for the third straight day.

On Wednesday, health ministry data showed at least 4,529 people succumbed to the disease over a 24-hour period as 267,334 new cases were registered.

India has reported more than 25 million cases and over 283,000 deaths so far. But experts suggest the figures undercount the actual toll as testing is limited in some places, particularly in rural areas currently experiencing a surge in cases. Many patients who have died at home — due to hospitals running out of beds — are also typically left out of the official tally.

The South Asian nation has been testing anywhere between 1.5 million to 2 million samples daily over the last seven days, according to government data. The test positivity rate has come down from 19.45% last Thursday to 13.31% on Wednesday as of 8 a.m. local time.

Some have suggested that the second wave may have already reached its peak after daily cases reached a record high of over 414,000 on May 7. But there is growing concern over the pandemic’s spread into rural India, where smaller towns and villages do not have adequate health-care infrastructure to handle a sharp rise in cases that left big metropolitan cities like New Delhi and Mumbai scrambling.

In its newest weekly epidemiological update on the pandemic, the World Health Organization said that all regions reported a decline in new cases apart from the Western Pacific Region last week, where the reported number was similar to the week before.

The South-East Asia region, which includes South Asian and Southeast Asian member states, saw a 12% decline in cases and a 7% increase in death toll last week compared with the previous week. Nepal, which is also facing a Covid crisis, saw an 8% rise in new cases and a 266% jump in the death toll to about 4.2 new fatalities per 100,000 people.

WHO Director-General Tedros Adhanom Ghebreyesus last week urged member countries to continue donating vaccines to the Covax initiative so that it can increase vaccine supply to low-income countries, which are receiving only about 0.3% of global doses.

He pointed out that beyond India, countries like Nepal, Sri Lanka, Vietnam, Cambodia, Thailand and Egypt are also dealing with spikes in cases and hospitalizations.

“Trickle down vaccination is not an effective strategy for fighting a deadly respiratory virus,” he said.

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Business

Scrounging for Hits, Hollywood Goes Again to the Video Recreation Nicely

LOS ANGELES — For 28 years, ever since “Super Mario Bros.” arrived in cinemas with the tagline “This Ain’t No Game,” Hollywood has been trying and mostly failing — epically, famously — to turn hit video games into hit movies. For every “Lara Croft: Tomb Raider” (2001), which turned Angelina Jolie into an A-list action star, there has been a nonsensical “Max Payne” (2008), an abominable “Prince of Persia” (2010) and a wince-inducing “Warcraft” (2016).

If video games are the comic books of our time, why can’t Hollywood figure out how to mine them accordingly?

It may finally be happening, powered in part by the proliferation of streaming services and their need for intellectual property to exploit. “The need for established, globally appealing I.P. has naturally led to gaming,” Matthew Ball, a venture investor and the former head of strategy for Amazon Studios, wrote last year in an essay titled “7 Reasons Why Gaming I.P. Is Finally Taking Off in Film/TV.”

After years of inaction and false starts, for instance, Sony Pictures Entertainment and its PlayStation-powered sibling, Sony Interactive, are finally working together to turn PlayStation games into mass-appeal movies and television shows. There are 10 game adaptations in the Sony Pictures pipeline, a big leap from practically none in 2018. They include “Uncharted,” a $120 million adventure based on a 14-year-old PlayStation property (more than 40 million copies sold). “Uncharted” stars Tom Holland, the reigning Spider-Man, as Nathan Drake, the treasure hunter at the center of the game franchise. It is scheduled for release in theaters on Feb. 18.

Sony is starting production on “The Last of Us,” a series headed to HBO and based on the post-apocalyptic game of the same title. Pedro Pascal, “The Mandalorian” himself, is the star, and Craig Mazin, who created the Emmy-winning mini-series “Chernobyl,” is the showrunner. Executive producers include Carolyn Strauss, one of the forces behind “Game of Thrones,” and Neil Druckmann, who led the creation of the Last of Us game.

Sony games like Twisted Metal and Ghost of Tsushima are also getting the TV and film treatment. (Contrary to speculation, one that is not, at least not anytime soon, according to a Sony spokesman: God of War.)

In the past, Sony Pictures and Sony Interactive operated as fiefs, with creative control — it’s mine; no, it’s mine — impeding adaptation efforts. When he took over as Sony’s chief executive in 2018, Kenichiro Yoshida demanded cooperation. The ultimate goal is to make better use of Sony’s online PlayStation Network to bring Sony movies, shows and music directly to consumers. PlayStation Network, introduced in 2006, has more than 114 million monthly active users.

“I have witnessed a radical shift in the nature of cooperation between different parts of the company,” said Sanford Panitch, Sony’s movie president.

The game adaptation boom extends far beyond Sony.

“Halo,” a series based on the Xbox franchise about a war between humans and an alliance of aliens (more than 80 million copies sold), will arrive on the Paramount+ streaming service early next year; Steven Spielberg is an executive producer. Lionsgate is adapting the Borderlands games (roughly 60 million sold) into a science fiction film starring Cate Blanchett, Kevin Hart and Jamie Lee Curtis.

Buoyed by its success with “The Witcher,” a fantasy series adapted from games and novels, Netflix has shows based on the “Assassin’s Creed,” “Resident Evil,” “Splinter Cell” and “Cuphead” games on the way. Jonathan Nolan and Lisa Joy, the duo behind HBO’s “Westworld,” are developing a science-fiction show for Amazon that is based on the Fallout video game franchise.

And Nintendo and Illumination Entertainment, the Universal Pictures studio responsible for the “Despicable Me” franchise, have an animated Mario movie headed to theaters next year — another new collaboration between a game publisher and a film company.

Today in Business

Updated 

May 21, 2021, 3:55 p.m. ET

Still, Hollywood’s game adaptation track record is terrible. Why should the coming projects be any different?

For a start, the games themselves have evolved, becoming more intricate and cinematic. “Games have stories that are so much more developed and advanced than they used to be,” Mr. Panitch said.

There are also signs that Hollywood has figured out how to make game-based films that satisfy both audiences and critics. “Pokémon Detective Pikachu,” which paired animated creatures with live actors, collected $433 million worldwide in 2019 for Warner Bros. and Legendary Entertainment — and was the first major game adaptation in three decades to receive a “fresh” designation on Rotten Tomatoes, the review-aggregation site. Since then, two more adaptations, “Sonic the Hedgehog” (Paramount) and “The Angry Birds Movie 2” (Sony) have been critical and commercial successes.

“Quality has definitely been improving,” said Geoff Keighley, creator of the Game Awards, an Oscars-like ceremony for the industry.

The most recent game-to-film entry, “Mortal Kombat” (Warner Bros.), received mixed reviews but has taken in $41.2 million in the United States since its release last month, a surprisingly large total considering it was released simultaneously on HBO Max and theaters were still operating with strict coronavirus safety protocols.

Mr. Panitch acknowledged that “video game movies have a checkered history.” But he added, “Failure is the mother of invention.”

Game adaptations, for instance, have often faltered by trying to rigidly replicate the action and story lines that fans know and love. That approach invites comparison, and movies (even with sophisticated visual effects) almost always fail to measure up. At the same time, such “fan service” turns off nongamers, resulting in films that don’t connect with any particular audience.

“It’s not just about adapting the story,” said Michael Jonathan Smith, who is leading Sony’s effort to turn Twisted Metal, a 1995 vehicular combat game, into a television series. “It’s about adapting how you feel when you play the game. It has to be about characters you care about. And then you can slide in the Easter eggs and story points that get fans absolutely pumped.”

“Uncharted” is a prequel that, for the first time, creates origin stories for the characters in the game. With any luck, such storytelling will satisfy fans by giving them something new — while also inviting nongamers, who may otherwise worry about not knowing what is going on, to buy tickets. (The producers of “Uncharted” include Charles Roven, who is known for the “Dark Knight” trilogy.)

“It’s a question of balance,” said Asad Qizilbash, a senior Sony Interactive executive who also runs PlayStation Productions, an entity started in 2019 and based on Sony’s movie lot in Culver City, Calif.

Unlike in the past, when Sony Pictures and Sony Interactive pledged to work together and ultimately did not, the current collaboration “has weight because there is a win for everyone,” Mr. Qizilbash added. “We have three objectives. Grow audience size for games. Bring product to Sony Pictures. Showcase collaboration.”

The stakes are high. A cinematic flop could hurt the game franchise.

“It’s risky,” Mr. Qizilbash allowed. “But I think we can do it.”

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World News

Australian sensible metropolis desires to be the following Silicon Valley

A computer generated aerial view of Greater Springfield near Brisbane, Australia.

Springfield City Group

If you drive the sunny coast of Australia’s Gold Coast 25 kilometers outside of Brisbane, you’ll find Greater Springfield, a city that’s different by nature.

You may never have heard of it. Not surprising; The city is not yet 30 years old. But that doesn’t hold it back. In a few years, it could be the next Silicon Valley, says developer Springfield City Group (SCG).

“The world has learned a lot from Silicon Valley,” founder Maha Sinnathamby told CNBC. “We said, this is 85 years old. Let’s design the latest version.”

Sinnathamby is the brains behind Greater Springfield, Australia’s only privately built city and its first planned city since the founding of the capital Canberra more than a century ago. The octagonal real estate tycoon, who has had a 50-year career developing residential and commercial buildings across Australia, said his most recent project, as well as his inspiration Silicon Valley, is about creating a modern business hub based on technology, Education and health care.

We are trying to attract the Microsofts and Googles of the world.

Maha Sinnathamby

Founder and Chairman of the Springfield City Group

And now he’s looking for big-name companies to help him reach the next level of his cherished $ 68 billion vision.

“We’re trying to attract the world’s Microsofts and Googles,” said Sinnathamby, noting that the group is currently in talks with a multinational tech company.

An innovation center for the Asia-Pacific region

Developed on 7,000 acres for $ 6.1 million, Greater Springfield – the 10th largest planned community in the world – is already a living, breathing city that has changed dramatically from the 1992 disused Sinnathamby forestry operation.

Sinnathamby is now home to 46,000 residents, 16,500 homes, 11 schools, a national university campus, a hospital and a railway line that connects it to neighboring Brisbane.

However, it will take more companies to make it a true hub of innovation in the Asia-Pacific region and meet its goals of triple its population and create 52,000 new jobs by 2030. To date, the SCG project has created 20,000 direct and indirect jobs, it said.

“We want to charge it with highly respected companies that are highly talented and want a lot of profit,” said Sinnathamby. “We can’t do this massive job alone.”

Greater Springfield is the first privately built city in Australia and the 10th largest planned master parish in the world.

Springfield City Group

The bait, as Sinnathamby puts it, is the city’s green field, which gives companies like Silicon Valley space to experiment. This includes offering dedicated facilities in which large companies and smaller start-ups can innovate. In the meantime, the “Living Lab” offers space to test new technologies related to intelligent working, living, learning and playing.

Engie SA is a company that is currently testing the waters. In 2018, the French utility signed a 50-year strategic alliance to make Greater Springfield Australia the first net-zero energy city.

By 2038, Engie plans for the city to generate more energy than it uses by focusing on five key pillars: urban planning, mobility, buildings, energy and technology. Improving the infrastructure for electric vehicles, prioritizing public transport, building green buildings, introducing solar panels on all available roofs, and maintaining 30% of the area’s land for open green spaces are among the different methods by which this is achieved .

Earlier this month, Sydney-based start-up Lavo chose Greater Springfield as the production center for its “world’s first” 30-year hydrogen battery set, which is designed to power a home for two days on a single charge.

Developing a knowledge workforce

The new business will be located in Greater Springfield’s Knowledge Precinct, the city’s main employment hub, designed to attract knowledge workers with skills related to the core pillars of technology, education and healthcare.

Health City, a 128-acre health district developed with Harvard Medical International, will offer world-class healthcare as well as thousands of medical jobs, Sinnathamby said. In the meantime, the city’s growing education network, which includes two new universities and a focus on indigenous communities, will nurture the new generation of professionals, he said.

I want partners to come who are committed to this vision.

Maha Sinnathamby

Founder and Chairman of the Springfield City Group

“We are working very hard to ensure that this knowledge district is not just a gift for Australia, but perhaps the world as well,” said Sinnathamby.

However, the timing of the project cannot be ignored. The pandemic has caused many people to rethink the attractiveness of key business centers. It is estimated that 53% of US tech and media workers have already left or are planning to leave the rising cost of living in large cities.

However, Sinnathamby is confident that his vision for Australia’s future city will stand – and maybe even provide a blueprint for others. With its focus on emerging industries, Greater Springfield appears to have weathered the pandemic better than some other places, recording an unemployment rate of 3.9% versus the nationwide level of 5.9% in Queensland.

“I’m committed to this as a nation-building project,” said Sinnathamby. “Now I want partners to come who are committed to this vision.”

Categories
Business

NBA play-in video games are successful — here is why the league ought to maintain the format

LeBron James #23 of the Los Angeles Lakers drives to the basket against the Golden State Warriors during the 2021 NBA Play-In Tournament on May 19, 2021 at STAPLES Center in Los Angeles, California.

Adam Pantozzi | National Basketball Association | Getty Images

LeBron James made his feelings known. National Basketball Association team owner Mark Cuban did, too. Some like it, and others don’t.

But the NBA play-in games went from pandemic necessity to possible permanent feature.

The play-in games pair seeds 7-to-10 in each conference, with winners securing the final four playoff spots. The NBA installed the games last summer because the season was interrupted due to Covid-19.

“It added some excitement for our TV partners and for our fans to watch games that are important and meaningful,” Phoenix Suns owner Robert Sarver told CNBC when asked about the games. “And from an additional entertainment aspect, it’s an additional asset for our media partners.”

The latest on the viewership front is the NBA reached over 5 million viewers for the premium play-in: James’ Los Angeles Lakers against the Steph Curry-led Golden State Warriors. It’s not pro football viewership stats, but nothing in U.S. sports will ever match the NFL. And few media pundits will frown at 5 million viewers on a Wednesday night.

Now NBA commissioner Adam Silver will now navigate the politics of continuing playoff play-in games. He’ll have to deal with the basketball traditionalists, the egos in the ownership group and the players who will make their feedback known. But Silver’s job to convince his NBA constituencies shouldn’t be difficult, and here’s why.

Viewership is strong, and that’s what matters

Last year, only one play-in game occurred – the Memphis Grizzlies against the Portland Trail Blazers – as disparity guidelines were in place. The Blazers-Grizzlies averaged over 1 million viewers and peaked at 2.6 million on a Saturday afternoon in August. For two small-market teams, that’s a success for ESPN.

Turner Sports said the seventh-seed Boston Celtics win over the Washington Wizards averaged 2.5 million viewers. And the lower-seeded contest (Charlotte Hornets and Indiana Pacers) averaged 1.4 million viewers.

And James helped ESPN average 5.6 million viewers with his appearance. The Los Angeles Lakers beat the Golden State Warriors 103-100 thanks to James’ game-winning shot. ESPN also averaged 2.2 million viewers for the first contest featuring Memphis Grizzlies rising star Ja Morant.

“The early returns are good,” said NBA executive Evan Wasch, one of the people James suggested should be fired for his part installing the play-in. Wasch is the executive vice president of basketball strategy and analytics. Part of his job is to help format the games, which were on the NBA’s radar before he arrived at the league.

With the potential of six new games added, that should only help the NBA when it comes back to the negotiating table with its national media partners. Early speculation is the NBA would seek just around $70 billion for new rights. The current agreement runs through 2024.

But if fans are watching, which so far they are, things could get interesting for Disney and the new Discovery-WarnerMedia.

Dallas Mavericks owner Mark Cuban shakes hands with Luka Doncic (77) after the 117-110 win over the San Antonio Spurs in an NBA basketball game Monday, Nov. 18, 2019, in Dallas.

Richard W. Rodriguez | AP

Team business will benefit

Like James, Cuban was adamant about his dislike for the games. The thing is, he commented when his Dallas Mavericks were on the verge of competing in the play-in. The Mavs escaped, though, and Cuban went back to discussing NFTs. But even he can’t deny the play-in games are suitable for his pocketbook.

The play-in games are basically playoff contests. For the seventh seed, it provides at least two elimination games at home. So, for instance, if the Mavs had finished seventh, they’d play the exact amount of guaranteed games at American Airlines Center as they would in a traditional playoff format. And if they win the play-in and advance far in the playoffs, that’s more gameday revenue, and that jersey patch increases in value, too. The play-in stats don’t count, but the money coming in does.

“The seventh seed sort of ends up in a net positive place from a team business perspective,” Wasch said. “That seed is getting an incremental benefit from being in this play-in by virtual of having more [playoff] home games.”

How can Cuban argue against that? Asked if his stance has changed, in an email, Cuban stayed quiet. But when asked his perspective, Sarver said, “I would have no problem supporting it.”

Ja Morant #12 of the Memphis Grizzlies rebounds the ball against the San Antonio Spurs during the 2021 NBA Play-In Tournament on May 19, 2021 at FedExForum in Memphis, Tennessee.

Joe Murphy | National Basketball Association | Getty Images

The competition will be good

Take away the dull games featuring the Pacers and Wizards and the play-in games were fun to watch. But it’s the competition before the games that elevated the NBA’s fan engagement.

Over the final two weeks of the regular season, the play-in races were one of the most discussed topics in sports. Would the Lakers fall? Could Curry get in? Plus there was James’ dislike of the format.

“It certainly has not hurt the level of interest around the play-in to have some of our prominent players and owners speaking up about it, whether positive or negative,” Wasch said.

He added the race for the sixth-seed was intensified, as teams wanted to avoid the play-in. It’s here the NBA has created a race in the middle of the standings. When discussing the topic with CNBC, a prominent Western Conference team executive noted 24 teams were competing for positioning over the last few weeks of the season. Asked if he would support it permanently, the executive said yes. And Sarver noted it discourages teams from tanking to position for draft picks.

“What we learned is that our teams and players are responsive to the competitive dynamics that are presented in front of them,” Wasch said. “When you give teams the opportunity to earn greater rewards for finishing higher in the standings, and those rewards are outsized relative to what they’ve been traditionally, then you see a response.

“We saw it in the bubble last year with the teams in the Western Conference fighting to get into the play-in,” Wasch added. “And we’re seeing it fourfold this year because it’s just not eight and nine [seeds]. … If that were to continue, then this format is a success. So far, all the learnings have been positive.”

Now what happens?

The viewership for the Lakers-Warriors contest was solid, but that number could be tough to capture again. It did feature two of the top athletes in the world (Curry and James). The chances those two meet in that position again are slim.

Still, after Silver gets team owners in line, convincing the National Basketball Players Association is next. At that point, the NBA will reveal how much these play-in games mean to the league.

“I think they are going to have the play-in again,” said former NBPA executive Charles Grantham. “The thing is: what is it going to cost for them to get the players to agree? It’s no question that it will be a subject to negotiation for the next agreement.”

Now the director of the sports management program at Seton Hall, Grantham said he expects the NBPA to request that the play-in games’ revenue gets added to the NBA’s gross revenue, which they split with the players in the form of basketball-related income, according to their existing agreement.

And eliminating preseason games could be an option, too, as players could have questions about wear and tear on their bodies. But these days, teams have rest strategies so the obstacles shouldn’t prevent an agreement.

There’s still things to figure out, fairness being one of them, but the NBA found its new asset. The play-in games are fun and prove they work.

“If we found that fans felt it devalued the regular season, that would be something take a look at to see if we can squeak it in any way to adjust to that,” Wasch said. “But I’m optimistic we’ll find that it was actually a welcomed addition.”

Categories
Entertainment

The Pleasure of Eurovision Trend

It is an uncomfortable reality of the modern communal spectacle that more often than not, when it comes to a major award show or performance extravaganza or even sporting event, marketing has overwhelmed personal expression — at least when it comes to the clothes. Red carpets are a big business for public personalities, and fear of looking silly an equally powerful deterrent. Brands have swooped in to exploit that tension to their own ends.

We wrote off the Oscars years ago, but when even the MTV Video Awards and the Olympics become hashtag opportunities for Valentino, Giambattista Valli and Ralph Lauren (among many, many others), you know we’ve reached peak fashion penetration.

Which is why Eurovision 2021, that no-holds-barred mash-up of emotion, inanity, genres, nationalities, wind machines, bursts of fire and just plain weirdness, was such a joy to watch.

The hosts didn’t just use “Open Up” as their official slogan and then open the arena in Rotterdam to thousands of people (thousands of people! in one room! yelling and dancing!). They opened up the stage to a parade of ridiculous outfits that were nevertheless worn with so much exuberance it was a great reminder that sometimes just the freedom to express your own taste should be the goal.

The sheer fact that Italy’s Maneskin, the winner of the whole shebang, actually worked with a big-name designer and no one would ever know because the rock band’s identity completely overshadowed the fashion brand, is symptomatic of what makes Eurovision special. And, increasingly, unique.

That designer — Etro — is, after all, an Italian family-run brand that has made a signature out of a certain boho deluxe aesthetic, most often expressed in floaty paisley fabrics and a sort of sand-swept romance. Yet there Maneskin was, doing their very energetic best to revive the whole idea of glam rock in laminated laced-up leather flares and studded leather jackets, and gold-speckled poet’s sleeves. It did make you think Jimi Hendrix-meets-“Velvet Goldmine,” but it didn’t make you think “Milan Fashion Week.”

That’s actually all to the good. Indeed, by the end of the show, it was hard not to wish that along with the winning song, viewers had gotten to vote for the winning outfit. After all, the two are fairly intertwined.

If Italy won the competition, for example, Vegas-style silver clearly won the night. Spangly, abbreviated shine was the go-to performance look, as seen on Anxhela Peristeri from Albania (in a high-necked steel-sequined leotard with icicles of sparkles dripping from her hips and shoulders); Elena Tsagrinou from Cyprus (in some sort of halter neck bikini confection with crystals and beading); Destiny from Malta (silver fringe-y minidress); and Natalia Gordienko from Moldova (long-sleeved plunge-neck bodysuit with — yup! — more silver fringing).

Apparently, their costume designers had all watched last year’s satire, “Eurovision Song Contest: The Story of Fire Saga,” and been inspired to take it literally.

Though the bright yellow outfits of Lithuania’s the Roop, which combined shoulder pads, jumpsuits, and schoolgirl pleats and called to mind the early days of MTV, not to mention both New Wave silhouettes and sunny-side-up eggs, were equally hard to forget. There’s a reason that they caught the eye of supporters in Vilnius, who according to a local government blog enlisted MK Drama Queen, the brand that created the costumes for the Roop to help dress local statues in bright yellow accessories as a form of home-country boosterism.

When it came to camp, however — which is, after all, the signature aesthetic value of Eurovision — no one beat Norway’s Tix. His giant white fur and even more giant white wings took his crystal-studded silver bodysuit to a whole different level, as did the silver chains that bound him to both the Earth (and a couple backup demons gyrating nearby), the better to evoke the point of his song, “Fallen Angel.”

Speaking of angels, feathers were also a key component of the look from San Marino’s Senhit along with a giant gold headdress (along with Flo Rida, who joined her onstage). Which was only outdone in the “how-in-the-world-do-you-move-in-that?” sweepstakes by Russia’s Manizha, who made her entrance in the robes of what looked like a giant matryoshka doll only to answer the question by emerging in the freedom of red coveralls to illustrate the theme of her song, “Russian Woman.”

You couldn’t help but smile at it all, which is the point. Fashion is supposed to be fun. It’s supposed to make you feel good. That’s something everyone needs. That Eurovision hides that under a bushel of kitsch doesn’t make it any less true.

Little wonder no one could muster up any enthusiasm (or votes) for England’s James Newman, who donned a … plain leather coat for his number. One of the takeaways of Eurovision 2021 should be that Coco Chanel’s whole “elegance is refusal” stance doesn’t really work in this context. Except, perhaps, when it comes to France’s Barbara Pravi, who took to the stage in a simple black bustier and black trousers to croon her song “Voilà,” winning a rapturous reception from her home market and coming in second in the jury vote.

Given the plaudits, it was hard not to wonder — with a bit of a sinking heart — if, say, a Dior ambassadorship might be in her future.

Categories
Health

Uncover a Water Sport – The New York Instances

Sales of kayaks – along with other outdoor gadgets like bicycles and camping gear – soared during the pandemic, so you may have to wait a few months for your boat.

“People are rediscovering how great it is to get outside in their own neighborhood,” said Anton Willis, founder and chief design officer at Oru Kayak, a folding kayak company that has since seen a sales increase of more than 100 percent in 2019 and 2020. “We’re building kayaks as fast as we can. Many other companies are in the same boat, no pun intended. “

Pro tip for new paddlers: “People think they’re going to capsize in the water, but it usually happens if you tip over when you get on or off the boat,” Willis said. “Just start in a flat and undulating spot, like a floating dock or a gentle, sandy beach.”

Sailing has a reputation for being difficult and expensive, but that’s not necessarily the case. “Sailing can be very affordable and accessible. It’s not just for America’s Cup billionaires, ”said Bob Ross, president of the Seattle Sailing Club, which teaches sailing and rents boats to its members. “Yacht clubs have sailing schools for children and adults that are very inexpensive.”

Sailing is about joining a community of other sailors. Get it serious and become part of a racing team, or take it easy and drop anchor in a sheltered harbor for lunch. Most sailors love to share their knowledge and welcome newcomers. You don’t necessarily need experience to work on a larger boat. Check the notice boards or show up at the dock at the local sailing clubs – or try the Go Sailing app – to see if anyone needs a crew member.

“You can sign up as ‘rail meat’ – that’s someone who sits on the rail and weighs the boat down on your heel,” said Michael Campbell, founder of the Universal Sailing Club in Baltimore. “It’s the fastest learning environment you’ll find.”

And you don’t need access to the sea to sail. “There are lakes all over the country and each lake has a small yacht or sailing club that is usually very accessible,” said John Kettlewell, executive director of Sail Martha’s Vineyard, a nonprofit sailing organization in Vineyard Haven, Mass. The yacht club sounds snooty, but usually isn’t. “

Categories
Politics

Senators attain bipartisan settlement on $300 billion for highways, roads and bridges

Traffic flows through a construction area near the Bay Bridge in Annapolis, Maryland on May 21, 2021.

Jim Watson | AFP | Getty Images

A group of Republican and Democratic senators unveiled a transportation package over the weekend that would increase funding for highways, roads and bridges as Congress searches for bipartisan paths to repair the nation’s infrastructure.

The legislation, released by the Senate Environment and Public Works Committee, would increase funding by 34% to a baseline of about $300 billion over five years. The previous authorization expired in 2020 and Congress passed a one-year extension which is up in September.

“Not only will this comprehensive, bipartisan legislation help us rebuild and repair America’s surface transportation system, but it will also help us build new transportation infrastructure,” the committee’s ranking member Shelley Moore Capito, R-W.Va., said in a press release Saturday.

The bipartisan proposal is backed by committee chair Sen. Tom Carper, D-Del., as well as the chair and ranking members of the transportation subcommittee, Sens. Ben Cardin, D-Md., and Kevin Cramer, R-.N.D.

CNBC Politics

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House Republicans on Wednesday introduced their take on a reauthorization of the surface transportation funding program — a $400 billion bill directing funding to highways, bridges and transit systems.

The push on surface transportation comes as Washington struggles to strike a deal on a broader infrastructure package.

The White House on Friday trimmed its original $2.3 trillion infrastructure plan to $1.7 trillion in a counteroffer to Republican senators, who outlined their own $568 billion infrastructure proposal in April.

However, Moore Capito’s office said the White House proposal is still “well above the range” of what Republicans in Congress would support.